Fine art Sale on 15th October 2010 at 11am
Pictures, Clocks and Furniture, Carpets & Rugs
1901. FRANCOIS NICOLAS MARTINET (1731-1790), Engraver
LONG-TSING-YU ou OEUIL DE DRAGONS
Engraving with hand colouring, after a Chinese artist
24 x 19.5cm.
with ten further examples from the same series, 32 x 22.5cm. and smaller (11)
++ Some foxing and damp marks; colour generally good£400-600
1902. AFTER FRANCOIS LOUIS JOSEPH WATTEAU (1758-1823)
CAHIER DE COSTUMES FRANCAIS (pls. 279, 285, 288, 304, 306, 307)
Six, etchings with hand colouring, by Dupin and Baquoy, published c.1787
Image 26 x 18cm. approx. (6)
++ Generally good condition; wash line mounts and gilt frames£200-300
1903. AFTER JOHN JAMES AUDUBON (1785-1851)
MARSH HAWK (FALCO CYANEUS) (pl.CCCLVI)
Engraving with etching, aquatint and hand colouring, by R. Havell, from Birds of America (1827-1838), this image published 1837
Sight 92.5 x 59cm.
++ A damaged impression; many small nicks and grazes; small tear upper right; discoloration and some foxing; colours slightly faded£500-800
1904. THOMAS DANIELL, RA (1749-1840)
ORIENTAL SCENERY: HINDOO TEMPLES AT BINDRABUND ON THE RIVER JUMNA (ii); RAJE GAUT, THE PRINCIPAL ROAD UP TO ROTAS GHUR, BAHAR (v); NEAR CURRAH ON THE RIVER GANGES (xxi)
Three, aquatint and etching with hand colouring, published by R. Bowyer, 1795-1796
Each 43 x 60cm. approx. (3)
++ Each with some light staining and fading£600-900
1905. AFTER HENRY SALT (1780-1827)
MOSQUE AT LUCKNOW (vi); RUINS OF THE FORT AT JUANPORE, ON THE RIVER GOOMTEE (vii); POONAH (xiii); THE MOUNTAINS OF SAMAYUT (xxi)
Four, aquatints with hand colouring by D. Havell, published by W. Miller, 1809
The first 42 x 61.5cm.; the others 41.5 x 59.5cm. approx. (4)
++ The last with some foxing; each rather faded£500-800
1906. AFTER GIOVANNI ANTONIO CANAL (CANALETTO) (1697-1768)
SOLENNITA NEL GIORNODI SANTA MARIADELLA SALUTE DURANTE LA REPUBLICA VENETA
Engraving with etching by J. B. Brustolini, with hand colouring
37 x 53.5cm.
++ Good condition£100-200
1907. SIR FRANCIS SEYMOUR HADEN (1818-1910)
KENSINGTON GARDENS (THE SMALL PLATE)
Etching, 1859, signed, inscribed and dated within the image, also signed in pencil in the margin
15.5 x 11.5cm.;
with "A River's Bank", on laid India, unsigned, 14.5 x 13.5cm.; and another, of lambs by a river, 1877, signed, 14.5 x 22cm. (3)
++ The first in need of a clean; the second with a little pale staining; the last with light staining£150-250
1908. A GROUP OF NINE ETCHINGS
to include examples by Hedley Fitton (5, to include Edinburgh, Paris and Venice), Rodolphe Schonberg, Herbert Reeve, Jozef Israels and Samuel Chamberlain, all signed (except the Israels), various sizes (9)
++ Mixed condition; some foxing£200-400
1909. SIR FRANK BRANGWYN, RA, RWS (1867-1956)
VIA DOLOROSA
Etching, printed with tone, 1923, signed in pencil
37.5 x 35cm.
++ Generally good; some slight soiling in margins£100-200
1910. AFTER DEAN WOLSTENHOLME (1757-1837)
TIMBER CARTERS; GRAVEL CARTERS
A pair, aquatints with hand colouring, by Reeve, published by W. D. Jones, 1812, rare
Each 32 x 42cm. (2)
++ Faded; some foxing and water stains principally in the margins; period gilt frames£300-400
1911. AFTER SIR WILLIAM NICHOLSON (1872-1949)
AN ALMANAC OF TWELVE SPORTS
Eleven from the set of twelve, lithographs partially printed in colour, published by William Heinemann, 1898
19.5 x 19.5cm. approx. (11)
* Subjects include golf, lady angler, horse racing, coursing, cricket, boxing, rowing, shooting, football, lady archer and hunting
++ Each in generally good condition; a little characteristic yellowing£200-300
1912. NORA JEAN KERR (1908-1956)
MARES AND A FOAL
Signed within the image, colour linocut
43.5 x 56cm.
++ Some pale damp marks and stains; a few slight surface scuffs and other minor blemishes£100-150
1913. JOHN PIPER, CH (1903-1992)
IVYCHURCH, ROMNEY MARSH (L.364)
Offset lithograph, 1983, signed in pencil and numbered 37/100, printed by Kelpra Studio, published by CCA
44.5 x 61.5cm.
++ Good condition£300-400
1914. MARIE LAURENCIN (1885-1956)
LES ENFANTS DU CHATEAU (Marchessau 154)
Lithograph, printed in black, blue, green and pink, 1930, signed and numbered 96/125 and further signed, published by Jacquard of Paris
Image 28 x 38.5cm.
Provenance: London, Holford Gallery
++ Slightly light stained£400-600
1915. GERTRUDE HERMES (1901-1983)
"THE JEWEL TOWER" WESTMINSTER
Woodcut, 1966, signed, inscribed with title and further inscribed Artist's Proof
35.5 x 50cm.
++ Pale staining at left side£80-120
1916. JOAN MIRO (1893-1983)
SERIES II: RED AND GREEN (Mourlot 288)
Lithograph printed in colours, 1961, signed in pencil and numbered 30/30, mounted to image
Sight 42.5 x 58cm.
++ Some slight light staining; unexamined out of frame; apparently generally good£700-1000
1917. VALERIE THORNTON (1931-1991)
WALSHAM-LE-WILLOWS
Etching with aquatint printed in colours, 1982, signed, dated, titled and numbered 56/70
51 x 68.5cm.
++ Good condition£120-180
1918. VALERIE THORNTON (1931-1991)
AACHEN; ATLANTES, AULNAY
Two, etchings with aquatint printed in colour, 1982-1983, each signed, dated, titled and numbered 42/70 and 60/70
37 x 21.5cm.; and 22 x 38cm. (2)
++ The former good, the latter with some slight foxing£150-200
1919. VALERIE THORNTON (1931-1991)
LIVING IN HARMONY, ST. HILAIRE, POITIERS; ST. BENOIT SUR LOIRE; L'ESTANY
Three, etchings with aquatint printed in colours, 1989-1990, two signed (the last with stamped signature), each dated, titled and numbered 10/45, 1/45 and 9/40
34.5 x 42.5cm.; 52 x 35cm.; and 36 x 36.5cm. (3)
++ Good condition£300-400
1920. VALERIE THORNTON (1931-1991)
HORSEMAN, FIDENZA; LITTLE SALKELD; PISA III; PISA IV
Four, etchings with aquatint printed in colours, 1978-1985, each signed, dated, titled and numbered 11/15, 31/60, 72/75 and 74/75, various sizes
25 x 11.5cm. and smaller (4)
++ One or two pale spots of foxing£250-350
1921. DAME ELIZABETH VIOLET BLACKADDER, DBE, RA, RSA (b.1931)
(MOTIFS)
Lithograph printed in colours, on japan, laid on wove, signed in pencil and numbered 46/75
46 x 58cm.
++ Foxing throughout£300-400
1922. HENRY MOORE, OM, CH (1898-1986)
THIRTEEN STANDING FIGURES (Cramer 41)
Lithograph printed in colours, 1958, unsigned (there was a signed edition of 150)
30.5 x 25cm.
++ Good condition
£120-180
1924. DONALD HAMILTON FRASER, RA (1929-2009)
DANCER IN CLASS
Screenprint, signed in pencil and numbered 146/295
65.5 x 48cm.
++ Good condition£220-250
1925. GLEN BAXTER (b.1944)
THE FOURTH TIME; BRENDA; SATURDAY MORNING SHOPPING; THE CRICKET MATCH; SUNSET
The suite of five colour lithographs, 1984, printed at Curwen Studio, published by Nigel Greenwood Publications, each signed and dated and numbered 12/200, three framed, two still in original folder
Each 73 x 52.5cm. overall (5 items)
++ Framed items slightly light stained£200-300
1926. DAME ELISABETH FRINK, DBE, RA (1930-1993)
RECLINING HORSE
Tapestry, 1975, number 23 from the edition of 25, signed and numbered on a separate cloth label
179 x 254cm.
++ Needs a clean£2000-3000
1927. DAME ELISABETH FRINK, DBE, RA (1930-1993)
MAN (Wiseman 137)
Etching and aquatint printed in brown, 1986, signed and numbered 6/100, printed by Kelpra Studio, published by Harpvale Books
21 x 20cm.
++ Good condition£300-400
1928. DAME ELISABETH FRINK, DBE, RA (1930-1993)
ROLLING OVER HORSE (Wiseman 123)
Etching with aquatint, printed in brown, 1980, signed and numbered 66/75, printed by Kelpra Studio, published by Waddington Graphics
54.5 x 69cm.
++ Slight stain in margin lower right; generally good£700-1000
1929. DAME ELISABETH FRINK, DBE, RA (1930-1993)
ANTONY AND CLEOPATRA (Wiseman 128)
Etching, printed in colours, 1982, signed and numbered 3/175, printed by Kelpra Studio, published by The RSC,
76 x 56.5cm.
++ Some backboard staining£300-500
1930. LIN JAMMET (b.1958)
HORSE OF GOLD
Colour screenprint, 1996, signed and dated 95, numbered 44/50
Image 91 x 74.5cm.
++ Good condition£300-400
1931. LIN JAMMET (b.1958)
JUMP
Lithograph, 1992, signed and dated, numbered 1/50
76.5 x 56cm.
++ Good condition£100-150
1932. JULIAN TREVELYAN, RA (1910-1988)
FLORENCE PANORAMA
Etching with aquatint printed in colour, signed, titled and numbered 42/100
34.5 x 47cm.
++ Good condition.
Trevelyan joined Stanley W. Hayter's renowned Paris workshop, Atelier 17, in 1931 and learnt printmaking techniques alongside such luminaries as Max Ernst, Oskar Kokoschka, Joan Miro and Picasso. Upon his return to Britain in 1934, he established his own studio in Hammersmith and continued to experiment voraciously with the medium of etching. He was appointed Head of the Etching Department at The Royal College of Art in 1955 and counted David Hockney, R. B. Kitaj and Norman Ackroyd amongst his pupils. Trevelyan's remarkable eye for colour and design invests familiar subjects with new perspectives (see lots 1937 and 1938) whilst myriad diverse inspirations placed him at the forefront of printmaking for decades.
£200-300
1933. JULIAN TREVELYAN, RA (1910-1988)
CRETAN WITCHES FIGHTING
Etching with aquatint, signed, titled and numbered 26/30, inscribed To George & Jean with Love
35 x 47.5cm.
++ Printer's creases £180-250
1934. JULIAN TRVELYAN, RA (1910-1988)
CRETAN WITCHES
Etching with aquatint, signed, titled and numbered 19/30
47 x 34.5cm.
++ Slight light staining; graze within image at left£150-200
1935. JULIAN TREVELYAN, RA (1910-1988)
NOVGOROD
Etching with aquatint printed in colours, signed, titled and numbered 2/50
37.5 x 49.5cm.
++ Good condition
£150-250
1936. JULIAN TREVELYAN, RA (1910-1988)
SELF PORTRAIT
Etching with aquatint printed in colours, signed, titled and inscribed Artist's Proof
47 x 34.5cm.
++ Scattered superficial spots of surface mould; some slight foxing£300-400
1937. JULIAN TREVELYAN, RA (1910-1988)
TOWER BRIDGE
Etching with aquatint printed in colours, signed, titled and inscribed Artist's Proof
34 x 47cm.
++ Good condition£250-350
1938. JULIAN TREVELYAN, RA (1910-1988)
HENLEY REGATTA
Etching with aquatint printed in colours, signed, titled and numbered 5/50
47.5 x 34.5cm.
++ Good condition£300-500
1938A. JULIAN TREVELYAN, RA (1910-1988)
SANTA MARIA NOVELLA
Etching with aquatint, signed, titled and numbered 81/100
35 x 47.5cm.
++ A little scattered foxing etc£150-200
1939. CHRISTOPHER RICHARD WYNNE NEVINSON (1889-1946)
WATERLOO BRIDGE FROM THE THAMES
Drypoint etching, on cream laid, signed in pencil
17 x 13.5cm.
++ Good condition; not laid down£1500-2000
1941. BARTOLOMEO PASSAROTTI (1529-1592)
HEAD OF A SATYR
Pen and brown ink
Image 11.5 x 8cm; sight 16.5 x 14cm.
Provenance: London, Phillips, October 29th 1985, lot 107, whereat acquired by the owner
++ Expertly restored paper loss above the eye; some light staining£250-350
1942. ATTRIBUTED TO GIACINTO BRANDI (1623-1691)
STUDY OF A BEARDED MAN
Black and red chalk
34 x 26cm.
Provenance: London, Christies, December 7th 1965 (as by Brandi)
++ A little foxing and old pale scattered stains; worm hole above the right eye£250-350
1943. FOLLOWER OF CIRO FERRI (1634-1689)
STUDY OF A MAN WITH A SWORD
Red chalk
37.5 x 22cm.
++ Two holes on left heel; some soiling£150-200
1944. ENGLISH SCHOOL, LATE 18th CENTURY
PORTRAIT OF A GENTLEMAN
Quarter length, wearing a blue coat, pastel on paper backed onto cloth
54 x 44cm.
++ Small hole upper left; surface a little rubbed£120-180
1945. DOMINIC MICHAEL SERRES (1761-1804)
A HAY CART BY A COTTAGE ON A COUNTRY LANE
Signed twice and dated 1790, watercolour over traces of pencil
52 x 43.5cm.
with a watercolour in the style of John Glover, 35 x 54cm. (2)
++ Each a little faded; the Serres with three small grazed areas in sky at right£300-400
1946. RICHARD PRINCIPAL LEITCH (Fl.c.1840-1878)
HOUSES BY A RIVER
Signed and dated 1878, watercolour and pencil heightened with white
33 x 23cm.;
with a watercolour in the style of Captain Francis Grose, of a farmer with livestock on a lane, 21 x 26.5cm. (2)
++ Each in good condition; the latter pale in the sky£100-150
1947. ANTHONY VANDYKE COPLEY FIELDING (1787-1855)
A SCOTTISH LOCH
Signed, watercolour heightened with scratching out
24.5 x 44cm.
++ Slightly faded£500-800
1948. ATTRIBUTED TO THEODORE HENRY ADOLPHUS FIELDING (1781-1851)
NEAR BEN VORLICH, LOCH LOMOND
Bears signature, watercolour with scratching out
43.5 x 40cm.
++ Retouching in sky£300-500
1949. THOMAS MILES RICHARDSON Jnr., RSA, RWS (1813-1890)
THE HUNTING PARTY
Signed with initials and dated 1878, watercolour and pencil
33 x 77cm.
++ Some foxing and general slight fading£300-500
1950. WILLIAM PAYNE (1760-1830)
SCENES BY A RIVERSIDE VILLAGE
A pair, each indistinctly inscribed, watercolour
Each 10.5 x 15cm. (2)
++A few spots of foxing and a little discoloration£500-800
1951. WILLIAM PAYNE (1760-1830)
LANDSCAPE WITH OLD STONE BRIDGE AND A DISTANT CHURCH
Watercolour, on original support sheet
12.25 x 17cm.
++ Needs a clean£150-200
1952. ATTRIBUTED TO THOMAS MILES RICHARDSON (1784-1848)
A SCENE IN THE LAKE DISTRICT
Bears initials and date 34, watercolour with scratching out
34.5 x 47cm.
++ A little fading
£350-400
1953. ORLANDO NORIE (1832-1901)
17th LANCERS
Signed, watercolour
31 x 44.5cm.
++ Faded£500-700
1954. CIRCLE OF JOHN CALLOW (1822-1878)
A WEST COUNTRY ALBUM
Now containing fifteen watercolours, to include views of Exminster, Bickleigh, Lydford, Plymouth, Lands' End, Penzance, Newlyn, Tintagel, Bude and elsewhere; the majority inscribed and dated July 1873 to August 1873 on the support sheet, within half green morocco gilt album
17 x 25cm. approx.
++ Good colour£200-300
1955. ATTRIBUTED TO GEORGE CATTERMOLE (1810-1868)
KING JOHN SIGNING THE MAGNA CARTA
Watercolour
41 x 55.5cm.
++ Some fading and discoloration; needs a clean£100-200
1956. WILLIAM HENRY HUNT (1790-1864)
A CUT MELON
Signed, watercolour and pencil
15 x 22cm.
++ Crease lower right corner; discoloured in background; one or two spots of foxing£150-200
1957. JOHN LINNELL (1792-1882)
FIGURES IN A RIVER LANDSCAPE; SKETCH AT BALCOMBE
Two, the former signed in ink, the latter inscribed Balcombe Sep.1848, pencil
11.5 x 19cm. and 10.5 x 18cm.;
with a sketch of animals and a figure, inscribed after Chinnery; a watercolour in the style of John Varley; and two small framed studies (6)
++ Linnells in good condition; the others generally fair-good£150-200
1958. PETER PAILLOU (c.1720-1790)
MALLARD (ANAS PLATYRHYNCHOS); LONG TAILED DUCK (CLANGULA HYEMALIS)
Two, both signed, the latter dated 1771, gouache
Each 36 x 50cm. (2)
* Possibly derived from Paillou's illustrations for Thomas Pennant's "The British Zoology Class II: Birds" (engraved by Peter Mazell), published in 1766.
++ Good colour; each in need of a clean to remove blemishes from the background£1000-1500
1959. THOMAS PYNE (1843-1935)
ARUNDEL
Signed and dated 1877, watercolour
24.5 x 53.5cm.
