1987 |
JOHN MALLARD BROMLEY (Fl.1876-1904) WOOD GATHERERS Signed, also bears signature and inscription on new lining, oil on canvas 45 x 34.5cm. Exhibited: London, The Royal Society of British Artists, 1885, no.308 £600-800 |
Nil |
|
|
| 1988 | GEORGES DUPRE (Fl.c.1900-1920) CHECK! Signed, oil on board 39 x 29cm. £500-700 |
Nil |
|
800 |
| 1989 | GEORGES DUPRE (Fl.c.1900-1920) HOLY ORDERS Signed, oil on board 39.5 x 29cm. £500-700 |
Nil |
|
|
| 1990 | ATTRIBUTED TO OTTO DONNER VON RICHTER (1828-1911) LADY WITH A BASKET OF FLOWERS IN A GARDEN Signed O.RICHTER, oil on panel 30 x 18.5cm. £350-450 |
Nil |
|
340 |
| 1991 | HENRY LE JEUNE, ARA (1819-1904) THE CYMBAL GIRL Signed with monogram and dated 1877, oil on panel 20 x 11cm. £800-1200 |
Nil |
|
|
| 1992 | A** D** BASTIN (Fl.1871-1900) A FLOWER GIRL Bears an inscribed label on the backboard, oil on board 19 x 14cm. £600-800 |
Nil |
|
|
| 1993 | FOLLOWER OF VINCENZO IROLLI (1860-1949) MOTHER AND CHILD Bears a signature, oil on canvas 75.5 x 52cm. £180-250 |
Nil |
|
520 |
| 1994 | MICHELANGELO MEUCCI (1840-c.1891) TWO BIRDS ON A NAIL Signed and inscribed Firenze 1891, oil on board, oval 20 x 16cm. £300-400 |
Nil |
|
|
| 1995 | MAUD M. TURNER (Fl.1891-1908) A WIRE FOX TERRIER Signed, oil on canvas board 30 x 23.5cm. £250-350 |
Nil |
|
540 |
| 1996 | S** VICTOR (Fl.c.1860) A SCENE FROM THE ITALIAN WAR OF INDEPENDENCE: AUSTRIAN INFANTRY CHARGING FRANCO-PIEDMONTESE ZOUARES Signed, oil on canvas 46 x 77cm. £80-120 |
Nil |
|
180 |
| 1997 | M** CAVALLA (Fl.c.1900) SUNSET ON THE COAST Signed, oil on board 9 x 14cm. £80-120 |
Nil |
|
150 |
| 1998 | CHARLES THOMAS BALE (Fl.1868-1875) STILL LIFE OF DUCK, PIGEON AND FRUIT ON A SHELF Signed, oil on canvas 49.5 x 75cm. £700-1000 |
Nil |
|
|
| 1999 | AFTER SIR EDWIN HENRY LANDSEER, RA (1802-1873) LAYING DOWN THE LAW (TRIAL BY JURY) Oil on canvas 72.5 x 82.5cm. * A copy of Landseer's original of c.1840 (Collection of the Duke of Devonshire at Chatsworth) £250-350 |
Nil |
|
420 |
| 2000 | CIRCLE OF GEORGE EARL (Fl.1856-1883) PORTRAIT OF A TERRIER Oil on canvas laid on board, mounted circular 28cm. diam. £250-350 |
Nil |
|
460 |
| 2001 | J** LANGLOIS (Fl.c.1880-1900) THE POLICEMEN; THE GAOLERS A pair, both signed, oil on canvas Each 32 x 42cm.(2) £400-600 |
Nil |
|
460 |
| 2002 | ATTRIBUTED TO ALAN KEITH HENDERSON (Fl.c.1938) COASTAL LANDSCAPE VIEW Oil on canvas board 29 x 34cm. * According to a later typed label on the reverse of the frame, Henderson was a Canadian who lived in Port Qu'Appelle in the 1920's and who specialised in the painting of American Indian heads. He showed his work at the Tate Gallery in 1938. £50-100 |
Nil |
|
50 |
| 2003 | REGINALD MILLS (Fl.1921-c.1941) THERE WERE NO CASUALTIES Signed, also signed and inscribed on the stretcher, oil on canvas, unframed 63 x 76cm.; with another by the same hand, depicting men and horses by a burning building, signed and dated 1941, 50.5 x 61cm., unframed (2) £300-400 |
Nil |
|
320 |
| 2004 | JOHANN MARIE TEN KATE (1831-1910) WORKING IN THE FIELDS Signed, oil on panel 27.5 x 46.5cm. £700-1000 |
Nil |
|
800 |
| 2005 | ENGLISH SCHOOL, 19th CENTURY HEAD OF A GREY HORSE Collector's stamp verso, oil on board 19 x 24cm. £100-200 |
Nil |
|
250 |
| 2006 | G** ARNEY (Fl.c.1929) POYNINGS, CADNAM Signed, inscribed and dated 1929, also signed, inscribed and dated verso, oil on panel 25.5 x 41cm. £50-70 |
Nil |
|
50 |
| 2007 | WILLIAM ARTHUR WATKINS (1885-1975) WINTER SUNSHINE Signed, oil on canvas board 39 x 49.5cm. Exhibited: The Royal Institute of Oil Painters, 1946 (label verso) £150-200 |
