2048 |
HUGH GRIFFITHS (b.1916) PORTRAIT OF THE ARTIST'S WIFE Signed and dated 1949, oil on board 73.5 x 60cm. £100-150 |
Nil |
|
80 |
| 2049 | JOHN NASH, RA (1893-1977) A WINTER POOL Incised with faint scratched signature verso, oil on panel 40 x 50cm. £1500-2000 |
Nil |
|
1350 |
| 2050 | WILLIAM LEE-HANKEY, RWS (1869-1952) MENTONE FLOWER MARKET Signed, also signed and inscribed with title on the overlap, oil on canvas 50 x 60cm. Provenance: London, M. Newman Ltd. £2500-3500 |
Nil |
|
3800 |
| 2051 | SIR MATTHEW SMITH (1879-1959) RECLINING FIGURE Oil on canvas 45.5 x 60.5cm. £8000-12000 |
Nil |
|
|
| 2052 | HARRY AARON KERNOFF (1900-1974) OLD MILL, PORTMARNOCK Signed, also signed, inscribed and priced £5.5.0 on label verso, oil on thin panel 29 x 39cm. * Portmarnock (Port Mearnog) is a village in County Fingal, to the north of Dublin. This view by Kernoff is believed to date from the late 1920's. £1000-1500 |
Nil |
|
3200 |
| 2053 | JOAN GILLCHREST (1918-2008) MOUSEHOLE UNDER SNOW Oil on board 42.5 x 50cm. Exhibited: Penzance, Leon Suddaby Fine Art, 1990 £2000-3000 |
Nil |
|
3800 |
| 2054 | BERNARD DUNSTAN, RA (b.1920) COTTAGE BEDROOM, EASTER II Signed with initials, inscribed with title and dated 4.76-8.76 (33) verso, oil on board 25.5 x 41cm. Provenance: Purchased by the owner in the late 1970's. £3000-5000 |
Nil |
|
|
| 2055 | ALGERNON NEWTON, RA (1880-1968) A GRAY DAY (sic) Signed with monogram lower left, oil on board 22 x 29.5cm. Exhibited: Southport, Atkinson Art Gallery, 1962. Newton exhibited a picture entitled " A Grey Day" at the Royal Academy, 1965, no.296 * Probably a study for the picture entitled "Cumulus Clouds", sold at Christies London, November 24th 2007, lot 165. £1500-2000 |
Nil |
|
1500 |
| 2056 | JOHN ANTHONY PARK (1880-1962) FLOWER GROUP Signed, inscribed with title on the overlap, oil on canvas 34 x 44cm. Exhibited: probably Devon Art Society (remains of label on frame) £800-1200 |
Nil |
|
1100 |
| 2057 | ROBERT GRAHAM DRYDEN ALEXANDER (1875-1945) A DAY TRIP Signed, also signed and inscribed on a label verso, oil on panel 49 x 60cm. * This scene depicts the artist's family and friends on the beach, probably at Walton-on-the-Naze, Suffolk, c.1915. Alexander was a friend of Philip Wilson Steer whose influence can be seen in this work. Provenance: A direct descendant of the artist. £600-900 |
Nil |
|
600 |
| 2058 | JOHN P. NAPPER (1916-2001) CYCLAMEN Signed and dated 47, oil on canvas 45.5 x 55cm. Exhibited: London, Leicester Galleries £800-1200 |
Nil |
|
|
| 2059 | ATTRIBUTED TO ISAAC GRUNEWALD (1889-1946) RECLINING FEMALE NUDE Handwritten letter of authentication by Holger Almqvist (dated 29-2-68) verso, oil on board 23.5 x 33.5cm. £120-180 |
Nil |
|
360 |
| 2060 | FRED YATES (1922-2008) ST. MICHAEL'S MOUNT Oil on canvas 30 x 34.5cm. Exhibited: Penzance, Penzance Gallery and Antiques, 1996 £800-1200 |
Nil |
|
1300 |
| 2061 | FRED YATES (1922-2008) BRIDGEWATER Signed, oil on board 39.5 x 54.5cm. £200-300 |
Nil |
|
480 |
| 2062 | ENOCH HENRYK GLICENSTEIN (1870-1942) PORTRAIT BUST OF A MAN Signed, plaster with traces of paint 53cm. high approx. £150-250 |
Nil |
|
|