++ Needs a light clean£200-300
1960. ROBERT WINTER FRASER (Fl.1874-1892)
HEMINGFORD ABBOTTS
Signed, inscribed with title and dated 88, watercolour
23 x 48.5cm.
++ Some foxing; slight fading; needs a light clean£150-200
1961. HENRY ENRICO COLEMAN (1846-1911)
OXEN TEAM PLOUGHING IN THE CAMPAGNA
Signed and inscribed Roma, watercolour
34.5 x 52cm.
++ Slight fading and light staining£1500-2000
1962. JAMES LAWSON STEWART (c.1829-1911)
COTTAGE BY A RIVER; CATTLE IN RIVERSIDE PASTURE
A pair, the latter signed with monogram, watercolour
Each 16.5 X 24cm. (2)
++ Some fading and foxing; each in original Watts-type gilt frames£150-200
1963. J* W* MARSHALL (Fl.c.1884)
AN AMERICAN & CANADIAN SKETCHBOOK
Sketchbook containing 27 leaves, comprising named views of Hudson River Steamer, The Cattskills from the Hudson, Brooklyn Suspension Bridge, Atlantic City Bathing Sands, The Capital Washington, Niagara Falls, Mount Lafayette, Lake Memphremagog, Montreal, Rocky Mountains etc; with map showing itinerary and travel from Liverpool, inside cover of book signed, some sketches dated 4-25th Sep 84 and further inscribed, sepia wash and pencil, each 11.5 x 17.5cm. approx.
++ A few slight handling marks£300-400
1964. FREDERICK JOHN WIDGERY (1861-1942)
A SWEEP OF MOORLAND
Signed, gouache
17 x 27cm.
++ Good condition£100-200
1965. WILLIAM CALLOW, RWS (1812-1908)
EHRENBREITSTEIN
Signed and dated 1874, watercolour over traces of pencil
32 x 46.5cm.
Exhibited: London, The Royal Watercolour Society, 1874, (as Ehrenbreitstein from the Moselle Bridge)
Provenance: By descent from the Newall family
++ Good condition; very slight fading of blues in the sky£4000-6000
1966. MYLES BIRKET FOSTER, RWS (1825-1899)
VENTIMIGLIA
Signed with monogram, watercolour and pencil heightened with white
11.5 x 18cm.
Provenance: By descent from the Newall family
++ Good condition; needs a light clean in the sky£1500-2000
1967. MYLES BIRKET FOSTER, RWS (1825-1899)
LAKE COMO
Signed with monogram, watercolour and pencil vignette
10 x 14.5cm.
Provenance: By descent from the Newall family
++ Good colour overall though monogram faint; needs a light clean£1200-1800
1968. JOHN ABERNETHY LYNAS-GRAY (1869-1940)
A DEVON COTTAGE; A CORNISH COTTAGE
A pair, both signed and dated 1918, watercolour
Each 27.5 x 43.5cm. (2)
++ Each needs a light clean; good colour; original gilt mounts and frames£400-600
1969. THOMAS NICHOLSON TYNDALE (1858-1936)
SCENE AT WOOLENSBROOK, HERTS.
Signed, inscribed verso, watercolour and pencil
16 x 22cm.
++ Slightly pale£100-150
1970. JAMES MacMASTER (1856-1913)
SKETCH - MONTROSE
Signed and inscribed with title, watercolour and pencil
36.5 x 54.5cm.;
with another watercolour by the same hand, of Kilrenny Village, signed and inscribed, 75 x 49.5cm. (2)
++ The former slightly pale; the latter good but needs a light clean£300-500
1971. JAMES MacMASTER (1856-1913)
SUMMER DAY AT KILCONQUHAR, FIFE
Signed, inscribed Kilconquhar and dated 1884, watercolour and pencil
19.5 x 29.5cm.
Exhibited: Hawick Fine Arts Association (label on backboard, no date)
++ Pale in the sky£200-300
1972. ERNEST WILLIAM HASLEHUST (1866-1949)
A WOODLAND STREAM; A VILLAGE POND
A pair, both signed, watercolour and pencil
Each 35 x 52cm.(2)
++ Each in good condition; the latter slightly faded in the sky£300-500
1973. JOHN WHITE (1851-1933)
THE FARMER'S CART
Signed, watercolour and gouache
26.5 x 44cm.
Provenance: Collection of Charles Greenberg (1922-2006), Lawrences, July 10th 2009, lot 1238
++ Good condition; small tear near signature£600-800
1974. GEORGE PRICE BOYCE, RWS (1826-1897)
NEAR CHIDDINGFOLD, SURREY; A REACH OF THE TARN AT LUDLOW
A pair, both signed, the former dated 6.11.73, the latter dated 1871, watercolour
Each 13.5 x 20cm. (2)
++ A little pale foxing but good colour£1500-2000
1975. FILIPPO ANIVITTI (1876-1955)
VIEW ON THE TIBER NEAR ROME
Signed, watercolour
35 x 52cm.
++ A few spots of foxing£400-600
1976. HENRY JOHN SYLVESTER STANNARD (1870-1951)
SILKS FOR SALE
Signed, watercolour
25 x 35cm.
++ Very good colour; good condition £1000-1500
1977. LILIAN STANNARD (1877-1944)
THE DELL, HYDE PARK
Signed, watercolour heightened with touches of bodycolour over traces of pencil
34 x 49cm.
Exhibited: London, Arthur Ackermann and Son Ltd (their labels verso)£1500-2000
1978. ALBERT GOODWIN, RWS (1855-1932)
WINDSOR
Signed with monogram and dated 09, watercolour and pencil
25.5 x 34.5cm.
Provenance: By descent from the Newall family
++ Good colour; small (2mm) pigment loss on riverbank£1500-2000
1979. F* ARNOLD (JAMES WALTER GOZZARD) (1861-1926)
THE EDGE OF THE COMMON; PEACEFUL NIGHT
A pair, both signed and inscribed with title, watercolour
Each 25 x 74cm. (2)
++ Good condition; original gilt mounts and frames£300-500
1980. CLAUDE MUNCASTER, RWS (1903-1974)
THE SEVEN SANDS AND THE CONISTON RANGE
Signed, watercolour and pencil, label verso
35 x 51cm.
++ One or two spots of foxing£120-180
1981. LENNARD LEWIS (1826-1913)
THE PENA CINTRA, THE SUMMER PALACE OF DON FERNANDO THE KING CONSORT OF PORTUGAL WHO WAS THE FATHER OF THE REIGNING KING LUIS
Signed and dated 1881, inscribed on a label on backboard, watercolour
45.5 x 63.5cm.;
with a watercolour of Venice by Emilio Benvenuti, 16 x 36cm. (2)
++ Each faded in the sky; the former with a little foxing£150-200
1983. ROBERT WEIR ALLAN, RWS (1851-1942)
CELLARDYKE HARBOUR
Signed and dated 1899, inscribed with title, watercolour over traces of pencil heightened with scratching out, labels on backboard
37 x 52cm.
++ Good colour; original gilt frame£300-400
1984. ANTONIO de SIMONE (1851-1907)
THE STEAM YACHT VALHALLA
Signed and dated 1902, inscribed S. Y. VALHALLA, gouache
44.5 x 64cm.
++ Good condition£400-600
1985. FRANK WASLEY (1854-1934)
A SHIPYARD
Signed, watercolour
24 x 34cm.;
with a watercolour by Emilie M. Hanson, 23.5 x 34cm. (2)
* (Wasley) Traditionally believed to be a scene depicting the building of the last ship in Whitby
++ Wasley faded in sky; Hanson in good condition£150-200
1986. GINO SCALOTELLI (b.1900)
VENEZIA
Signed and inscribed with title, watercolour and pencil
35 x 23.5cm.
++ A little discoloured and faded; a few spots of foxing£150-250
1987. WILLIAM EDWARD FROST, RA (1810-1877)
UNA
Inscribed Una/ presented to Charles Rolt Esq. by W E Frost RA on the support sheet, watercolour with pen and ink
9.5 x 4.5cm.;
with a black crayon sketch by Muirhead Bone; and a watercolour over an etched line in the style of William Anderson, all unframed (3)
++ Frost with a few spot stains; the others satisfactory£50-80
1988. ENGLISH SCHOOL, 19th CENTURY
`LA TOILETTE` IN THE DAYS OF LOUIS XIII
Signed indistinctly, inscribed with title on label verso, watercolour heightened with white
24 x 17cm.
++ Slightly faded; original gilt mount and frame£200-400
1989. HELENA JANE MAGUIRE (1860-1909)
HIDE AND SEEK
Signed, watercolour
19 x 15.5cm.
++ Good condition£350-400
1990. HENRY CHARLES BREWER (1866-1950)
KENT COTTAGES
Signed and dated 92, watercolour
66 x 49cm.
++ Good colour; a little foxing; original gilt frame£400-600
1991. HENRY CHARLES BREWER (1866-1950)
PETERBOROUGH CATHEDRAL
Signed and dated 1909, watercolour
48.5 x 33.5cm.
++ A little foxing; some fading in the sky£250-350
1992. CHARLES WIRGMAN Junr. (1864-1922)
IN A JAPANESE GARDEN
Signed and dated 1900, watercolour heightened with bodycolour over pencil
34 x 29.5cm.
++ Good condition
£300-500
1993. JOHN EDWARD GOODALL (Fl.1877-1891)
OUT OF TUNE
Signed, watercolour
25.5 x 17.5cm.
++ Good condition
£250-350
1994. GUIDO BACH (1828-1905)
PORTRAIT OF MARY FLORENCE MASON
Signed and dated 1893, watercolour
62.5 x 46cm.
Provenance: By descent in the family of the sitter.
++ A little fading and some foxing; original gilt frame£400-600
1995. CHARLES DIXON (1872-1934)
SAIL AND STEAM ON AN INDUSTRIAL RIVER
Signed and dated 92, watercolour
25 x 18cm.
Provenance: By descent from the Newall family
++ Generally good condition; slightly faded
£400-600
1996. HENRY JOHN SYLVESTER STANNARD (1870-1951)
ACROSS THE FORD, NEAR EVERSHOLT, BEDFORDSHIRE
Inscribed with title verso, watercolour over traces of pencil
35.5 x 25cm.
++ Good colour; generally good condition£600-900
1997. AN ALBUM, c.1898-1909
apparently compiled by Bessie Luscombe (?daughter of Sir John and Lady Luscombe), containing a selection of sketches and small watercolours, poems, photographs (commemorating cricket matches, social events, shooting parties, weddings etc.), numerous inscriptions and mottoes; also the autograph of W G Grace (Sept 8th 1898); and a printed menu for "Welcome Home Dinner to Lieut. E. H. Shackleton And His Comrades, June 29, 1909, Princes Restaurant" signed (principally in pencil) by members of the Nimrod Expedition, incl. Shackleton, Marshall, Priestley, Armytage, Mackintosh, Marston, Day, Adams, Joyce, Wild and Brocklehurst, this last item 25 x 17.5cm.; the album 19.5 x 24cm. approx. ; with a bound volume of The Illustrated London News for Oct-Dec. 1852, recording the death and funeral of The Duke of Wellington. (2)
++ Top cover detached from principal item; each with scuffed leather bindings.£500-800
1998. PATRICK WILLIAM ADAM, RSA (1864-1929)
THOMAS CARLYLE'S HOUSE, CHEYNE ROW
Signed, pastel
33 x 34cm.
* Carlyle lived at 5 (now 24) Cheyne Row from 1834 until his death in 1881.
Exhibited: London, The Goupil Gallery Salon, 1921
++ Good condition£500-700
1999. ATTRIBUTED TO SIR WILLIAM ORPEN, RA, RWS, RHA, (1878-1931)
STUDY OF A STANDING GIRL
Red chalk
43 x 28cm.;
with a black and white portrait photograph of Orpen by Foulsham and Banfield of Old Bond Street, London, inscribed To Hollander/ with regard/ William Orpen/ 1931, 22.5 x 15.5cm. (2)
Provenance: The Hollander family
++ The drawing light stained and foxed; photo good, support sheet foxed£200-400
2000. CHARLES SIMS, RA, RWS (1873-1928)
IN THE SHALLOWS
Signed, watercolour
26 x 23cm.
++ Paper wrinkled; damage upper left; some old creases etc.£400-600
2001. AUSTIN OSMAN SPARE (1886-1956)
FANTASY FIGURES
Signed with initials, pencil
42.5 x 36cm.
++ Paper slightly grubby
£300-400
2002. VIVIEN JOHN (1915-1994)
DORELIA BY LAMPLIGHT
Signed, watercolour and pencil
24 x 19.5cm.
* Vivien was Augustus John's youngest daughter by Dorelia McNeill
Provenance: London, Sally Hunter Fine Art Ltd, 1987
++ Good condition£100-200
2003. PHILIPPE JULLIAN (1921-1977)
ELEGANT INTERIORS: THE PORTRAIT OF KING GEORGE IV; THE PORTRAIT OF KING EDWARD VII
A pair, the latter signed, watercolour with pen and black ink
Each 43 x 33cm. (2)
++ Good condition£200-300
2004. THERESE LESSORE (1884-1945)
HAMMERSMITH PALAIS DE DANCE
Signed and dated 1921, watercolour with pen and sepia ink
35 x 24.5cm.
Provenance: London, Michael Parkin Fine Art
++ A little pale; some slight foxing£300-500
2005. BARNETT FREEDMAN, CBE (1901-1958)
SEATED MAN
Stamped signature, charcoal with pen and black ink
37.5 x 19.5cm.
++ Surface/handling marks£80-120
2006. CECIL BEATON, CBE (1904-1980)
PORTRAIT OF LORD DAVID CECIL
Signed, pencil
44.5 x 32.5cm.
* Beaton's 1930 photograph of David Cecil was one of the photographer's earliest successes and the two remained close friends.
Provenance: London, Michael Parkin Fine Art Ltd,
++ Good condition£200-400
2007. JAMES STROUDLEY (1906-1985)
STANDING MALE NUDE
Charcoal
59.5 x 41cm.
++ A few spots/stains£80-120
2008. VICTOR BROGINSKI (b.1945)
CHANGING PASTURES
Signed (in Cyrillic?), pastels
65 x 57cm.
++ Good condition£150-200
2009. FRANCIS DODD, RA, RWS (1874-1949)
SUN LANE, SOUTH EAST LONDON
Signed and dated 1925, also inscribed Sun Lane SE/ Jan 1925, watercolour and pencil
32.5 x 27cm.
* This road in Blackheath is a short walk from 51 Blackheath Park where the artist lived.
Provenance: London, James Connell & Sons Ltd, whereat purchased, December 1927. The original receipt is sold with the picture.
++ Slightly faded; needs a light clean£100-150
2010. TOM COATES (b.1941)
GIRL IN HAT READING
Signed with monogram, pastels
30 x 24.5cm.;
++ Good condition£150-200
2011. TOM COATES (b.1941)
WASHERWOMEN ON THE BANKS OF THE GANGES
Signed with monogram, pastels on grey paper
50 x 60cm.
++ Good condition£200-300
2012. JEAN DRYDEN ALEXANDER (1911-1994)
A FOLIO OF 17 LANDSCAPE/ARCHITECTURAL SUBJECTS
comprising Brentwood, Shenfield, Dedham, Flatford, Bath, Blackmore, Thaxted, Trevor, Croyde, Highlands and elsewhere, two signed, a few dated 1943-1976, watercolour, some pencil drawings, one etching, various sizes, one framed, 28 x 39cm. and smaller (17)
Provenance: The family of the artist
++ Generally good condition £200-300
2013. JEAN DRYDEN ALEXANDER (1911-1994)
A FOLIO OF 14 ASSORTED SUBJECTS
comprising figure subjects, nudes, animal subjects, portraits, still lifes etc, themes at Blyth's Farm, Dickleburgh, Otane (New Zealand) and elsewhere, three signed, three dated 1929, 1973 and 1983, various media, various sizes, one signed, one framed (14)
Provenance: The family of the artist
++ generally good condition; a few leaves with tears£250-350
2014. JEAN DRYDEN ALEXANDER (1911-1994)
A FOLIO OF 14 COASTAL AND MARINE SUBJECTS
comprising Oulton Broad, Leigh on Sea, Ipswich, Walton on the Naze, Southwold, "Harwich to The Hook", Kohimaruna Bay (Auckland) and elsewhere, a few signed and/or inscribed, some dated 1923-1971, watercolour and gouache, various sizes, two framed, 27.5 x 37.5cm. and smaller (14)
Provenance: The family of the artist.
++ Generally good condition.£250-350
2015. JEAN DRYDEN ALEXANDER (1911-1994)
A FOLIO OF 6 OIL LANDSCAPE SKETCHES
comprising works on canvas, card and board, each signed (or signed on label verso), some dated 1928-1987, various sizes, 52 x 63cm. and smaller (6)
Provenance: The family of the artist
++ Fair condition; some damages at edges and in need of a clean £200-400
2016. ADRIAN HILL (1895-1977)
A CORNER OF THE ARTIST'S BEDROOM
Signed, watercolour and pencil
31.5 x 45cm.
++ Needs a very light clean
£100-150
2017. MAURICE CANNING WILKS (1910-1984)
LOCH TULLA, ARGYLLSHIRE
Signed and inscribed Loch Tulla/Andyllshire (sic) verso, watercolour and pencil
25.5 x 35.5cm.
++ Needs a light clean; slightly pale£200-300
2018. THOMAS COOPER GOTCH (1854-1931)
CORNISH BREAKERS
Signed, watercolour
9.5 x 18cm.
++ A little foxing; some slight staining and fading£200-250
2019. HAROLD HOPE READ (1881-1959)
GETTING READY FOR A SWIM
Watercolour and pencil
23 x 30cm.;
with three watercolours by Marilyn Wailes, various sizes (4)
++ Read in good condition; Wailes satisfactory£200-300
2020. JOHN SKEAPING, RA (1901-1980)
THE HORSE TRAINER
Signed and dated 76, coloured pastels on blue paper
42 x 56.5cm.
++ Good condition£400-600
2021. ROBERT O. LENKIEWICZ (1941-2002)
APOTHEOSIS/STUDY
Signed twice and inscribed with title, watercolour
25.5 x 28cm.;
with an unsigned pencil portrait sketch of a bearded man, 28.5 x 23.5cm. (2)
Provenance: Acquired directly from the artist by the owner, early 1970's.