Nil |
|
240 |
| 2008 | FREDERICK WILLIAM WATTS (1800-1870) HAYWAIN ON A COUNTRY ROAD IN A RIVER LANDSCAPE Oil on canvas 91.5 x 129.5cm. * Watts may be neatly pigeonholed as an imitator of John Constable but, as this fine panorama demonstrates, he was a painter of considerable talent and developed a character of his own that immediately identifies his work. Whether he was the boy born in Bath in October 1800 or the child born in St Albans in July 1801, he was undoubtedly the student who entered the Royal Academy schools in 1817, aged seventeen, and who won medals in 1819, 1820 and 1821. He exhibited at The Royal Academy and elsewhere from 1821-1862 (his second wife stated that "he ceased to paint for ten years before his death"). The confusion with Constable arose from Watts living close enough to his mentor in Hampstead to have brushed shoulders with him at the Royal Academy exhibitions. Watts' later style became more deliberately imitative of Constable but he was neither a dependable signer nor a regular inscriber of such works. As a result, they were either ascribed to Constable or identified simply as views in "Constable Country" and so the confusion continued. As early as 1833, one critic thought Watts was "trying to outrun the Constable" but concluded acidly that "he never will ... daub away as he may". Nonetheless, in a rare moment of irony in Constable's distinguished career, one of his own views of Helmingham Dell in Suffolk was unsold at just fifty shillings at Christies when it had been "considered Watts', and at least not certain, if mine" as the nettled Constable later told a friend. The artist's second wife, Julia, said that her husband "had an humble opinion of his work and talents" although this self deprecation is at odds with Watts' evident empathy with the English countryside that Constable had so admired and which Watts had aspired to interpret afresh in his own idiom. Watts died of lung disease and complications arising from diabetes at his home in Lawn Road, Hampstead on July 4th 1870. £8000-12000 |
Nil |
|
8000 |
| 2009 | ISAAC WALTER JENNER (1836-1901) LAMORNA COVE AND GRANITE QUARRY, CORNWALL; PLYMOUTH HOE A pair, both signed with monogram, the former bears inscribed label on frame, oil on board Each 19.5 x 39.5cm. (2) £800-1200 |
Nil |
|
1100 |
| 2010 | WILLIAM THORNLEY (Fl.1859-c.1898) WIND AGAINST TIDE, BARGES, MOUTH OF THE THAMES; A FRESH BREEZE, OLD HULKS ON THE HAMOAZE, DEVONPORT A pair, both signed, each inscribed with title on the stretcher, oil on canvas, unframed Each 30.5 x 66cm. (2) £2000-3000 |
Nil |
|
3600 |
| 2011 | COLIN GRAEME (Fl.1858-1910) SETTERS AND A GROUSE Signed and dated 1902, oil on canvas 48 x 73.5cm. £1200-1800 |
Nil |
|
1800 |
| 2012 | HEYWOOD HARDY, ARWS (1842-1933) A FOND FAREWELL Signed, oil on canvas 44.5 x 60cm. Provevnance: Private Collection of long standing £6000-8000 |
Nil |
|
13000 |
| 2013 | HARRY FIDLER (1856-1935) WAITING FOR ORDERS Signed indistinctly, also signed and inscribed with title on stretcher, oil on canvas 24.5 x 29.5cm. £1000-1500 |
Nil |
|
1000 |
| 2014 | HARRY FIDLER (1856-1935) OVER THE FIELDS A pair, signed, also signed and inscribed with title verso, oil on canvas 26 x 29.5cm. £1800-2500 |
Nil |
|
1700 |
| 2015 | AUGUSTUS WILLIAM ENNESS (1876-1948) A BRIGHT MORNING BY THE LOCH Signed, oil on canvas 39.5 x 49.5cm. £200-300 |
Nil |
|
200 |
| 2016 | AUGUSTUS WILLIAM ENNESS (1876-1948) CHILDREN BY A COUNTRY POOL ON A SUMMER DAY Signed and dated 23, oil on canvas 44.5 x 59.5cm. £350-450 |
Nil |
|