| 2063 | JOSEPH HERBERT MORCOM (1871- 1942) FEMALE HEAD Alabaster with beaten copper, upon a copper clad plinth 33cm. overall * Morcom was born near Wrexham in North Wales and, upon moving to Liverpool in 1891, trained as a carver in stone and marble, supplementing this with teaching work from his home before moving to Leicester in 1913 . He showed portrait busts and medals at the Royal Academy from 1908-1935, including a niche group for the War Memorial in the Masonic Hall in Leicester. In addition, Morcom exhibited twenty three of his works at The Walker Art Gallery, Liverpool; five at The Royal Cambrian Academy; and at the Leicester Society of Artists' Annual Exhibitions. This bust, which dates from the mid-1930's, has been consigned for sale by his son and combines an interest in traditional metalworking techniques with the vogue for semi-abstraction in the human face seen in works by Picasso and Modigliani. £500-700 |
Nil |
|
4600 |
| 2064 | EDMUND WARE (Fl.1908-1940) LION Bronze, with dark brown patina 12.5cm. Provenance: see lot 2065 £80-120 |
Nil |
|
80 |
| 2065 | SYLVIA GILLEY (1908-2008) THE ARTIST'S LEFT HAND Bronze, with green patina 16cm. long Provenance: The estate of the artist Sylvia Gilley, who was a studio assistant to Frank Dobson from 1930-1939. £150-200 |
Nil |
|
210 |
| 2066 | SYLVIA GILLEY (1908-2008) FEMALE NUDE Bronze, with green patina, signed, upon a marble base 20.5cm. long (not incl. base) Provenance: see lot 2065 £200-300 |
Nil |
|
380 |
| 2067 | SYLVIA GILLEY (1908-2008) MARION Bronze, with dark brown patina 17cm. high Provenance: see lot 2065 £100-150 |
Nil |
|
280 |
| 2068 | SYLVIA GILLEY (1908-2008) MERMAID Signed on the underside, bronze paperknife, with mid-brown patina 25cm. long Provenance: see lot 2065 £120-180 |
Nil |
|
120 |
| 2069 | ANTONIO HUBERTI (1907-2000) LA FEMME Signed, painted wood and metal construction upon a wooden base 111cm. high Provenance: Studio of the artist until December 2004 Exhibited: London, Waterhouse and Dodd, New Means, New Subjects: An Exhibition of Modernist paintings and Sculptures from the Last Century, including a Collection of 41 Works by Antonio Huberti, 2002, no.36 Huberti is a somewhat elusive figure, a mystery compounded by his having been born in Spain as Bernhard Globerman. Many reference books state that he died in 1980: in fact, he lived on for a further twenty years. However, it is known that he moved to Paris c.1920-1923 and established his career there, inspired by Picasso and Braque. He chose themes such as wine, women and music that reflected these influences as well as the atmosphere of Paris in the Jazz Age. £400-600 |
Nil |
|
860 |
| 2070 | GUY TAPLIN (b.1939) MALLARD Scratched signature on base, painted carved wood 24cm. long approx. £300-500 |
Nil |
|
270 |
| 2081 | A CARRIAGE TIMEPIECE dial white enamel, movement with cylinder escapement, 4 3/4ins. (12cms.) high £60-80 |
Nil |
|
70 |
| 2082 | A CARRIAGE TIMEPIECE dial white enamel, signed Drew & Sons, Piccadilly Circus..., movement with cylinder escapement, 4 1/2ins. (11.5cms.) high £80-120 |
Nil |
|
80 |
| 2083 | A GILT METAL CARRIAGE CLOCK dial white enamel, movement with lever escapement, striking on a gong, 5 3/4ins. (14.5cms.) high £150-200 |
Nil |
|
140 |
| 2084 | A CARRIAGE TIMEPIECE dial white enamel, signed Manning & Co., Paris, movement with lever escapement, 5 1/4ins (13cms.) high £300-400 |
Nil |
|
300 |
| 2085 | A GILT METAL CARRIAGE TIMEPIECE dial white enamel, movement cylinder escapement, 5 3/4ins. (13.5cms.) high £80-120 |
Nil |
|
90 |
| 2086 | A CARRIAGE CLOCK dial white enamel, movement repeating with lever escapement striking on a gong, 5 1/2ins. (14cms.) high £250-350 |
Nil |
|
260 |
| 2087 | A GILT METAL CARRIAGE CLOCK in the manner of Cole, dial engine-turned and foliate scrolled, set in a foliate incised surround, movement with chain fusee and striking on two gongs, 4 1/2ins. (11.5cms.) high £800-1000 |
Nil |
|
800 |