++The former good; the latter with creases and tears£400-600
2022. EDWARD WESSON (1910-1983)
TREES AGAINST THE SKY
Signed, watercolour
31 x 49cm.
++ Generally good condition£120-180
2022A. MICHAEL FITZJAMES (Contemporary)
THE BIBLIOPHILE
Signed and dated 1978, pencil
44.5 x 67cm.
++ Slightly light stained£80-120
2023. JOSEF HERMAN (1911-2000)
TWO WOMEN IN A LANDSCAPE WITH COAL TIP; FISHERMAN AND BOAT; TWO SEATED FISHERMEN
Three, each pen and black ink with grey wash, the first also with sepia wash
17.5 x 22.5cm.; 16 x 21.5cm.; and 19 x 24.5cm. (3)
Exhibited: (the first two only) London, Roland, Browse & Delbanco
++ The first with slight gum stains at sheet edges; the other two in need of light clean only£600-900
2024. JAKE SUTTON (b.1947)
BRILLIANT FINISH
Signed and inscribed with title, watercolour on paper
69.5 x 75cm.
++ Good condition; some pale foxing on support sheet£500-700
2025. HERCULES BRABAZON BRAZON (1821-1906)
S. MARIA DELLA SALUTE, VENICE
Signed with initials, watercolour and gouache with pencil
22 x 25.5cm.
Provenance: New York, M. Knoedler & Co
++ Slight flaking of white gouache on the dome; good colour£1000-1500
2026. DAME LAURA KNIGHT, DBE, RA, RWS (1877-1970)
THE GARDENER
Signed, watercolour
40 x 33cm.£2000-3000
2027. AUGUSTUS JOHN, OM, RA, (1878-1961)
CHILD STUDIES
Signed, pencil
25 x 35.5cm.
* Probably drawn at Dielette, Normandy in 1908. The child is therefore likely to be his son, Romilly (1906-1986).
++ Some pale brown linear stains£600-900
2028. LESLIE HURRY (1909-1978)
THE POPLAR TREE
Signed, watercolour with pen and ink
28 x 37.5cm.
++ Good condition£300-500
2029. LESLIE HURRY (1909-1978)
THE WOMAN IN A TREE
Watercolour with pen and ink
43.5 x 56.5cm.
Provenance: London, The Mercury Gallery
++ Good condition£800-1200
2030. JOHN BANTING (1902-1972)
STILL LIFE WITH PORTRAIT BUST
Signed and dated 28, pen and black ink
24.5 x 38.5cm.
++ Some foxing and light staining; needs a clean£450-650
2031. JOHN BANTING (1902-1972)
MERE AND PERE UBU
Signed and dated 1947, watercolour with pen and black ink over pencil
49 x 55cm.
Provenance: London, Gallery Edward Harvane; The London Gallery Ltd
++ Needs a light clean; slightly pale£1500-2000
2032. FELIKS TOPOLSKI (1907-1989)
THE ROYAL FAMILY
Black fibre tip pen, sketches verso
52 x 36.5cm.
++ A few spots of foxing£250-350
2033. STEPHEN TENNANT (1906-1986)
LASCAR: A STORY OF THE MARITIME BOULEVARD
Signed, pen and black ink and watercolour
37.5 x 27cm.
* Lascar was a novel, the writing of which obsessed Tennant for over fifty years and the manuscript remained unfinished at his death.
Provenance: London, The Maclean Gallery, 1983
++ Good condition£200-300
2034. MICHAEL FFOLKES (1925-1988)
EXHIBIT A; THE CHEF'S MASTERPIECE
Two designs for covers of Punch magazine, the former signed, pen and black ink with watercolour or gouache
Each 28.5 x 22cm. approx. (2)
++ Images good; grubby/damaged in the margins£100-200
2035. ALAN REYNOLDS (b.1926)
STRAY OAK
Signed and dated 53 and inscribed with title, further inscribed Study at Shalham April 53 and To Mrs Sealey from Alan 1953 on the support sheet, blue and grey wash with black ink
17 x 14cm.;
with a watercolour by Norman Adams, initialled and dated 60, 18.5 x 24cm.; and an inscribed drawing by Michael Christophorou, 26 x 18cm. (3)
Exhibited: (Reynolds) London, The Redfern Gallery Ltd, Feb. 1960
++ Each in good condition; the last with slight staining
£300-500
2036. JACK SMITH (b.1928)
NEAR AND FAR STRUCTURE
Signed and dated 1984, watercolour and pencil with collage
31 x 31cm.
Provenance: London, Contemporaey Art Society Market
++ Good condition£100-200
2037. MARY FEDDEN, RA (b.1915)
CHURCH IN TUSCANY
Signed and dated 1979, bears signature and title on label on backboard, gouache
18.5 x 15cm.
Exhibited: London, New Grafton Gallery, March 1980, no.37
++ Good condition£1000-1500
2038. LIN JAMMET (b.1958)
COCKEREL
Signed and dated 98, charcoal
81 x 52.5cm.
Provenance: London, Beaux Arts
++ Pale splash stain at edge upper right and lower left£150-200
2039. LIN JAMMET (b.1958)
LA SOURCE
Signed and dated 95, gouache and pencil
106 x 72cm.
Exhibited: London, Beaux Arts
++ Good condition; two small tears at top edge£400-600
2040. PHILIP MacCAMMON CORE (1951-1989)
ARROSE, SELAVY (MARCEL DUCHAMP AND ANDY WARHOL)
Pencil study for the larger oil, with newspaper photograph of Warhol attached, artist's notes, dated 1978
55.5 x 39.5cm.
with a watercolour portrait of John Betjeman by the same artist, 32 x 24cm. (2)
* Core described the encounter depicted in the principal item as "beautiful as the chance meeting on a dissection table of a sewing machine and an umbrella". The title is a reference to Duchamp's pseudonym Rose Selavy that sounds like "Eros, c'est la vie".
++ The former with foxing; the latter good£100-200
2041. FRANCES HODGKINS (1869-1947)
LESSON DEMONSTRATION
Watercolour and pencil, bears later inscription Frances Hodgkins/[Lesson Demonstration] on the support sheet, unframed
Image 12 x 18.5cm. approx.
Provenance: Acquired from the artist by Miss (Dorothy) Jane Saunders and Miss A. Mabel Shaw; and thence by descent.
To be offered with a quantity of ephemera relating to Frances Hodgkins, including letters from her biographer E. H. McCormick; a book on John Piper signed by Myfanwy Piper; exhibition invitations and catalogues; and Jane Saunders's personal copies of books relating to Hodgkins, some with inscriptions.
Hodgkins lived in Manchester from 1922-1927 and worked as a designer for the Calico Printers Association. She lodged with two friends, Jane Saunders and Hannah Ritchie, who were both art teachers at Manchester School for Girls. Hodgkins had a close relationship with Saunders, which probably ended by 1931 although they remained very good friends. Mabel Shaw taught music and elocution at the school from 1930-1947. She and Saunders left Manchester in 1947 and bought a cottage at Zeals on the Wiltshire/Dorset border.
Hodgkins is known to have given art lessons at Manchester School for Girls at the invitation of Saunders and Ritchie during the mid-1920's. This watercolour sketch may date from that time or it could be later, perhaps a personal demonstration to Saunders or Shaw, both of whom were keen amateur artists.
Saunders and Shaw acquired a significant collection of Hodgkins' paintings, including some of her best-known works, and in later years made generous donations to the Tate Gallery in London and elsewhere (some of the correspondence with Alan Bowness in this lot relates to these donations).
++ Very slight superficial handling marks; good colour£2000-3000
2042. FRANCES HODGKINS (1869-1947)
BURFORD (OXFORDSHIRE) HIGH STREET
Signed, watercolour and pencil
10.5 x 13cm.
* Painted in 1922 or 1923 as a Christmas Card.
Provenance: See lot 2041
Exhibited: London, Tate Gallery, Frances Hodgkins Memorial Exhibition, 1952 (lent by Jane Saunders)
++ Good exhibition£3000-4000
2045. FOLLOWER OF GODFRIED SCHALCKEN (1647-1706)
WOMAN LIGHTING A LANTERN
Oil on panel, unframed
25 x 19cm.
++ A few surface blemishes and grazes; frosted varnish; needs a clean£150-200
2046. FLEMISH SCHOOL, LATE 17th/EARLY 18th CENTURY
ST. GEORGE AND THE DRAGON
Oil on panel, diamond-shaped
80 x 81cm.
++ Three horizontal splits with some flaked losses£650-850
2047. CIRCLE OF WILLEM VAN LEEN (1753-1825)
STILL LIFE OF ROSES, VIOLETS, A TULIP, AN IRIS AND OTHER FLOWERS IN AN URN, SHELLS AND GRAPES ON A STONE LEDGE
Indistinctly signed, C.A..l lower left, oil on panel
45.5 x 38.5cm.
++ Some craquelure; needs a clean£700-900
2048. ENGLISH PROVINCIAL SCHOOL, EARLY 18th CENTURY
PORTRAIT OF A BOY WITH A SPANIEL; PORTRAIT OF A CHILD WITH A DOVE
Two, each half length, the former wearing cream dress and red mantle, the latter wearing russet tunic and blue mantle, oil on canvas, oval
Each 73 x 60 cm. approx. (2)
++ Each lined and with retouching£800-1200
2049. FOLLOWER OF CHARLES D'AGAR (1669-1723)
PORTRAIT OF A YOUNG GENTLEMAN
Half length, wearing a russet coat with brocaded panels, and a red mantle, oil on canvas, oval
74 x 62cm.
++ Old lining; scattered retouching; rather thin in places; period gilt frame£450-650
2050. FOLLOWER OF ENOCH SEEMAN (1694-1745)
PORTRAIT OF A GENTLEMAN
Quarter length, wearing a blue coat and wig, oil on canvas
74 x 61.5cm.
++ Old lining; craquelure and some frosted varnish; needs a clean£400-600
2051. CIRCLE OF NATHANIEL DANCE, RA (1735-1811)
PORTRAIT OF A GENTLEMAN
Quarter length, wearing a dark red coat and waistcoat, within a painted oval, oil on canvas
73.5 x 61.5cm.
++ Old lining; replaced stretchers; scattered dabs of retouching; needs a clean£800-1200
2052. MANNER OF CARLO CRIVELLI (c.1435-c.1495)
MADONNA AND CHILD
Oil on panel
30 x 21cm.
++ A few dabs of retouching; needs a light clean£800-1200
2053. CIRCLE OF CLAUDE LEFEVRE (1633-1675)
PORTRAIT OF A GENTLEMAN
Quarter length, wearing armour, a white mantle and a white lace collar, oil on canvas
58 x 47.5cm.
* Bears inscription LE FEVEVRE on the lining
++ Lined; retouching over some old tears and scattered damages; needs a clean
£2000-3000
2054. CIRCLE OF BARTHOLOMEW DANDRIDGE (1691-c.1755)
PORTRAIT OF A YOUNG NOBLEMAN, POSSIBLY LORD BUBB
Standing half length, wearing a red coat and brocaded waistcoat, his dog at his side, oil on canvas
74 x 61cm.
++ Lined; some associated retouching; some craquelure; a little thin in places; period carved and gilded frame£1500-2500
2055. FOLLOWER OF CARLO MARATTA (1625-1713)
THE CHARIOT OF VENUS WITH PUTTI HOLDING GARLANDS OF FLOWERS
Oil on canvas
76 x 126cm.
++ Lined; associated retouching£3000-5000
2056. FOLLOWER OF CORNELIS VAN POELENBURGH (1586-1667)
ST. CECILIA WITH MUSICAL ATTENDANTS IN A LANDSCAPE
Oil on canvas
46.5 x 74cm.
++ Lined; scattered retouching; needs a clean£1000-1500
2057. CIRCLE OF JAN FRANS VAN BLOEMEN, called ORIZZONTE (1662-1749)
ITALIANATE RIVER LANDSCAPE WITH FISHERMEN
Oil on canvas
63.5 x 79.5cm.
++ Lined; a little associated retouching; craquelure£3000-5000
2058. ATTRIBUTED TO MARC BAETS (Fl.c.1700-1730)
FIGURES NEAR COTTAGES IN RIVER LANDSCAPES
A pair, oil on copper
Each 17 x 22cm.
Provenance: London, Sothebys, December 15th 1976, lot 20 (as J. Smith of Derby [sic])
These pictures, markedly Flemish in style, were sold as the work of J. Smith of Derby (presumably Thomas Smith of Derby, c.1720-1767) in 1976 and a similar pair by the same hand was sold at Sothebys in December 1980 (lot 33). The pronounced similarity of this pair to the work of the Antwerp artist Marc Baets makes it much more likely that these are Flemish in origin rather than English. In addition, it is rare to find early 18th Century English pictures on copper.
++ A little scattered retouching; carved wood gilt frames£4000-6000
2059. ENGLISH PROVINCIAL SCHOOL, 18th CENTURY
FIGURES BY A VILLAGE
Oil on canvas
70 x 90cm.
++ Lined; associated retouching£2000-3000
2060. FOLLOWER OF GASPARD DUGHET (GASPARD POUSSIN) (1615-1675)
CHRIST WITH THE WOMAN OF SAMARIA
Oil on canvas, unframed
72 x 97cm.
++ Old lining; holes; old damage; needs general renovation£500-700
2061. MANNER OF CLAUDE DE JONGH (c.1600-1663)
TOWN SCENE ON A RIVER WITH FIGURES IN A BOAT
Oil on white metal
20 x 30.5cm.
++ Some slight rubbed paint loss; scattered dabs of retouching; needs a light clean£250-350
2062. FOLLOWER OF JAN VAN GOYEN (1596-1656)
FIGURES IN A BOAT BY A WATERFRONT TOWN
OIl on panel
36.5 x 46cm.
++ Rather abraded; scattered retouching£300-400
2063. FOLLOWER OF ADAM PYNACKER (1622-1673)
FIGURES TENDING CATTLE AND GOATS BY TOWN RUINS
Oil on canvas
34 x 51cm.
++ Relined; associated retouching; some craquelure; a little thin in places£500-700
2064. MANNER OF GUIDO RENI (1575-1642)
CHERUBS WHETTING ARROWS AT A SHARPENING STONE
Oil on canvas
31.5 x 39cm.
++ Some craquelure; abraded lower left; needs a clean£250-350
2065. FOLLOWER OF PIETER VAN LAER (1599-c.1642)
A HAWKING PARTY
Oil on panel
47 x 61cm.
++ Scattered retouching; a little thin in places
£600-800
2066. FOLLOWER OF GEORGE VINCENT (1796-1831)
FIGURES UNLOADING BOATS BY MOONLIGHT
Oil on canvas
49 x 59cm.
++ Bitumen damage; vertical tear left of centre and small punctures elsewehere; some craquleure; needs general renovation; period gilt frame£150-250
2067. FOLLOWER OF GEORGE VINCENT (1796-1831)
FIGURES BY A POOL IN A WOODED LANDSCAPE
Oil on canvas
58.5 x 81.5cm.
++ Scattered retouching; needs a light clean£400-600
2068. FOLLOWER OF SEBASTIAN PETHER (1790-1844)
FIGURES IN A MOONLIT LAKE LANDSCAPE WITH RUINS
Oil on canvas
49.5 x 59.5cm.
++ Lined; some associated retouching; craquelure; a little abraded in places£400-600
2069. L* G* LOUISA CLARKE (Fl.c.1843)
FISHING BOATS AND OTHER VESSELS OFFSHORE
Signed and dated March 1843 verso, oil on canvas
31 x 45cm.
++ Small tear in sky; scattered retouching; a little thin£150-200
2070. T** B** ASHTON (Fl.c.1854)
RECOLLECTIONS OF ISCHIA, BAY OF NAPLES, 1854
Inscribed with title verso, bears inscription on old label verso, oil on cnvas, mounted oval
44 x 62cm.
++ Craquelure; a few minor scattered paint losses; needs a thorough clean£300-400
2071. G** DELL (Fl. mid-19th Century)
A CLIPPER SHIP OFF DEAL, c.1845
Oil on canvas
29 x 39cm.
++ Lined; craquelure with retouching; a little thin in places£500-700
2072. L** MARCH (Circa 1850-1860)
SNOWDON FROM CAPEL CURIG; SNOWDON FROM LLANBERIS LAKE
A pair, both signed indistinctly and inscribed wityh title verso, oil on board
Each 16.5 x 25cm. (2)
++ Some craquelure; generally good condition£200-300
2073. AFTER JOSEPH MALLORD WILLIAM TURNER, RA (1775-1851)
SAN BENEDETTO, LOOKING TOWARDS FUSINA
Oil on canvas
59.5 x 89.5cm.
* A copy of Turner's original of 1843 (Tate Britain)
++ Lined; some associated retouching; decorative frame£400-600
2074. EDMUND GILL (1820-1894)
WATERFALL ON THE LLUGWY, N. WALES 1881
Signed and dated 1881 and inscribed with title on a label on the backboard, oil on panel
19 x 24.5cm.
++ In need of a clean£200-300
2075. FOLLOWER OF RICHARD BARRETT DAVIS (1782-1854)
BROOD MARES BELONGING TO THE EARL OF EGREMONT
Bears a label on the frame, oil on canvas
69.5 x 95cm.
++ Some craquelure; needs a clean; period gilt frame£400-600
2076. CIRCLE OF STEPHEN SLAUGHTER (1697-1765)
PORTRAIT OF CAPT. PAUL MANGIN; and of ANNE HENRIETTA MANGIN (nee D'AULNIS DE LALANDE)
Two, each seated three quarter length, wearing a red suit and holding gloves; she wearing a blue dress, in a landscape
126 x 101cm. and 124 x 96cm. (2)
* Paul Mangin (1700-1797) was born in Cologne sur Laspree near Berlin but his family left Metz in France and settled in Lisburn in 1715 before moving to Dublin. Mangin became a captain in the 46th Regiment of Foot and his second wife, Anne (1714-1779), also from a Huguenot family in Metz, bore him three sons. Capt. Mangin died in Berlin and is buried with his wife in the French Cemetery in Peter Street, Dublin. His first wife was almost certainly Madeleine Crommelin, also from a notable Huguenot family.
Provenance: By descent in the family of the sitters.
++ Each lined and with replaced stretchers
£3000-5000
2077. PAUL FALCONER POOLE, RA (1807-1879)
THE HARVEST GIRL
Signed with initials, oil on panel
18.5 x 14.5cm.
++ Flaked paint losses near panel edges; needs a clean£300-400
2078. FOLLOWER OF SIR WILLIAM ALLAN (1782-1850)
PORTRAIT OF A BOY ON A GREY PONY IN A LOCH LANDSCAPE
Oil on panel
62.5 x 45.5cm.
++ Bitumen damage; some paint separation and craquelure; paint thin in places; needs a clean£200-400
2079. FOLLOWER OF WILLIAM MULREADY, RA (1786-1863)
LEAVING SCHOOL
Bears signature, oil sketch on paper, laid on canvas
52 x 36cm.
++ Lined; needs a light clean £200-300
2080. FOLLOWER OF PHILIP HERMOGENES CALDERON, RA (1833-1898)
PORTRAIT OF A LADY
Half length, seated, wearing red dress and pearls, bears a signature and dated 1859, oil on canvas
71.5 x 52.5cm.
++ Patched repairs upper left and lower left; hole lower left; scattered retouching
£150-200
2081. FOLLOWER OF ARCHIBALD GEORGE BARNES (1887-1972)
PORTRAIT OF A LADY
Quarter length, wearing a green dress, oil on canvas, oval
67.5 x 46.5cm.
++ Cut down; some craquelure; needs a clean; in a good carved and gilded frame£150-200
2082. FRENCH SCHOOL, 19th CENTURY
A CLASSICAL MAIDEN
Oil on canvas
25 x 19.5cm.
++ Small patched repair upper left; needs a light clean; original gilt frame£150-250
2083. G* ORSAY (Fl.c.1900)
MAID PREPARING VEGETABLES
Signed, oil on canvas
67 x 46cm.
++ Good condition£200-300
2084. M* BONOMI (Fl.c.1900)
JUST LIKE HIS FATHER
Signed, oil on canvas
39 x 29cm.
++ One patch verso; some very slight flaked losses£100-150
2085. FOLLOWER OF ALESSANDRO OSSANI (Fl.1860-1888)
A PEASANT COURTSHIP
Oil on canvas
99.5 x 72.5cm.
++ Lined; associated retouching; 2cm. break in canvas in centre£300-500
2086. LINNIE WATT (Fl.1875-1908)
OUTSIDE THE GREEN GROCER'S SHOP
Signed, oil on board
42 x 30.5cm.
++ Good condition£800-1200
2087. HENRY LE JEUNE, ARA (1819-1904)
THE HARVEST HELPER
Signed with monogram and dated 1872, oil on panel
42 x 29cm.
++ A little old craquelure; a few small dabs of retouching
£1000-1500
2088. LUIGI M. GALEA (1847-1917)
VIEW FROM A BALCONY ABOVE THE GRAND HARBOUR, VALLETTA, MALTA
Signed, oil on board
24.5 x 17.5cm.
++ Rubbed area in the sky; some very slight flaked paint losses£800-1200
2089. LUIGI M. GALEA (1847-1917)
SCENES IN THE GRAND HARBOUR, VALLETTA, MALTA
A pair, both signed, oil on board
Each 17 x 43.5cm. (2)
++ Each in need of a clean£3000-4000
2090. LUIGI M. GALEA (1847-1917)
SCENES IN THE GRAND HARBOUR, VALLETTA, MALTA
A pair, both signed, oil on board
Each 17 x 41cm. (2)
++ Each with some slight rubbed paint losses near edges and/or within signature; each needs a light clean£3000-4000
2091. CHARLES SILLEM LIDDERDALE (1831-1895)
IN HIDING AFTER CULLODEN
Signed with initials and dated 69, oil on canvas
48 x 76cm.
* This is a reduced version of Lidderdale's Royal Academy exhibit (1869, no.701), sold at Sothebys London on March 21st 2001, which measured 73.5 x 114cm.
++ Lined; some associated retouching; needs a light clean£500-700
2092. GORDON ARTHUR MEADOWS (b.1868)
GRAND CANAL VENICE
Signed, inscribed with title verso, oil on canvas
29.5 x 39.5cm.
++ Some fine craquelure; needs a clean£500-700
2093. THOMAS FEDERICK MASON SHEARD (1866-1921)
SCENE ON THE GRAND CANAL
Signed, oil on board
15 x 23.5cm.
++ Good condition; needs a light clean only£500-700
2094. CIRCLE OF CHARLES LESLIE (fl.1835-1863)
HIGHLAND LOCH SCENES
A pair, oil on canvas, oval
Each 40.5 x 30.5cm. (2)
++ Each needs a light clean; in parcel gilt frames with foliate apron and cresting£200-300
2095. ELIZABETH WHITEHEAD (Fl.c.1877-c.1930)
CHRISTMAS ROSES
Signed and dated 1887, also signed and inscribed with title on frame verso, oil on canvas
19 x 39cm.
++ Good condition; under glass in original gilt frame£300-500
2096. REBECCA A. FISHER (Fl.1885-1894)
GIRL WITH POULTRY ON A COTTAGE PATH
Signed, oil on canvas
29.5 x 18.5cm.
Exhibited: Nottingham, Local Artists' Exhibition, no date
++ Slight flaking in the sky; needs a light clean£100-150
2097. AFTER MARGARET DOVASTON (1884-1955)
THE ARRIVAL OF THE MAIL COACH; THE MEETING OF THE HUNT
A pair, oil on canvas
Each 74.5 x 100cm. (2)
++ Good condition£200-300
2098. FRANK BENNETT (Fl.c.1906)
HIGHLAND CATTLE IN A GLEN
Signed and dated 1906, oil on canvas
49.5 x 74.5cm.
++ Good condition£200-250
2099. FOLLOWER OF JAMES EDWIN MEADOWS (1828-1888)
A COUNTRY FAMILY TENDING CATTLE AND SHEEP BY A WOODED POOL
Oil on canvas
71 x 124cm.
++ Lined; some scattered retouching; period gilt frame£400-600
2100. HUGH BOYCOTT-BROWN (1909-1990)
REFLECTIONS, PIN MILL, 1986
Signed, inscribed with title verso, oil on board
23.5 x 31.5cm.
++ Good condition
£200-300
2101. NINA COLMORE (1889-1973)
MARE AND FOAL IN A FIELD
Signed and dated 49, oil on canvas
50 x 60cm.
Provenance: Lord and Lady Stalbridge, Rottingdean, Sussex
++ Good condition£400-600
2102. FRED MILNER (1860-1939)
ST. IVES BAY
Oil on panel, c.1889-1892
23 x 31cm.
++ Good condition£250-350
2103. HENRY COTTERILL DEYKIN (1905-1989)
LITTLE MALVERN
Signed, inscribed with title and dated 1952, oil on canvas
49 x 59.5cm.;
with a view of a house by a lake by the same hand, signed, 43 x 64cm.; and a folder of sketches and drawings when at Birmingham Art School (1925-1932) and the Slade (1933-1934) and later (3)
++ Good condition; some sketches with handling marks
£100-200
2104. HENRY COTTERILL DEYKIN (1905-1989)
RUGBY AT WARWICK SCHOOL
Signed and indistinctly dated, oil on canvas
49.5 x 60cm.;
with a view of Warwick by the same hand, signed, 44 x 64cm. (2)
* Deykin taught art at Warwick School from 1936-1965
++ Good condition£150-200
2105. JEREMY KING (b.1933)
BOATING AT CHISWICK
Signed and indistinctly dated, title verso, oil on board
59.5 x 80cm.
++ Good condition£450-650
2106. LUCIEN POTRONAT (b.1889)
VIEW ON THE COTE D'AZUR
Signed, oil on canvas
44 x 53cm.
++ Good condition£200-400
2107. CLAUDE FLIGHT (1881-1955)
THE DOME OF THE ROCK, JERUSALEM
Signed and dated 1923, oil on canvas
50.5 x 60cm.
Provenance: see lot 2157
++ Dabs of scattered retouching; needs a light clean£1200-1800
2108. CIRCLE OF RICHARD REDGRAVE, RA (1804-1888)
FUN IN THE HAYFIELD
Oil on canvas
61 x 73.5cm.
++ Lined; many areas of retouching; needs a clean£250-400
2109. W** WEBB (19th Century)
TWO FIGURES BY A COUNTRY POOL
Signed (incised signature), oil on canvas
30 x 60cm.
++ Lined; scattered dabs of retouching£200-300
2110. JOHN DUVALL (1816-1892)
A SHEEPDOG GUARDING THE FLOCK ON A HEATH
Signed, oil on canvas
44.5 x 65cm.
++ Some craquelure; needs a clean to remove surface dirt and spatters of white paint£500-800
2111. ANDREW BEER (1862-1954)
"BLUE BELLE", BRED AND RACED BY C. H. DYER, FARLEIGH STORES, BACKWELL
Signed, inscribed, oil on board
27 x 37.5cm.
++ Good condition; maple-veneered farme£250-350
2112. ROBERT GALLON (1845-1925)
ON THE AVON
Signed, oil on canvas
49.5 x 74.5cm.
++ Lined; replaced stretchers£500-800
2113. JAMES BLAZEBY (Fl.c.1876)
A COW IN A YARD
Signed and dated 1876, oil on canvas, unframed
46.5 x 65cm.
++ A few small punctures and grazes; a little thin in a few places; needs a light clean£600-800
2114. FREDERICK GOLDEN SHORT (1863-1936)
A SUNLIT GLADE IN THE NEW FOREST
Signed and dated 1933, oil on canvas board
22.5 x 29.5cm.
++ Good condition£120-180
2115. CECIL C. P. LAWSON (Fl.c.1904-1923)
PONT MARIE, PARIS, DEC. 1904
Signed and dated 1904, also inscribed with title verso, oil on board
17.5 x 22.5cm.
++ Good condition£150-200
2116. GEORG MACCO (1863-1933)
THE JAN MAYEN VOLCANIC ISLAND, ICELAND
Signed, inscribed Vulcaninsel Jan Mayen/ North Eiseneer and further inscribed Georg Macco/ Dusseldorf 1913 on the stretcher, oil on canvas
33.5 x 51.5cm.
++ Needs a light clean; some craquelure£100-200
2117. ATTRIBUTED TO JAMES WARD, RA (1769-1859)
A PACK OF HOUNDS
Signed with monogram JW and dated 1826, oil on canvas
60.5 x 80.5cm.
* Traditionally (but incorrectly) identified as a depiction of the Quarme Harriers from North Quarme farm on Exmoor, a white West Country breed of hound that was used to hunt hares until c.1940. This painting, however, depicts a larger breed with a darker coat. We are very grateful to Dick Lloyd, one of the last men alive to have hunted with the Quarme Harriers, for his help with the cataloguing of this picture.
Ward was appointed Royal Academician in 1810 and thereafter tended to signed with the initials JWD RA, neatly acknowledging the accolade within an anagram of his name.
++ Lined; some associated retouching; needs a light clean£5000-7000
2118. CHARLES JONES (1836-1892)
SHEEP IN SUMMER PASTURE
Signed with monogram and dated 90, also signed and dated verso, oil on canvas
29 x 49.5cm.
++ Good condition; under glass in original gilt frame£3000-5000
2119. DAVID FARQUHARSON, ARA, ARSA (1840-1907)
HEAD OF BALCARY BAY, ON THE SOLWAY
Signed and dated 87, also signed and inscribed with title on a label on the stretcher, oil on canvas
29.5 x 49.5cm.
++ Lined; retouched tear in the sky; needs a clean£1500-2000
2120. ARTHUR JOSEPH MEADOWS (1843-1907)
EHRENBREITSTEIN; TOWN ON THE RHINE
A pair, both signed and dated 1894, oil on panel
Each 23 x 28.5cm. (2)
++ Each in good condition; under glass in original gilt frames£2500-3500
2121. EDWIN MASTERS (Fl.c.1860-1880)
A BUSY VILLAGE SCENE
Oil on canvas
49 x 74.5cm.
++ Lined; associated retouching £1200-1800
2122. MAUDE GOODMAN (Fl.1874-1901)
DAYDREAMS
Signed and dated 1874, oil on canvas
32.5 x 66cm.
Exhibited: London, The Royal Academy, 1874, no. 202
++ Lined; some associated retouching£800-1200
2123. THOMAS SIDNEY COOPER, RA (1803-1902)
SHEEP BY A RIVER
Signed and dated 1895, bears signature verso, oil on board
26.5 x 39cm.
++ Needs a light clean only£2500-3500
2124. THOMAS SIDNEY COOPER, RA (1803-1902)
CATTLE AND SHEEP IN A MEADOW
Signed and dated 1865, inscribed Sold to Watkins Esqr./ by H. L. Rolfe, May 8th/ 1867/ of 31 Nicholas Lane City, oil on panel
43 x 59cm.
++ Faint horizontal crack at right side; a few minor surface grazes; needs a clean£4000-6000
2125. WILLIAM SHAYER (1788-1879)
BEACH SCENE WITH FISHERFOLK AND HORSES
Signed, oil on canvas
54 x 74cm.
++ Lined; scattered retouching and craquelure; rather thin in places£3000-4000
2126. DAVID GAULD (1866-1936)
TWO CALVES
Signed, oil on canvas
49 x 74.5cm.
++ Lined; good condition £3000-4000
2127. HARRY FIDLER (1856-1935)
CATTLE GRAZING
Signed lower left, oil on canvas
44.5 x 52.5cm.
++ A little craquelure amidst the characteristically thick impasto; needs a light clean£1200-1600
2128. ERNEST HERMAN EHLERS (1858-1943)
FIELD WORKERS
Signed, oil on panel
23 x 33.5cm.
++ Needs a light clean£100-150
2129. GWENDOLINE MARY HOPTON (Fl.1897-1913)
STILL LIFE OF VEGETABLES AND AN EARTHENWARE BOWL
Signed, oil on canvas
36.5 x 42.5cm.;
with a pastel and a watercolour by the same hand, unsigned. (3)
++ Each in good condition£150-250
2130. GWENDOLINE MARY HOPTON (Fl.1897-1913)
A QUIET PLACE TO READ
Signed, oil on board
31.5 x 39.5cm.;
with a small oil on board of haystacks, signed, 18 x 22cm. (2)
++ Each in good condition£150-250
2131. HUGH BOYCOTT BROWN (1909-1990)
SAN TRAVASO, VENICE
Signed, oil on board
16.5 x 24.5cm.;
with a small landscape by Lucette de la Fougere, 19 x 32cm. (2)
++ Good condition; the latter needs a light clean£120-180
2132. JOHN NOBLE BARLOW (1861-1917)
SCENE IN PICARDY
Signed, inscribed with title on stretcher, oil on canvas
34.5 x 44.5cm.
++ Needs a light clean£150-250
2133. JULIAN BARROW (b.1939)
PRIOR PARK, BATH
Signed, oil on canvas
28.5 x 38.5cm.
Exhibited: London, Morton Morris and Co, 1981, no.49
++ Good condition£150-200
2134. SYDNEY L. THOMPSON (Fl.1904-1923)
HORSES IN THE SHADE OF TREES
Signed, oil on board
36.5 x 44.5cm.
++ Good condition£120-180
2135. FREDERIC WHITING (1874-1962)
A HIGHLAND RIVER
Signed, oil on canvas
39 x 49cm.
++ Needs a light clean£200-300
2136. SYBIL MILNES (b.1902)
THE PARTY
Signed, oil on board
40 x 55cm.
++ Needs a light clean£150-250
2137. EDWIN EDWARDS (1823-1879)
MOUTH OF THE BLYTH
Signed and inscribed on a label on the frame, oil on canvas
43.5 x 107cm.
++ Small hole right of centre; needs a clean£700-1000
2138. BRITISH SCHOOL, Circa 1900
COASTAL SCENE WITH A DISTANT BOAT
Oil on board, bears fragmented label on frame reading Painted by George Har..
31 x 49cm.
++ Good condition; some flaking upper right; needs a light clean; original gilt mount and frame£100-200
2139. ETHEL M. PIERCE (Fl.1931-c.1950)
THE BOOKSHOP
Signed and dated 1931, oil on canvas
49.5 x 59.5cm.
Exhibited: London, The Royal Academy, 1931, no. 46
++ Small paint loss at right edge; otherwise generally good condition£300-500
2140. ALBERT ANTHONY HOUTHUESEN (1903-1979)
BREAKERS
Signed, also inscribed and dated verso, acrylic on canvas
40 x 50cm.
++ A few scattered surface blemishes£300-400
2141. OLIVER BYRNE WARMAN (b.1932)
GLIMPSE OF A LANDSCAPE THROUGH TREES
Signed with initials, also signed and inscribed verso, oil on ply panel
32 x 38cm.
++ Good condition£100-150
2142. RICHARD PIKESLEY, RWS (b.1951)
SEAGULLS AND BREAKWATERS, LYME REGIS; WEYMOUTH BEACH
Two, both signed with initials, oil on canvas board
21 x 24.5cm. and 19.5 x 24.5cm. (2)
++ Good condition£250-350
2143. BILLIE WATERS (1896-1979)
SEAL PUP
Signed, oil on board
34.5 x 49.5cm.
Provenance: see lot 2157
++ Needs a light clean£800-1200
2144. VICTORINE FOOT (b.1920)
SUNDAY EVENING
Signed with initials VEF, also signed and inscribed on a label verso, oil on canvas
19.5 x 29cm.
++ Good condition£100-150
2145. ANNE SHINGLETON (b.1953)
TUSCANY: WILLOW PRUNING AT CINQUE TERRE, FEBRUARY 1991; TOWERS OF SAN GIMIGNANO FROM SCIANO DI CERTALDO, MARCH 1991
Two, both signed and dated 91, each also signed and inscribed on the stretchers, oil on canvas
Each 49 x 69cm. (2)
++ Good condition£150-200
2146. STANLEY ERIC HARPER (b.1918)
GIRL WITH GUITAR
Signed and inscribed verso, oil on board
90 x 69.5cm.
* The proceeds from the sale of this lot will be donated to the CLIC Sargent Charity, which cares for children and young people with cancer.
++ Good condition£200-300
2147. BRYAN SENIOR (b.1935)
INTERIOR WITH STILL LIFE
Signed and dated 60, oil on board
50 x 60cm.
++ Needs a clean£100-200
2148. ARTHUR KARL MADERSON (b.1942)
STUDY IN EBBOR GORGE No. 1
Signed, oil on canvas board, in the artist's hand painted frame
28 x 17cm.
++ Good condition£150-250
2149. PHILIP SUTTON, RA (b.1928)
THE WINDOW, BATTERSEA, SPRING 1966
Signed and inscribed verso, oil on canvas, unframed
101 x 101cm.
++ Good condition
£400-600
2150. VALERIE THORNTON (1931-1991)
RIPOLI
Relief, signed and inscribed on a label on the backboard, watercolour and pencil on two boards
22.5 x 13.5cm.
++ Good condition£200-300
2151. VALERIE THORNTON (1931-1991)
ARTAIZ
Relief, signed and inscribed on a label on the backboard, watercolour and pencil on three boards
20 x 25.5cm.
++ Good condition£200-300
2152. JULIAN S. CORBETT (Fl.c.1882-1903)
GARDEN, PWLL Y PANT, JULY 1908-09
A pair; each signed, inscribed and dated on the stretcher, oil on canvas
Each 39 x 28.5cm. approx. (2)
++ Each in good condition; original gilt frames£400-600
2153. PERCY TARRANT (Fl.1883-1930)
THE YOUNG KING DAVID
Signed with initials, oil on board
19.5 x 14cm.
++ Good condition£150-200
2154. GEORGES SCHREIBER (1866-1943)
THE VEGETABLE STALL
Signed and dated London 1923, also inscribed with a dedication on a label verso, oil on canvas
44.5 x 31.5cm.
++ Good condition£200-300
2155. FRANCESCO DE NICOLA (1883-1958)
A FIGURE BY TREES, COASTAL SCENE, GREY DAY
Signed, oil on card
26.5 x 24.5cm.
++ Good condition
£100-200
2156. MONTAGU LEDER (c.1900-1972)
A JUG OF FLOWERS
Signed with initials, oil on board
47.5 x 39.5cm.;
with a small oil on canvas of a female nude, by another hand, 23.5 x 18.5cm. (2)
++ Each needs a light clean£70-100
2157. RONALD PETER DELLAR (b.1930)
CHARLOTTE WITH BOWL OF APPLES
Signed and dated 69, also inscribed verso, oil on canvas
59 x 49cm.
Exhibited: Stow on the Wold, Glos., The Fosse Gallery, June 1987, from the artist's studio
Provenance: Collection of the late Lady Isabel Throckmorton & The Coughton Galleries
++ Needs a light clean£100-150
2158. RUDOLF HELMUT SAUTER (1895-1977)
MERMAID
Oil on board
89.5 x 52cm.
Provenance: see lot 2157
++ Good condition; needs a light clean£150-200
2159. ANTHONY DEVAS, RA (1911-1958)
BUST LENGTH PORTRAIT OF A GENTLEMAN
Signed, oil on canvas
45 x 34.5cm.
++ Needs a light clean
£150-200
2160. WILLI SOUKOP, RA (1907-1995)
INTERWOVEN FORM
Cut and painted copper
26 x 14cm.
Provenance: Acquired from the artist, February 1994; see lot 2157£250-350
2161. ANTON MATTHEWS (1925-2008)
BOATS AT BEER
Signed with initials, oil on board
24 x 34cm.;
with five further coastal/marine subjects, each signed. (6)
* Anthony Matthews, who adopted the name "Anton" in later years, was born in Cheltenham in 1925. He studied there and in Reading before embarking upon a career in teaching, becoming head of the School of Art in Rugby. Matthews served on committees in arts administration and exhibited widely, including works at the Royal Academy, The Royal West of England Academy, The Young Contemporaries, The Society for Education in Art, The Royal Cambrian Academy (of which he was a member) and the London Group. He lived in Chard, Somerset, and a proportion of the proceeds from the sale of these pictures will be donated to Macmillan Cancer Support.
++ Good condition£180-250
2162. ANTON MATTHEWS (1925-2008)
SOMERSET PARK
Signed, oil on board
24 x 29cm.;
with four further summer landscapes, each signed or initialled. (5)
++ Good condition£150-200
2163. ANTON MATTHEWS (1925-2008)
FRENCH LANDSCAPE
Signed with initials, oil on board
23 x 29cm.;
with four further summer landscapes, each signed or initialled. (5)
++ Good condition£150-200
2164. ANTON MATTHEWS (1925-2008)
CORNFIELD NEAR WELLS
Signed, oil on board
18.5 x 29cm.;
with three further landscapes, each signed. (4)
++ Good condition£120-180
2165. ANTON MATTHEWS (1925-2008)
ST. PAULS FROM THE THAMES
Signed, oil on board
24.5 x 29cm.;
with a view of Bosham and three winter landscapes, three signed/initialled. (5)
++ Good condition£150-200
2166. ANTON MATTHEWS (1925-2008)
OFF THE TEE; BOWLS AT SEATON; RUGBY; BEFORE THE START
Four, each signed, oil on board
44.5 x 59.5cm. and smaller (4)
++ Good condition£120-180
2167. ANTON MATTHEWS (1925-2008)
IS IT A HENRY MOORE?; THE CONDUCTOR; STRING ORCHESTRA; SALOON BAR; NUDE, AFTERNOON LIGHT; THECAFE; SAD CAFE; FLOWER PIECE
Eight, all but one signed/initialled, oil on board, four unframed
29.5 x 39.5cm. and smaller (8)
++ Good condition
£150-200
2168. ANTON MATTHEWS (1925-2008)
FOURTEEN COASTAL/MARINE SKETCHES
to include scenes in West Bay, Seaton, Lyme Regis, Venice, Crete and elsewhere; all but one signed/initialled, oil on board, unframed
23.5 x 30.5cm. and smaller (14)
++ Good condition£100-150
2169. ANTON MATTHEWS (1925-2008)
SIXTEEN LANDSCAPE SKETCHES
to include subjects in Malvern, Norfolk, Suffolk, France, Cyprus, Tuscany and elsewhere; all but one signed/initialled, oil on board, unframed
26 x 32cm. and smaller (16)
++ Good condition£120-180
2170. TOM COATES (b.1941)
BY THE NOTRE DAME, PARIS
Signed with monogram, oil on canvas
59.5 x 75cm.
++ Good condition£1000-1500
2171. MARK THOMPSON (b.1972)
KRONOS (COVERING) 2001
Signed and inscribed verso, oil on canvas, unframed
141.5 x 226cm.
Provenance: London, Rebecca Hossack Gallery, 2002 (whereat purchased by the owner)
++ Some bloom, craquelure etc£1000-1500
2172. ALBERT MOULTON FOWERAKER (1873-1942)
THE MOONLIT WOOD
Signed, also signed and inscribed with title verso, oil on canvas
97 x 151cm.
++ Craquelure; some scattered flaked paint losses; needs a clean£1500-2000
2173. DOROTHEA SHARP (1874-1955)
SUMMER DAYS
Oil sketch, on ply panel
29 x 36.5cm.
++ Needs a light clean£2000-3000
2174. PATRICK HENNESSY, RHA (1915-1980)
SEAN ALONE
Signed, oil on canvas
37 x 60cm.
Exhibited: Dublin, David Hendriks Gallery
++ Good condition£2500-3500
2181. A GILT METAL CARRIAGE CLOCK
dial white enamel, movement cylinder escapement striking on a gong,
5ins. (13cms.) high£200-300
2182. A CARRIAGE CLOCK
dial white enamel, movement cylinder escapement, striking on a gong,
5 1/2ins. (14cms.) high£400-500
2183. A GILT METAL CARRIAGE CLOCK
dial white enamel, movement distressed,repeating, case flanked by Corinthian pilasters, 6 3/4ins. (17cms.) high£150-250
2184. AN ORMOLU CARRIAGE CLOCK
dial cream enamel, subsidiary alarum dial, movement repeating, lever escapement, case with bowfront and sides, 6 1/4ins. (15.5cms.) high£250-350
2185. A CARRIAGE CLOCK
dial white enamel, subsidiary alarum dial, movement lever escapement,
4 1/2ins. (11cms.) high£100-150
2186. A MANTEL TIMEPIECE
dial white enamel, movement now electric, case of cartouche shape, inlaid with floral sprays and applied with ormolu mounts,
10 ins. (25.5cms.) high£100-120
2187. A MAHOGANY BRACKET CLOCK
dial cream painted, signed Ronell & Son, Oxford, striking on a bell, case with split reel mouldings, together with a bracket,
clock 22 1/2ins. (57cms.) high overall£1200-1400
2188. A MAHOGANY BRACKET CLOCK
dial cream painted, indistinctly signed, movement striking on a bell, case inlaid with brass lines, fish grille sides, 16ins. (41cms.) high£1200-1400
2189. A MAHOGANY MANTEL CLOCK
dial 5 1/2inch silvered chapter ring, subsidiary slow/fast and chime silent, signed Fear's Ltd, Bristol Bridge, movement striking on a rack of five rods,
13 1/2ins. (34.5cms.) high£100-200
2190. A MAHOGANY BRACKET CLOCK
dial 7 1/4 inch silver chapter ring, subsidiary chime/silent, slow/fast, eight bells/Westminster rings, movement three train, striking on a rack of eight bells and a gong, case applied with ormolu mounts, including caryatids, 28ins. (71cms.) high£1500-2000
2191. A MAHOGANY BRACKET CLOCK
dial 5 1/2inch silvered chapter ring, pendulum crescent, calendar aperture,
signed on a boss to the arch Jno. Brown, Edinburgh, movement back plate with engraved border, 20 1/2ins. (52cms.) high£300-400
2192. AN ORMOLU MANTEL CLOCK
dial silvered, movement drum, signed Ridingo, Paris, case boldly cast and chased, 11ins. (28cms.) high£400-600
2193. AN ORMOLU MOUNTED GREEN ONYX PORTICO CLOCK
dial cream enamel, indistinctly signed, movement drum striking on a bell,
18 1/2ins. (47.5cms.) high£100-200
2194. AN ORMOLU FOUR GLASS CLOCK
dial white enamel, signed Cahoon Bros., Belfast, movement drum,exposed escapement, striking on a bell, mercury pendulum, case with bevelled glass, 11 3/4ins. (30cms.) high£300-400
2195. A GEORGE II WALNUT MANTEL CLOCK
dial 6 inch silvered chapter ring, 16 1/2ins.(42cms.) high£200-250
2196. A MAHOGANY BRACKET CLOCK
dial 4 1/2inch silvered chapter ring and subsidiary fast/slow ring, signed
Depree Raeburn & Young, Exeter, movement striking on a gong,
11 1/2ins. (29cms.) high£200-300
2197. A MAHOGANY MANTEL CLOCK
dial cream painted, signed Mann & Son, Norwich, movement striking on a bell,
case rope twist surround to dial and inlaid with brass fillets and lines,
19 1/2ins. (49cms.) high£300-400
2198. A GILT SPELTER MANTEL CLOCK
dial white enamel, movement drum striking on a bell, case surmounted by two fighting horses, stamped 4 Pelmourey, 16ins .(41cms.) high£150-200
2199. A LOUIS XVI STYLE ORMOLU CARTEL CLOCK
dial white enamel, movment outside count wheel, striking on a bell,
31ins. (71cms.) high£1000-1200
2200. AN ORMOLU MANTEL CLOCK
dial white enamel, signed Cartier a Paris, movment drum striking on a bell, case set with emblems of geography, 14ins. (36cms.) high£300-400
2201. A TORTOISESHELL AND BOULLE MANTEL CLOCK
dial blue and white enamel numerals, movement drum striking on a gong,
12 1/4ins. (31cms.) high£200-300
2202. A MAHOGANY WALL CLOCK
dial cream painted, signed T & E. Rhodes, Kendal, the pendulum drop with a scroll fret pierced front, flanked by fruiting vines, 32ins. (81cms) high
£380-420
2203. AN ORMOLU FOUR GLASS MANTEL CLOCK
dial white enamel, movement drum, exposed escapement, striking a bell,
mercury pendulum
13ins. (33cms.) high£300-400
2204. A WALL TIMEPIECE
dial silvered, signed L. Casella, London, contained in a metal case,
7 1/4ins. (18.5cms.) dia£100-150
2205. A CHINESE BLACK LACQUERED WOOD FIRE CLOCK
27 1/2ins. (70cms.) wide
£100-150
2206. A COLLECTION OF BRACKET CLOCK PENDULUMS
together with an assortment of weights (a lot)
A portion is illustrated
£100-150
2207. AN EBONISED MANTEL CLOCK
dial 6 1/4inch silvered chapter ring, signed Luke Wise, Reading, slow on lever, and calendar aperture, movement chain fusee and verge escapement, back plate foliate engraved and also signed, striking on a bell, case embossed and chased with silver coloured metal mounts, 13ins. (33cms.) high£4000-6000
2208. A PINE THIRTY HOUR LONGCASE CLOCK
dial 10 inch brass chapter ring signed Jno Mercer, Hythe, the hood with blind fret carved cornice, 73ins. (185cms.) high£250-300
2209. A MAHOGANY LONGCASE CLOCK
dial 11 1/2 inch silvered chapter ring, subsidiary seconds ring and calendar aperture, signed to the arch, Ballard, Edmonton, London, strike/silent switch beneath, case the hood flanked by gilt metal Corinthian capped fluted pillars,
the trunk and waist door with rosewood crossbanding, 89 1/4 ins. (224cms.) high£600-700
2210. A PAINTED SIMULATED MAHOGANY LONGCASE CLOCK
dial 11 1/2inch silvered chapter ring, subsidiary seconds dial and calendar aperture, signed above the painted arch, John Crouch, Kensington,
90 1/2ins. (230cms.) high£500-600
2211. A MAHOGANY LONGCASE CLOCK
dial 12inch silvered chapter ring, subsidiary seconds dial, signed J. Thomas,
Chester, painted phases of the moon dial to the arch, case blind fret carved cornice, waist door flanked by fluted quadrants, 92ins. (234cms.) high£1000-1500
2212. A TORTOISESHELL LACQUER LONGCASE CLOCK
dial 11 1/4inch steel chapter ring, subsidiary seconds ring, calendar aperture,
signed on a tablet, Edn. Sanders, Poole, strike/silent ring to the arch, case decorated with gilt chinoiseries, 90ins. (229cms.) high£1200-1500
2213. A FRENCH FRUITWOOD LONGCASE CLOCK
dial cream painted with floral spray to the arch, case panelled, 81ins. (206cms.) high£100-200
2214. A MAHOGANY LONGCASE CLOCK
dial 11 1/2 inch silvered chapter ring, subsidiary seconds dial and calendar aperture,
signed on a cartouche John Lloyd, Minories, London, strike/silent ring to the arch,
case the hood flanked by brass stop-fluted wooden columns, the cresting fret-carved, the waist door also flanked by brass stop-fluted quadrant pilasters,
97ins. (246cms.) high£1000-1500
2215. AN OAK LONGCASE CLOCK
dial 9 1/2 inch silvered chapter ring, signed Randle, Bagnall, calendar aperture now filled, 80ins. (203cms.) high£500-600
2216. A THIRTY HOUR OAK AND MAHOGANY LONGCASE CLOCK
dial 9 inch silvered chapter ring, signed Jno Hocker, Reading, the hood with a fret carved cornice, 83ins. (211cms.) high£300-400
2217. A MAHOGANY LONGCASE CLOCK
dial the 12 1/2 inch silver chapter ring with subsidiary seconds and calendar rings, signed Green, Edin.r., case the moulded arched waist door, flanked by reeded quadrant pilasters, 76 1/2ins. (194cms.) high
£800-1200
2220. A MAHOGANY WHEEL BAROMETER
the silvered dial signed P Caminada, Taunton, alcohol thermometer, the case set with shells and foliate paterae, 38ins. (97cms.) high£200-300
2221. A MAHOGANY WHEEL BAROMETER
set with a mercury thermometer, hygrometer and spirit level to the base,
signed J. Mauer, 1 Beauchamp St., Leather Lane, Holborn, 38 1/4ins. (97cms.) high£150-250
2222. A MAHOGANY WHEEL BAROMETER
the silvered dial signed Anthony Cetti, Reading, the neck set with an alcohol thermometer, the case set with shell medallions,
38ins. (97cms.) high£150-250
2223. A MAHOGANY STICK BAROMETER
the silvered register plate, signed George Adams, Fleet St., London, hygrometer above, inlaid with ebony lines, 42 1/4ins. (107cms.) high£400-600
2224. A ROSEWOOD WHEEL BAROMETER
with silvered dial, the spirit level signed Corti, Exeter, set with convex looking glass, alcohol thermometer and hygrometer, the case painted with simulated brass foliate scroll, 37 3/4ins (96cms.) high£120-150
2225. A POCKET GLOBE
by Dollond, London 1839, 3ins. (7.5cms.) dia., contained in a shagreen case lined with a star map£1000-1500
2231. A PAIR OF WHITE MARBLE CROUCHING LIONS
13ins. (33cms.) long£400-500
2232. TWO PAPIER MACHE PART DESK SETS
each piece painted with a mother of pearl enriched lily of the valley spray, comprising: two book slides, a stationery box and a box
£100-150
2233. A PAIR OF PENWORK HAND SCREENS
the reverse painted with a floral spray£100-120
2234. A PAIR OF PAPIER MACHE FOLDING CORNER WALL SHELVES
15ins. (38cms.) high and another pair of shelves, each set with a mirrored "bubble" set with marine life£100-150
2235. A PAIR OF PAPIER MACHE GILT ENRICHED PICTURE FRAMES
now set with dried flowers, together with two Chinese hard-stone inlaid lacquer plaques, one side worked with a river landscape, the reverse with a vase,
plaques 9ins. (23.5cms.) x 4 3/4ins. (12cms.)£125-160
2236. A PAIR OF STAMPED BRASS CURTAIN TIE-BACKS
£100-120
2237. A SHELL WORK PORTHOLE PICTURE
15 1/2ins. (30cms.) square overall and another smaller
£100-120
2238. A PAIR OF CAST IRON FIRE DOGS
23 1/2ins. (60cms.) high£150-250
2239. A LEAD FIGURE
of a boy playing the pipes, 23 1/2ins. (60cms.) high£150-200
2240. A PAIR OF GILT METAL CANDLESTICKS
of Louis XVI style, 10 3/4ins. (27cms.) high£125-150
2241. AN ORMOLU TABLE CANDLESTICK
of Louis XVI style, now with an Art Deco lampshade, 26ins. (66cms.) high overall£120-160
2242. A BRONZE CAMPANA URN
6 3/4ins. (17cms.) high £100-150
2243. A TREEN DOUGH TROUGH
46 1/4ins. (118cms.) wide£150-200
2244. A SYCAMORE TREEN DAIRY BOWL
15 1//2ins. (39cms.) dia.£100-150
2245. A GEORGE IV MAHOGANY CHEESE COASTER
171/2ins. (44.5cms.) wide£150-200
2246. A BLOND TORTOISESHELL TEA CADDY
inlaid with pewter lines, two lidded divisions, 6 3/4ins. (17cms.) wide£600-700
2247. A BURR YEW TEA CADDY
with tulip wood crossbanding, 8 3/4ins. (22cms.) wide£150-200
2248. A BRONZE BUST OF NAPOLEON
on a black marble pedestal, 6 1/2ins. (17cms.) high overall£120-150
2249. A TREEN CRIBBAGE BOARD
carved with wheat ears, 9 3/4ins. (25cms.) long£100-150
2250. A PAPIER MACHE TRAY
painted with a ribbon suspended basket of flowers,
14 1/4ins. (36cms.) dia., together with papier mache hand screen£100-120
2251. AN EDWARDIAN MAHOGANY GAMES COMPENDIUM
including a race game and solitaire, 13 1/4ins. (33.5cms.) wide, together with a set of bone and ebony dominoes (a lot)£300-350
2252. A SILVERED ROCOCO CANDLESTICK
boldly cast with scrolls and fruiting foliage, in the manner of Meissonier,
3 1/2ins. (9cms.) high
2253. A PAIR OF RECONSTITUTED STONE LIONS
26ins. (66cms.) high£100-150
2254. A GEORGE III MAHOGANY TRAY
with waved gallery, 27ins. (68.5cms.) wide£125-150
2255. A BRONZE PATINATED STEEL FIGURE OF A HORSE
12 1/2ins .(32cms.) wide£100-130
2256. A MAHOGANY KNIFE BOX
the lid inlaid with a shell medallion, tulip wood crossbanding, vacant interior,
9 1/2ins. (24cms.) wide£125-175
2257. A BRONZE FIGURE OF A NAKED LADY
crouching, signed P. Aitken, on an onyx plinth, 6 1/4ins. (16cms.) high overall£100-120
2258. A REGENCY SILKWORK PICTURE
of a flower filled cornucopia,
23ins. (58cms.) x 20 1/2ins. (52cms.) overall£150-250
2259. A PAIR OF GEORGE III MAHOGANY KNIFE BOXES
of conventional form, inlaid with ebony and boxwood stringing£400-600
2260. A RED AND WHITE IVORY CHESS SET
by Jaques, London. King 2 3/4ins. (7cms.) high£200-300
2261. THREE GREEN GLASS DUMPS
each set with a flower-filled urn, largest 5 1/2ins. (14cms.) high£120-140
2262. A 19TH CENTURY PIETRA DURA PLAQUE
of a group of birds on a branch, plaque 4 3/4ins. (12cms.) x 7ins. (18cms.)£100-200
2263. A GEORGE IV SATINWOOD TEA CADDY
of sarcophagus shape,inlaid in ebony, with two lidded divisions,
9 1/4ins. (23.5cms.) wide£200-250
2264. A BRONZE FIGURE OF HARLEQUIN
signed St. Marceaux, 1879 and with reduction stamp for A. Collas, and also signed F. Barbedienne...Paris.
19ins. (48cms.) high£2000-2500
2265. A BRONZE FIGURE AFTER THE ANTIQUE
of The Apollo of The Belvedere, 11 3/4ins. (32.5cms.) high£150-200
2266. A BRONZE FIGURE
of a youth, 18 1/2ins. (47cms.) high£250-300
2267. A SAND PICTURE
in the manner of Moreland, depicting two pigs, oval, 13 3/4ins. (35cms.) x
11ins. (28cms.) £100-150
2268. A PAIR OF SAND PICTURES
painted in the manner of Moreland, of cart horses, 12 1/2ins. (32cms.) x 15 1/2ins. (39.5cms.)£250-350
2269. A PAIR OF SAND PICTURES
in the manner of Moreland, one of a donkey's head, the other of a sheep's head,
17 1/2ins. (44.5cms.) x 14ins. (35.5cms.)£200-250
2270. A SAND PICTURE
in the manner of Moreland, depicting a group of sheep, 13 3/4ins. (35cms.) x 17 3/4ins. (45cms.)£150-250
2271. A PAIR OF ORMOLU MOUNTED AND MARBLE URNS
now adapted for electricity, urns 11ins. (28cms.) high£150-200
2272. A CHINESE EXPORT LACQUER TEA CADDY
of melon shape with pewter lidded interior caddy, all decorated with gilt chinoiseries, 8ins. (20cms.) wide£150-200
2273. A PAIR OF STRAW WORK PLAQUES
depicting waterside towns, 8ins. (12.5cms.) x 12ins. (30.5cms.)£150-250
2274. A VENETIAN STYLE BRONZE INKWELL
modelled as a merman grapling with a serpent, the lidded shell forming the inkwell, black marble plinth, 7 1/4ins. (18.5cms.) wide overall£200-300
2275. A PAIR OF WOODEN HAND SCREENS
each painted in the manner of George Armfield, one with a pair of rabbits, the other with two terriers
£200-250
2276. AN HERALDIC CAST IRON FIRE BACK
together with a pair of andirons,
fire back 28 1/2ins. (72cms.) x 31 1/4ins. (79cms.)£250-350
2277. AN ALABASTER FIGURE
of a roaring tiger, 19ins. (48cms.) long£150-200
2278. A COLLECTION OF PLASTER TABLETS AFTER THE ANTIQUE OF THE PARTHENON FRIEZE
contained in eight trays£100-200
2279. AN OAK HUMIDOR
with flush brass mounts to the top, an heraldic cartouche, three long drawers,
18 1/2ins. (47cms.) wide£100-120
2280. A COPPER AND BRASS BALUSTER CONTAINER AND COVER
13 1/2ins. (34cms.) high, together with a copper covered coopered vessel, 13 1/4ins. (34cms.) high£100-120
2281. A PAIR OF ORMOLU AND BRONZE LUSTRE HUNG CANDLESTICKS
11 1/2ins. (29cms.) high£350-400
2282. A PAPIER MACHE TEA CADDY
of sarcophagus shape, painted with floral sprays, the interior with two lidded divisions, 8ins. (20.5cms.) wide
£150-250
2283. A NEEDLEWORK PICTURE
depicting two men releasing a fox to dogs, 11 3/4ins. (30cms.) x 13ins. (33cms.)£100-150
2284. A NEEDLEWORK PICTURE
of a parrot, 17ins. (43cms.) x 14 1/2ins. (36.5cms.)£100-150
2285. A CUT GLASS TWO BRANCH TABLE CANDELABRUM
hung with pendants, 19ins. (48cms.) high£100-125
2286. AN ALBUM OF TWELVE CHINESE TINQQUA PITH PAINTIGNS
depicting the cultivation of rice, image 5 1/2ins. (14cms.) x 9 1/4ins. (23.5cms.)£150-200
2287. A SET OF THREE POLISHED STEEL FIRE IRONS£100-150
2288. A PAIR OF SIMULATED MALACHITE OBELISKS
23 1/2ins. (60cms.) high, Ex George Lowe Collection£150-250
2289. A LARGE COPPER PRESERVE PAN
21 1/4ins. (54cms.) dia.£100-150
2290. AN ALABASTER FIGURE OF VENUS DE MILO
19 1/4ins. (49cms.) high£100-150
2291. A SET OF THREE BRASS FIRE IRONS
together with a matching pair of andirons£200-300
2292. A BRASS FOOTMAN
14 1/4ins. (36cms.) wide£100-150
2293. A NEEDLEWORK SAMPLER
worked with a verse and doves of peace, paper label on back says Work by Mary Howard, 1767 of Latchford, Near Warrington, 13 1/4ins. (33.5cms.) x 12 1/4ins. (31cms.)£100-120
2294. A COROMANDEL WOOD DRESSING TABLE BOX
with a domed lid, silver plated mounts to the glass, a drawer to the base,
11 3/4ins. (30cms.) wide£250-300
2295. A PAPIER MACHE LAP DESK
the sloping front painted with two recumbent dogs, all enriched with mother of pearl and gilt floral sprays, 12 3/4ins. (32.5cms.) wide, together with a papier mache tea caddy£100-150
2296. A GEORGE III MAHOGANY KNIFE BOX
of conventional form, the lid set with a patera, rosewood and boxwood stringing, the interior converted for staionery, 8 3/4ins. (22cms.) wide£150-200
2297. A FRAMED ICON OF CHRIST
with an engraved gilt coloured metal oclad, 10 1/4ins. (26cms.) x 8 1/2ins. (22cms.) overall£150-250
2298. AN ICON OF CHRIST
the engraved silver gilt coloured metal oclad set with enamel mounts,
10 1/2ins. (27cms.) x 8 3/4ins. (22cms.)
£200-300
2299. A LARGE GRANITE TROUGH
with rounded end, 14ins. (36cms.) high x 27 1/2ins. (70cms.) widest x 45ins. (105cms.) long
PLEASE NOTE: BUYER COLLECTS AND IS RESPONSIBLE FOR ALL MOVEMENTS£150-250
2300. TWO CLOSELY MATCHING KNIFE BOXES
of convention form, with original fittings, 8 3/4ins. (22cms.) wide£400-450
2301. TWO CHINESE SCHOOL WATERCOLOURS
of court figures, 17ins. (43cms.) x 14ins. (55.5cms.) and 16 1/2ins. (42cms.) x 13 1/2ins. (34cms.)£600-700
2303. A GEORGE III OAK CORNER CUPBOARD
the crossbanded solid door inlaid with a shell medallion, 30ins. (76cms.) wide£150-200
2304. A 17TH CENTURY OAK COFFER
with a plain top, foliate scrolled carved frieze rail and lozenge carved panels,
58ins. (147cms.) wide£300-400
2305. A GEORGE III ELM CORNER CUPBOARD
23 1/2ins. (60cms.) wide£100-200
2306. A 17TH CENTURY OAK COFFER
with a four panelled top, the front panels and muntins carved with stiff leaves,
59 1/2ins. (151cms.) wide
£350-450
2307. A 17TH CENTURY OAK GATELEG TABLE
a drawer to one end, top 57 1/4ins. (145cms.) x 57ins. (145cms.)£250-350
2308. A 17TH CENTURY OAK COFFER
with plank top, the frieze rail incised, S.S., 49ins. (125cms.) wide£300-400
2309. A 17TH CENTURY OAK WAINSCOT CHAIR
the panelled back with a row of turned spindles, the fluted top rail incised I F B and centred by 68£1200-1600
2310. A GEORGE III OAK CHEST OF DRAWERS
the top with a moulded edge, the drawers with mahogany crossbanding,
33 1/4ins. (84cms.) wide£150-200
2311. A 17TH CENTURY OAK COFFER
with a domed top and chip carving surround to the panels, 44ins. (112cms.) wide£400-600
2313. A 17TH CENTURY OAK REFECTORY TABLE
with cleated four plank top, the frieze now with two short drawers,
32 3/4ins. (83cms.) wide x 102ins. (259cms.) long£1500-2000
2314. A YEW AND ELM WINDSOR ARMCHAIR
in the manner of Prior, High Wycombe£200-250
2315. AN EARLY 18TH CENTURY OAK COFFER
with a plank top, the frieze rail carved, E E 1729, 55 1/2ins. (141cms.) wide£200-300
2316. AN ELM AND YEW CHILDS WINDSOR ARMCHAIR
26ins. (66cms.) high£125-150
2317. A 17TH CENTURY OAK COFFER
the plank top with chip carved edge and moulded front, 39ins. (99cms.) wide£200-250
2318. AN OAK CHILDS CHAIR OF WAINSCOT TYPE
£300-350
2319. A 17TH CENTURY OAK COFFER
with a plank top, 49ins. (125cms.) wide£150-250
2320. A GEORGE III OAK DRESSER
fitted with three short frieze drawers and three central drawers, flanked by fielded panelled doors, 61ins. (155cms.) wide£600-800
2321. A COBBLERS WORK BENCH
24ins. (61cms.) wide£200-220
2322. A 17TH CENTURY STYLE OAK REFECTORY TABLE
with cleated triple plank top, 34 1/2ins. (188cms.) wide x 92ins. (232cms.) long£950-1000
2323. A 17TH CENTURY OAK SIDE TABLE
the top with a moulded edge, 17ins. (43cms.) deep x 32 1/2ins. (82cms.) wide£150-250
2324. A 17TH CENTURY OAK JOINT STOOL
the top with a moulded edge, 17 3/4ins. (35cms.) wide£200-300
2325. A 17TH CENTURY FRUIT WOOD JOINT STOOL
the top with a moulded edge, 18 1/4ins. (46.5cms.) wide
£150-250
2326. A 17TH CENTURY OAK COFFER
with stop fluted styles, 46 1/4ins. (117cms.) wide£250-300
2327. A GEORGE III OAK CORNER CHAIR
with pierced baluster splats£200-300
2328. FOUR LADDERBACK RUSH SEATED ARMCHAIRS
£200-300
2329. A 17TH CENTURY OAK TABLE BOX
the front carved with florette set guilloches, 22ins. (56cms.) wide£100-200
2330. EIGHT BEECH AND ELM LADDERBACK DINING CHAIRS
including two with arms, each set with spindles and a rush seat£600-800
2331. A 17TH CENTURY OAK COFFER
with a plank top, 53ins. (135cms.) wide
£450-650
2332. A 17TH CENTURY OAK GATELEG TABLE
a drawer to one end, top 36 3/4ins. (93.5cms.) x 44ins. (112cms.)£200-250
2333. A WINDSOR ARMCHAIR
£125-150
2334. A 17TH CENTURY OAK GATELEG TABLE
with baluster turned under frame, a drawer to each end, top 51 1/2ins. (131cms.) x 61ins. (155cms.) £800-1200
2335. AN EARLY 18TH CENTURY OAK COURT CUPBOARD
the upper part with three fielded panelled doors, the lower part with three short fielded drawers above a pair of fielded panelled doors, 71 1/2ins. (182cms.) high x 60 1/4ins. (163cms.) wide£600-800
2336. A GEORGE III OAK DRESSER
the upper part with open shelves beneath a roundel set cornice, the breakfront lower part fitted with three short frieze drawers above three short false drawers, flanked by a pair of panelled doors, the corners with turned quadrant pilasters,
83ins. (211cms.) high x 70ins. (178cms.) wide £1000-1500
2337. A 17TH CENTURY OAK COURT CUPBOARD
the upper part with a pair of florette carved doors flanking a matching central panel, a pair of panelled doors beneath, 77 1/4ins. (196cms.) high x 57 1/2ins. (146.5cms.) wide£500-600
2338. A 17TH CENTURY OAK COFFER
the plank top with a moulded edge, 42 1/4ins. (107cms.) wide£150-250
2339. A MAHOGANY COMB BACK WINDSOR ARMCHAIR
on cabriole legs, of generous proportions, 26 1/4ins. (66.5cms.) wide£300-400
2340. A 17TH CENTURY OAK COFFER
the plank top with a moulded edge, the front with fielded panels,
41ins. (104cms.) wide£200-250
2341. AN EARLY 18TH CENTURY OAK DRESSER BASE
the three short frieze drawers with moulded edges, 16ins. (40.5cms.) deep x 60ins. (153cms.) wide
£600-800
2342. A 17TH CENTURY OAK CHEST OF DRAWERS
in two parts, fitted with four long drawers, each with geometrically coffered front,
37ins.(94cms.) wide£400-600
2343. AN OAK DRESSER IN GEORGE II STYLE
fitted with two short fielded drawers above a pair of fielded panel doors,
21ins. (53cms.) deep x 49 3/4ins. (126.5cms.) wide£1000-1200
2344. AN EARLY 18TH CENTURY OAK DRESSER BASE
the frieze with three short cushion fronted drawers, above two short fielded drawers, flanked by arched fielded panels, 81ins. (206cms.) wide£1500-2000
2345. AN EARLY 18TH CENTURY OAK MULE CHEST
the frieze rail incised F H 1745, above four fielded panels, three short drawers beneath, 56 1/2ins. (144cms.) wide£600-800
2346. A GEORGE III OAK LOWBOY
the top with a moulded edge, fitted with three short frieze drawers above a shaped apron, 32ins. (81cms) wide£150-200
2347. A GEORGE III OAK CORNER CUPBOARD
enclosed by a panelled doors, 27ins. (69cms.) wide£150-200
2348. A 17TH CENTURY OAK CENTRE TABLE
now with a cleated plank top with a moulded edge, 27 3/4ins. (70.5cms.) x 69 1/2ins. (177cms.)£800-1200
2349. A SET OF EIGHT 17TH CENTURY STYLE OAK DINING CHAIRS
including two with arms, each with brass studded leather upholstery£800-900
2350. A 17TH CENTURY OAK TABLE BOX
the front carved A T 1680, 20 1/2ins. (52cms.) wide, together with Bible 1808£200-300
2351. A 17TH CENTURY OAK COFFER
the top with a moulded and chip carved edge, 58 1/2ins. (148.5cms.) wide£300-400
2352. A LATE 18TH CENTURY OAK SIDE TABLE
the top with a moulded edge, fitted with a frieze drawer, 31ins. (79cms.) wide£250-350
2353. AN EARLY 18TH CENTURY OAK CRADLE
with fielded panels, 37 1/4ins. (94cms.) wide£200-300
2356. A GEORGE IV PARCEL GILT AND DARK GREEN PAINTED ARMCHAIR£300-400
2357. A WILLIAM IV STYLE GILT WOOD LOOKING GLASS
applied with bold foliate scrolls, 39 1/2ins. (100cms.) x 54 1/2ins. (139cms.)£200-300
2358. A CARVED OAK SOFA
the arms with bearded foliate masked terminals, 74ins. (188cms.) wide£300-400
2359. A PAIR OF GEORGE IV MAHOGANY CHAIRS
each with a gilt metal laurel leaf splat£100-200
2360. A GEORGE IV SIMULATED ROSEWOOD AND PARCEL GILT CHAISE LONGUE
72ins. (183cms.) wide£800-1200
2361. A BLACK JAPANNED TOLE PURDONIUM
with gilt enrichments, 18ins. (46cms.) dia.£150-200
2362. A LEATHER SEATED CHROME CLUB FENDER
56 1/2ins. (144cms.) wide£300-400
2363. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
with tray top, crossbanded, up and over front, above a drawer simulating two drawers, 21 1/2ins. (54.5cms.) wide£250-350
2364. A FRENCH OCCASIONAL TABLE
inlaid with ebony broad lines and with ormolu mounts, fitted with a frieze drawer,
31 ins. (79cms.) wide£400-600
2365. A VICTORIAN BURR WALNUT TWO TIER ETAGERE
with fluted pillars, a drawer to the base, 23 3/4ins. (60.5cms.) wide£200-300
2366. A LATE GEORGE III MAHOGANY WASHSTAND
the divided top opening to reveal a rising mirror and vacant apertures for utensils, a cupboard beneath and a pull-out bidet frame, 22ins. (56cms.) wide closed£300-400
2367. A GEORGE IV MAHOGANY CHEST OF DRAWERS
the D shaped top with a fluted frieze above four graduated long drawers, flanked by outset pilasters, inlaid with ebony lines, 38ins. (97cms.) wide£800-1200
2368. A FRENCH EMPIRE MAHOGANY DRESSING TABLE
with bevelled plate and white marble top, fitted with a frieze drawer, all applied with ormolu mounts, 34 1/2ins. (87.5cms.) wide£800-1200
2369. A MAHOGANY DRESSING TABLE
the top opening to reveal a bevelled triptych mirror and out turning compartments, revealing further divisions, bearing trade label Edward, Silversmiths to HM the King, 92, Buchanan St., Glasgow, 35ins. (89cms.) wide closed
Provenance: Harewood House£300-500
2370. A PAIR OF POLE SCREEN STANDS
now converted to occasional tables, each top set with a print of a bird,
13 3/4ins. (35cms.) wide£100-150
2371. A MAHOGANY TRIPOD TABLE
the hexagonal top with a slightly everted gallery, 12ins. (31cms.) wide
£300-400
2372. A PAIR OF CHINESE CINNABAR LACQUER ARMCHAIRS
each decorated in black with birds perched upon flowering plants issuing from rockwork, 23 1/4ins. (59cms.) wide£600-900
2373. A VICTORIAN BLACK LACQUERED CENTRE TABLE
the shaped top with a broad moulded edge, boldly painted with fruit and a vase of flowers on a ledge, a landscape beyond, 33ins. (84cms.) wide
This is stamped Jennens & Bettridge£500-700
2374. A SIMULATED ROSEWOOD WHATNOT
the top with a slope on a ratchet, 51ins. (130cms.) high x 23ins. (58cms.) wide£500-600
2375. A RED SERPENTINE MARBLE PEDESTAL
with gilt metal mounts, 43 1/2ins. (111cms.) high£500-700
2376. A GEORGE III STYLE MAHOGANY WINGBACK ARMCHAIR£200-250
2377. A NEO-ROCOCO GILT WOOD LOOKING GLASS
with delicate, 44ins. (112cms.) high£500-700
2378. AN EMPIRE STYLE MAHOGANY LOOKING GLASS
with arched two-part plate and gilt wood capitals, 93 1/2ins. (237cms.) high x
31ins. (79cms.) wide£600-800
2379. A GEORGE II STYLE WALNUT AND PARCEL GILT LOOKING GLASS
41ins. (104cms.) high£300-350
2380. AN EMPIRE MAHOGANY LIT EN BATEAU
the bed ends with ormolu mounts of poppy foliage and seed pods,
42 1/2ins. (108cms.) high x internal measurements 72ins. (183cms.) x 50ins. (127cms.)£1000-1500
2381. A GEORGE III MAHOGANY PEMBROKE TABLE
the butterfly top with a moulded edge, each end fitted with a drawer, one with three lidded compartments, each with chequer stringing, 29 3/4ins. (76cms.) wide£600-900
2382. A GEORGE IV MAHOGANY WINE COOLER
with bold brass bands and set with two lion mask ring handles, 30 1/2ins. (77.5cms.) wide£1500-2500
2383. AN EARLY GEORGE III MAHOGANY MULE CHEST
the top with egg and dart moulded edges, fitted with a long drawer,
51ins. (130cms.) wide£1200-1800
2384. A GEORGE III MAHOGANY PEMBROKE TABLE
the top with a moulded edge, fitted with a frieze drawer, a false drawer to the reverse, 29 3/4ins. (75.5cms.) wide
Provenance: A.M. Willats, Judge Jeffreys' Lodgings, Dorchester. Purchased in 1948 for £31.00£300-400
2385. A GEORGE III MAHOGANY TEA TABLE
on moulded cabriole legs, now with one flap, 35 3/4ins. (91cms.) wide£300-400
2386. A GEORGE III MAHOGANY READING TABLE
with a ratchet slope and two hinged candle stands to the sides, the stand rising,
leather castors, slope 20ins. (51cms.) wide
Provenance: A.M. Willats, Judge Jeffreys' Lodgings, Dorchester. Purchased in 1956 for £15.00£400-600
2387. A LOUIS XVI STYLE BEECH ARMCHAIR
with moulded frame£100-150
2388. A GEORGE IV GILT WOOD OVERMANTEL
the plate flanked by leaf capped fluted batons, 37ins. (94cms.) x 44 1/2ins. (106cms.) wide£300-400
2389. A GEORGE III MAHOGANY BREAKFAST TABLE
the rounded rectangular top with a reeded edge, 62ins. (157.5cms) x 40 1/4ins. (102cms)
Provenance: A.M. Willats. Judge Jeffreys' Lodgings, Dorchester. Purchased in 1956 for £46.00£500-800
2390. A HOWARD ARMCHAIR AND STOOL
the chair with applied label and monogrammed ticking£300-400
2391. A MAHOGANY SQUARE PIANO
by Clementi & Co., 26 Cheapside, London, the case with broad rosewood crossbanding, 68ins. (173cms.) wide£300-400
2392. A HOWARD ARMCHAIR
with paper label and monogrammed ticking£200-300
2393. A BEECH DOUBLE SKIN CANED SETTEE
with a serpentine front, 70ins. (178cms.) wide£200-250
2394. A WILLIAM IV GILT WOOD CONVEX LOOKING GLASS
31ins. (79cms.) high£200-250
2395. A HOWARD SOFA
76ins. (193cms.) wide, castor stamped
£400-600
2396. A LATE GEORGE III MAHOGANY BREAKFAST TABLE
with rounded rectangular top, reeded hips to the legs, 46ins. (117cms.) x 23ins. (81cms.)£250-350
2397. A SET OF FOUR GEORGE III STYLE MAHOGANY DINING CHAIRS
each shield shaped back delicately moulded, stuffed over serpentine seat, on moulded square tapering legs£400-600
2398. A GEORGE III MAHOGANY SIDEBOARD
fitted with five short drawers, 47ins 3/4ins. (121cms.) wide£200-3000
2399. A GEORGE III MAHOGANY SQUARE TOPPED TRIPOD TABLE
21 1/4ins. (54cms.) wide £100-200
2400. A SWISS LOZENGE PARQUETRY CARD TABLE
possibly walnut, the fold-over top with outset candle recesses, concertina frame,
32ins. (81cms.) wide
Inscribed on a paper label Frans Ebenist A Berne£600-800
2401. AN EDWARDIAN SATINWOOD TWO TIER ETAGERE
each tier inlaid with a large patera, the legs with simulated fluting,
26ins. (66cms.) high£800-1000
2402. A GEORGE III MAHOGANY FLIGHT OF WALL SHELVES
inlaid with boxwood lines, 36 1/2ins. (93cms.) high x 31 1/2ins. (80cms.) wide£100-150
2403. LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS
48ins. (122cms.) wide
£250-350
2404. A GEORGE III STYLE MAHOGANY CENTRE TABLE
with a moulded edge and blind fret carved frieze, the triangular section legs with gadroon edges,
23 1/4ins. (59cms.) wide£200-300
2405. A MAHOGANY WARDROBE
enclosed by a pair of triple panelled doors, 87 1/2ins. (222cms.) high x
65 1/2ins. (166cms.) wide£300-400
2406. A PAINTED LOOKING GLASS
with applied motifs in low relief, 91ins. (231cms.) high x 70 1/2ins. (179cms.) wide£600-800
2407. A GEORGE III MAHOGANY LINEN PRESS
with carved mouldings, the lower part with three long drawers, 73ins. (185cms.) high x 52ins. (132cms.) wide
Feet partially present£600-900
2408. A GEORGE I WALNUT CHEST ON CHEST
the upper part with an arrangement of twelve drawers, enclosed by a pair of doors,
two short and three long drawers beneath, all with feather stringing,
74ins. (188cms.) high x 42 1/2ins. (108cms.) wide£2600-3200
2409. A GEORGE I WALNUT BOOKCASE
the upper part with adjustable shelves, enclosed by a pair of glazed doors, each with moulded glazing bars and crossbanding within feather crossbanding, the lower part enclosed by a pair of fielded panelled doors, also with feather stringing,
108ins. (274cms.) high x 66 1/4ins. (168cms.) wide£4000-6000
2410. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
the top with a moulded edge, fitted with a drawer above a pair of drawers simulating two long drawers, now with two long drawers beneath,
29ins. (74cms.) wide£250-350
2411. A GEORGE I WALNUT CHEST ON STAND
with crossbanded drawers, 47 1/2ins. (121cms.) high x 39 1/4ins. (99.5cms.) wide£500-600
2412. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
with a galleried top enclosed by a tambour, pull out base with aperture for a pot,
24 1/4ins. (61.5cms.) wide£250-350
2413. A GEORGE II WALNUT LOWBOY
the quarter veneered top with broad stringing and crossbanding, the frieze drawer
simulating three short drawers, 28ins. (71cms.) wide£600-800
2414. A GEORGE III MAHOGANY BUREAU
later inlaid with paterae and fan quadrants, the interior fitted with an arrangement of drawers and pigeon holes, 35 3/4ins. (91cms.) wide£600-700
2415. A WILLIAM AND MARY WALNUT CHEST ON STAND
the top with a feather outlined cartouche, the sides panelled, the drawers also with feather crossbanding, 51ins. (130cms.) high x 41 1/4ins. (104cms.) wide£1850-2000
2416. A MAHOGANY DINING TABLE
with semi circular ends and a gateleg centre section, the square tapering legs carved with husk pendants, 39ins. (99cms.) x 100ins. (254cms.) extended £500-600
2417. A GEORGE III MAHOGANY D END TWO PILLAR DINING TABLE
the top with a reeded edge, with two extra leaves, 116ins. (259cms.) long extended x 59 1/2ins. (151.5cms.) wide£2000-3000
2418. A WILLIAM AND MARY WALNUT SECRETAIRE A ABBATTANT
the upper part with a cushion drawer to the frieze, the fall front enclosing an arrangement of drawers and pigeon holes around a central cupboard, all inlaid with feather crossbandings, 65ins. (165cms.) high x 44ins. (112cms.) wide£1500-2500
2419. A GEORGE III MAHOGANY BOOKCASE
the upper part enclosed by a pair of glazed doors, the moulded glazing bars centred by a mirrored roundel, the lower part enclosed by a pair of fielded panelled doors, 90ins. (229cms.) high x 52 1/2ins. (133cms.) wide£1200-1500
2420. A GEORGE III MAHOGANY TOILET MIRROR
the plinth with chevron stringing and three short drawers, 15 1/2ins. (39cms.) wide£120-160
2421. A GEORGE III MAHOGANY TRIPOD TABLE
of generous proportions, with birdcage support, 34 1/2ins. (88cms.) dia.£100-200
2422. A GEORGE III MAHOGANY CELLARETTE
with caddy moulded edges, the top set with an oval tablet, 21ins. (53cms.) wide£100-150
2423. A GEORGE IV GILT WOOD SHORT PIER MIRROR
with bevelled plate beneath a foliate verre eglomise panel, 27ins. (59cms.) x
29 1/2ins. (75cms.)£300-400
2424. A GEORGE III STYLE GILT WOOD OVERMANTEL LOOKING GLASS
42ins. (106.5cms.) high x 54ins. (137cms.) wide£400-500
2425. A MAHOGANY LOOKING GLASS OVERMANTEL
with a blind fret carved surround, 26 1/4ins. (67cms.) x 54 1/4ins. (138cms.)£150-200
2426. A GEORGE III MAHOGANY CHEST OF DRAWERS
the crossbanded top with a moulded edge, 43ins. (109cms.) wide£250-350
2427. A LATE GEORGE III MAHOGANY TWO TIER DUMB WAITER
each tier with a moulded edge, both tiers with drop flaps, bottom tier 24ins. (61cms.) dia. and 34 1/2ins. (88cms.) high£150-250
2428. GEORGE II WALNUT BUREAU
the sloping front enclosing a stepped fitted interior and a well, the separate lower part with two short and two long drawers, on bracket feet, 35 3/4ins. (91cms.) wide£1200-1500
2429. A SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS
with moulded interlaced back, stuffed over serpentine seat
£600-900
2430. A GEORGE II WALNUT BUREAU
the sloping front enclosing a stepped fitted interior and an arrangment of drawers and pigeon holes,all with delicate feather stringing, 39ins. (99cms.) wide£1500-2000
2431. A SET OF SEVEN GEORGE III STYLE MAHOGANY DINING CHAIRS
including two with arms each with a foliate stuffed-over seat on turned tapering legs, together with another chair with pierced vertical splats (8)£600-700
2432. A GEORGE III MAHOGANY TEA TABLE
the serpentine top with a moulded edge, fitted with a short frieze drawer on fluted square chamfered legs, 36cms. (93cms.) wide£300-400
2433. A WALNUT FIRESCREEN
on foliate carved trestle legs with hoof feet, the gros and petite point panel worked with a couple beneath a bird inhabited tree, 55 1/2ins. (141cms.) high x 27ins. (69cms.) wide£100-200
2434. A REGENCY CONVEX LOOKING GLASS
surmounted by a displaying eagle, 30ins. (76cms.) high overall£150-200
2435. A GEORGE III MAHOGANY BEDSIDE COMMODE
with a galleried tray top, the base now with a drawer, 21ins. (53cms.) wide£300-400
2436. A GEORGE III MAHOGANY TOILET MIRROR
the oval plate with a moulded frame, bowfront plinth with boxwood stringing,
17ins. (43cms.) wide
£100-2200
2437. A MAHOGANY BOW FRONT SIDE TABLE
fitted with a long drawer, 34 1/4ins. (87cms.) wide
£150-250
2438. A LATE GEORGE III IMAHOGANY TRIPOD TABLE
the top with a reeded edge, 24 1/4ins. (42cms.) wide£200-300
2439. A GEORGE III MAHOGANY TOILET MIRROR
with serpentine plinth inlaid with boxwood lines, fitted with three short drawers, on ogee bracket feet, 18ins. (46cms.) wide£150-200
2440. A GEORGE III MAHOGANY TRAY
with broad crossbanding, now with legs, 29 1/4ins. (74cms.) wide overall£100-200
2441. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
enclosed by a pair of fielded panel doors, the base now with a drawer,
23 3/4ins. (60cms.) wide£300-400
2442. A PAPIER MACHE TRAY
gilt with floral sprays and butterflies, enriched red, with detachable stand,
30 1/4ins. (77cms.) wide£100-200
2443. A LATE GEORGE III MAHOGANY DROP FLAP DUMB WAITER
larger tier 23 1/2ins. (60cms.) dia.£150-200
2444. A GEORGE III MAHOGANY TRIPOD TABLE
now later carved, 29ins. (74cms.) dia.£200-250
2445. A GEORGE IV MAHOGANY TOILET MIRROR
with double serpentine plinth, with two short drawers, inlaid with stylised brass foliage, 22 1/2ins. (57cms.) wide
£150-200
2447. A GEORGE III MAHOGANY SIDE TABLE
with two short frieze drawers, 30ins. (76.5cms.) wide£150-250
2448. A SET OF SIX LATE GEORGE III MAHOGANY DINING CHAIRS
each with moulded back, the serpentine stuffed over seat upholstered with black horse hair£400-600
2449. A GEORGE III MAHOGANY CANTERBURY
with turned corner posts, 19ins. (45cms.) wide£600-700
2450. A LATE 18TH CENTURY DUTCH MAHOGANY TEA TABLE
the rising top enclosing divisions, the deep frieze with a false tambour,
30 1/2ins. (77.5cms.) wide£250-350
2451. A GEORGE III MAHOGANY BOWFRONT CORNER WASHSTAND
23ins. (58.5cms.) wide£100-200
2452. A 17TH CENTURY FRENCH WALNUT SIDE CHAIR
with ball turned frame, upholstered in leather cloth£200-300
2453. AN EDWARDIAN GEORGE III STYLE MAHOGANY CABINET
the upper part enclosed by a pair of doors with brass grilles, the lower part with a slide above four long drawers, on splayed bracket feet, 65 1/4ins. (165.5cms.) high x 26 1/2ins. (67cms.) wide£200-300
2454. A MAHOGANY WOOL WINDER
£100-200
2455. A LOUIS XV CARVED WALNUT SIDE CHAIR£300-400
2456. A PAIR OF GEORGE III PROVINCIAL FRUITWOOD LADDERBACK CHAIRS
£300-400
2457. A GEORGE III MAHOGANY CARD TABLE
the semi circular top with rosewood crossbanding, 36ins. (91cms.) wide£200-400
2458. A GEORGE III MAHOGANY BOWFRONT CORNER CUPBOARD
the doors crossbanded, 27 1/2ins. (70cms.) wide£150-250
2459. A GEORGE II WALNUT CHEST ON STAND
the quarter veneered top crossbanded, the drawers with feather crossbanding,
48 1/2ins. (123cms.) high x 40 3/4ins. (103cms.) wide£400-600
2460. A GEORGE III MAHOGANY TRIPOD TABLE
27ins. (69cms.) dia.£100-120
2462. A GEORGE III YEW WOOD SECRETAIRE CHEST
in two parts, inlaid with boxwood lines, the secretaire drawer, simulating two long drawers enclosing an arrangement of drawers and pigeon holes, 39 1/2ins. (100cms.) wide£600-900
2463. A CHINESE SOFT WOOD CABINET
within incised brass mounts, the interior with an arrangement of drawers,
cabinet 21ins. (54cms.) high x 24 1/2ins. (62.5cms.) wide
£250-350
2464. A SPANISH GILT WOOD COFFER
with foliate carved front, the sides with vacant shield cartouches,
66ins. (163cms.) wide£800-1200
2465. A GEORGE IV MAHOGANY LINEN PRESS
the upper part fitted with sliding shelves, 87 1/4ins. (122cms.) high x 50 1/2ins. (128cms.) wide£500-800
2466. A GEORGE III MAHOGANY LINEN PRESS
73ins. (186cms.) x 46ins. (117cms.)£1000-1500
2467. A GEORGE III MAHOGANY CHEST ON STAND
the upper part with a blind fret carved frieze and canted corners, the lower part fitted with a brushing slide, 75 1/4ins. (191cms.) high x 43 1/2ins. (110cms.) wide£700-1000
2468. A MAHOGANY CANTERBURY
with "chair back" slats, 19ins. (48cms.) wide£100-120
2469. A GEORGE IV ROSEWOOD PEMBROKE WORK TABLE
inlaid with brass lines and split reel moulding, fitted with a frieze drawer simulating two drawers, 17 1/4ins. (44cms.) wide closed
£400-600
2470. A VICTORIAN MAHOGANY CHIFFONIER
with two short frieze drawers, 52 3/4ins. (134cms.) high x 37 1/2ins. (95cms) wde£400-600
2471. A LATE GEORGE III SOFA
with outscrolled arms, 80ins. (203cms.) wide£800-1000
2472. A GILT METAL CHANDELIER
with scrolling branches composed of flowers and foliage, twelve branches,
27 1/2ins. (70cms.) dia. x 38ins. (97cms.) high£400-600
2473. A GEORGE II STYLE WALNUT ARMCHAIR
of generous proportions, drop-in seat£300-400
2474. A GEORGE III STYLE MAHOGANY OCTAGONAL PARTNERS DESK
each pedestal fitted with three short drawers, flanked by fielded panelled cupboards, 53ins. (132cms.) wide£2500-3500
2475. A "GOTHICK" OAK JARDINIERE
21 1/2ins. (54.5cms.) wide£200-300
2476. A GEORGE III OAK BUREAU
the sloping front with mahogany crossbanding enclosing a fitted interior,
38ins. (97cms.) wide£250-350
2477. A SHERATON REVIVAL SATINWOOD PIER TABLE
with breakfront top delicately painted with foliate scrolls suspended from ribbons,
the legs headed by painted lyres, 35ins. (89cms.) high x 17 1/2ins. (44cms.) deep x 37ins. (94cms.) wide£800-1200
2478. A SET OF SIX REGENCY MAHOGANY DINING CHAIRS
including two with arms, each with a scroll top rail
£500-600
2479. A VICTORIAN MAHOGANY TRIPOD TABLE
with rising shelves, on leaf capped moulded cabriole legs, 18 1/2ins. 947cms.) wide£250-350
2480. A SET OF TWELVE GEORGE III STYLE MAHOGANY DINING CHAIRS
including two with arms£600-800
2481. A GEORGE III MAHOGANY BREAKFAST TABLE
the figured eliptical top with rosewood crossbanding, 63ins. (160cms.) x 44 1/2ins. (113cms.)£1200-1400
2482. A LATE GEORGE III ROSEWOOD CANTERBURY
a drawer to the base, 19 3/4ins. (50cms.) wide£600-900
2483. A MAHOGANY WINGBACK ARMCHAIR
with bold hairy paw feet£300-400
2484. AN EARLY GEORGE III MAHOGANY TOILET MIRROR
the rectangular plate with a shaped gilt inner border, caddy moulded edge, a long drawer to the plinth, 16 1/4ins. (41cms.) wide£140-180
2485. AN EDWARDIAN MAHOGANY CHEVAL MIRROR
with moulded frame, 63ins. (160cms.) high x 31ins. (79cms.) wide£500-600
2486. A GEORGE I WALNUT SIDE CHAIR
£100-150
2487. AN EDWARDIAN MAHOGANY VITRINE
71ins. (185) high x 38 1/2ins. (180cms.) wide £500-600
2488. A SMALL BIRDSEYE MAPLE WELLINGTON CHEST
of ten long drawers, 27 1/2ins. (70cms.) high x 16 1/2ins. (42cms.) wide£300-400
2489. A PAIR OF OXIDISED BRASS CEILING LIGHTS
19 3/4ins. (50cms.) dia.£250-300
2490. A GEORGE III MAHOGANY LINEN PRESS
the upper part enclosing a pair of panelled doors with piano rolled hinges, two long drawers beneath, 65 1/4ins. (166cms.) high x 51 3/4ins. (131.5cms.) wide
£500-600
2491. A CHINESE HARDWOOD CABINET ON STAND
the front and sides carved with calligraphy and emblems, 53 1/2ins. (136cms.) high x 41ins. (141cms.) wide£250-350
2492. AN EARLY 19TH CENTURY DUTCH MAHOGANY SECRETAIRE A ABBATANT
the fall front inlaid with a flower filled urn on a satinwood ground suspended from ribbon swags,enclosing a fitted interior, a pair of doors beneath, 56 1/2ins. (143cms.) high x 35 1/2ins. (90cms.) wide
£600-900
2493. AN EARLY GEORGE III WALNUT CORNER CUPBOARD
of architectural form, the interior with shaped shelves enclosed by a pair of fielded panelled doors, flanked by stop-fluted pilasters, a pair of doors beneath,
80 1/2ins. (205cms.) high x 48ins. (122cms.) wide£1300-1500
2494. A PAIR OF MAHOGANY WALL SHELVES
each with fret pierced sides and fitted with a drawer to the base, 34 1/4ins. (87cms.) high x 16ins (41cms.) wide£200-250
2495. AN ITALIAN EBONY AND IVORY INLAID TABLE CABINET
inlaid with foliate scrolls, the fall front enclosing a fitted interior, now on an ebonised stand with a frieze drawer, cabinet 13 1/2ins. (34cms.) high x 12 1/4ins. (31.5cms.) deep x 18ins. (45.5cms.) wide. With stand 44 1/2ins. (103cms.) high£600-800
2496. AN OAK WARDROBE
constructed in parts from old elements, 83ins. (211cms.) high x 73ins. (186cms.) wide£250-300
2497. A MAHOGANY CORNER CUPBOARD
the upper part enclosed by a glazed door with moulded glazing bars, the lower part by a panelled door, 80ins. (203cms.) high x 31ins. (79cms.) wide£400-500
2498. A LATE 18TH/EARLY 19TH CENTURY DUTCH ELM ARMOIRE
the upper part with a pair of panelled doors and enclosing an arrangement drawers and shelves, the lower part with three long bombe drawers flanked by keel corners,
91ins. (231cms.) high x 69ins. (176cms.) wide
£1000-1200
2499. A GEORGE I WALNUT CHEST OF DRAWERS
the top inlaid with segmented circles and fan quadrants, within boxwood outlines, the sides also with boxwood stringing, 36 1/2ins. (93cms.) wide£1200-1500
2500. A GILT PAINTED OVERMANTEL LOOKING GLASS
45 1/2ins. (115.5cms.) x 44 1/2ins. (113cms.)£150-200
2501. A MAHOGANY OPEN BOOKCASE
with a marble top, flanked by Egyptian head bronze terms, 34ins. (87cms.) high x 27ins. (68cms.) wide£125-150
2502. A GEORGE III STYLE MAHOGANY "SILVER" TABLE
the slender square chamfered legs with blind fret carving, 35 3/4ins. (90cms.) wide£100-200
2503. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
the pull-out base with aperture for a chamber pot, 19 3/4ins. (50cms.) wide£100-200
2504. AN EARLY GEORGE III STYLE WALNUT STOOL
24 1/2ins. (62cms.) wide
£150-250
2505. A GEORGE III MAHOGANY SERPENTINE COMMODE
the top with a moulded edge, with four graduated long drawers, the outset corners inlaid with chequer stringing, 38 3/4ins. (98.5cms.) wide£2500-3500
2506. A GEORGE III MAHOGANY TRIPOD TABLE
24ins. (61cms.) dia.£200-300
2507. A GEORGE III STYLE MAHOGANY TRIPOD TABLE
with a piecrust top, 29 2/3ins. (75.5cms.) dia.£300-350
2508. A GEORGE III MAHOGANY LINEN PRESS
the upper part with a pair of panelled doors, enclosing tray shelves, the lower part with two long and two short drawers, on splayed bracket feet,
89 1/4ins. (209cms.) high x 51ins. (130cms.) wide£700-900
2509. A GEORGE II STYLE WALNUT AND PARCEL GILT LOOKING GLASS
43 1/2ins. (110cms.) x 26 1/4ins. (66.5cms.)£150-200
2510. A GEORGE II WALNUT CHEST ON STAND
the drawers crossbanded and with a moulded edge, 54 1/2ins. (138cms.) high x
38 1/4ins. (97cms.) wide£800-1200
2511. A SET OF EIGHT WILLIAM IV MAHOGANY DINING CHAIRS
on octagonal turned tapering legs£300-500
2512. A LATE GEORGE III ROSEWOOD OCCASIONAL TABLE
the mahogany crossbanded top rising to reveal a well, on mahogany slender trestle legs, 18 1/2ins. (47.5cms.) wide
£300-500
2513. A GEORGE IV ROSEWOOD OCCASIONAL TABLE
the flat baluster rectangular section trestle legs with stiff leaf carving, 24ins. (61cms.) wide
£400-600
2514. A LATE GEORGE III MAHOGANY CARD TABLE
the crossbanded top, the canted corners to the frieze inlaid with ebonised lyre motifs, 36ins. (92cms.) wide£300-450
2515. A SET OF FOUR COLONIAL REGENCY PERIOD ARMCHAIRS
either Dutch or English£200-300
2516. A LATE GEORGE III MAHOGANY SECRETAIRE CHEST
the top with a moulded edge, the drawer with reeded moulding, enclosing an arrangement of drawers and pigeon holes, 42 1/2ins. (108.5cms.) wide£350-400
2517. AN EDWARDIAN NEST OF FOUR TABLES
each top inlaid with lozenge chequer stringing, 26ins. (66cms.) wide£300-500
2518. A GILT PAINTED CONVEX LOOKING GLASS
with ball studded frame, 39ins. (99cms.) high£200-300
2519. AN EDWARDIAN EBONISED AND PARCEL GILT JARDINIERE
13 1/4ins. (33.5cms.) wide£100-120
2520. A 19TH CENTURY DUTCH MAHOGANY WARDROBE
enclosed by a pair of shaped panelled doors, 86 1/2ins. (220cms) high x
71ins. (180cms.) wide£300-400
2521. A SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS
each with foliate carved ears to the top rail and drop in leather seat£500-600
2522. A GEORGE III MAHOGANY TRIPOD TABLE
later carved, 26 3/4ins. (68cms.) dia.£300-500
2523. AN EDWARDIAN MAHGOANY NEST OF FOUR TABLES
each with narrow satinwood crossbanding, largest 22 1/4ins. (56cms.) wide£400-600
2524. AN EARLY GEORGE III STYLE MAHOGANY STOOL
with drop in seat,
19 3/4ins. (50cms.) wide£300-400
2525. A GEORGE IV ROSEWOOD OCCASIONAL TABLE
the top with a bead and baton moulded edge, 21 1/2ins. (55cms.) dia.
£300-500
2526. A TEAK MILITARY CHEST
in two parts with flush brass mounts, 38 3/4ins. (98.5cms.) wide£400-600
2527. A GEORGE III MAHOGANY BEDSIDE CUPBOARD
with a tray gallery top, enclosed by a door, the base now fitted with a drawer,
19ins. (48cms.) wide£300-350
2528. A VICTORIAN WALNUT CENTRE TABLE
the burr figured top with ebonised quadrants inlaid with floral marquetry and rosewood crossbanded edge, the frieze fitted with a central drawer, stamped
T H Filmer & Sons...28-32 and 34 Berners St., Oxford St., London, W.
47ins. (119cms.) wide£2000-3000
2529. A VICTORIAN EBONISED STOOL
with moulded X frame and needlework seat, 20ins. (51cms.) wide£150-250
2530. A MAHOGANY CHEVAL LOOKING GLASS
with fluted uprights, 41ins. (104cms.) high x 23 1/2ins. (60cms.) wide£200-300
2531. A GEORGE III MAHOGANY DINING TABLE
with semi circular ends, a single flap gateleg centre section and an extra leaf,
the ends with a waved apron and moulded square tapering legs,
44ins. (112cms.) wide x 110 3/4ins. (281cms.) long extended£700-1000
2532. A CHINESE HARDWOOD OCCASIONAL TABLE
the top inset with white marble, carved frieze, top 23 1/4ins. (59cms.) dia£200-300
2533. A CHINESE HARDWOOD STOOL
with panelled top, 17ins. (43cms.) wide£150-200
2534. A CHINESE HARDWOOD TABLE
with a square top, 17 3/4ins. (45cms.) wide£100-150
2535. A CHINESE HARDWOOD ARMCHAIR
composed of C scrolls, carved with tight scrolls, 24ins. (61cms.) wide£150-250
2536. A CHINESE HARDWOOD LOW TABLE
29 3/4ins. (75.5cms.) wide x 15 1/2ins. (40cms.) deep£150-200
2537. A PAIR OF CHINESE HARDWOOD LOW TABLES
each with a moulded and carved frieze, 20 1/2ins. (52cms.) square£200-400
2538. A CHINESE HARDWOOD LOW TABLE
the frieze rail carved with a key motif, 26ins. (66cms.) x 17 1/2ins. (44.5cms.)£100-150
2539. A CHINESE HARDWOOD SIDE CHAIR
the back panel carved with stylised dragons, 23ins. (58.5cms.) wide£120-160
2540. A CHINESE HARDWOOD BENCH
the frieze carved in low relief with fruiting foliage, the ends with lappets,
10 3/4ins. (27.5cms.) deep x 87ins. (221cms.) long£300-400
2541. A CHINESE HARDWOOD TABLE
of squat cushion shape, 29ins. (74cms.) dia.
£250-350
2542. A CHINESE HARDWOOD LOW TABLE
31 1/2ins. (80cms.) x 17 3/4ins. (45cms.)£200-250
2543. A CHINESE HARDWOOD LOW TABLE
the frieze carved with moulded scrolls, 30ins. (76cms.) wide£150-200
2544. A MAHOGANY BASIN STAND
with covered soap box and drawer to the under tier, top 10 1/2ins. (27cms.) dia.£70-100
2545. A LOUIS XV STYLE FLORAL MARQUETY AND TULIP WOOD SIDE TABLE
with three drawers, slightly bowfront, 14 1/2ins. (37cms.) wide£80-120
2546. A MAHOGANY WASHBASIN STAND
the under tier with two drawers,
top 12ins. (30.5cms.) dia.£70-100
2547. A GEORGE III MAHOGANY CHEST OF DRAWERS
the top with a moulded edge, fitted with a brushing slide above graduated drawers,
32 1/2ins. (82.5cms.) wide£600-800
2548. AN EARLY GEORGE III STYLE MAHOGANY DROP FLAP TABLE
on leaf capped cabriole legs on ball and claw feet,
53ins. (156cms.) x 45 1/2ins. (156.5cms.)£500-800
2549. A GEORGE III STYLE MAHOGANY BOW BREAKFRONT SIDEBOARD
the top crossbanded, a short drawer above a slightly recessed napkin drawer, flanked on each side by cupboards simulating short drawers,
57ins. (145cms.) wide£400-600
2550. A GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS
the top with a moulded edge, fitted with four graduated long drawers,
35 1/4ins. (89.5cms.) high x 24ins. (87cms.) wide£600-1000
2551. AN EARLY VICTORIAN ROSEWOOD GAMES CUM WORK TABLE
the revolving fold over top opening to reveal a board for chequers, the frieze with a drawer above a pull out work bag, 20 3/4ins. (53cms.) wide£400-500
2552. A LATE 18TH/EARLY 19TH CENTURY DUTCH MAHOGANY CENTRE TABLE
the oval top centred by a patera, the edge with feather stringing and broad crossbanding, fitted each side with a short drawer, 41ins .(104cms.) wide£200-250
2553. A GEORGE III MAHOGANY TOILET MIRROR
the serpentine plinth inlaid with boxwood lines and fitted with three short drawers,
17ins. (43cms.) wide£125-150
2554. A GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS
the top crossbanded and inlaid with boxwood and ebony lines, fitted with a brushing slide, on splayed bracket feet, 37ins. (94cms.) wide£600-900
2555. A GEORGE III MAHOGANY BUREAU
the sloping front enclosing a leather lined writing surface and an arrangement of pigeon holes and drawers, 44ins. (112cms.) wide£300-400
2556. A GEORGE III MAHOGANY SIDE TABLE
the top with a moulded edge, fitted with a frieze drawer, 25 1/2ins. (65cms.) wide£150-250
2557. A GEORGE IV ROSEWOOD TOILET MIRROR
the D breakfront plinth with three short drawers, 26 1/4ins. (66.5cms.) wide£100-150
2558. A GEORGE III MAHOGANY PEMBROKE TABLE
the top and flaps with a moulded edge, fitted with a frieze drawer, a false drawer to the other end, 32ins. wide£150-250
2559. AN EARLY GEORGE III MAHOGANY TOILET MIRROR
the caddy moulded plinth with three short drawers,
19ins. (48.5cms.) wide£100-150
2560. A GEORGE III MAHOGANY CHEST ON CHEST
the upper part with a key pattern cornice, flanked by fluted canted corners, the lower part with a brushing slide, 75 1/4ins. (191cms.) high x 48 1/2ins. (123.5cms.) wide£500-600
2561. A GEORGE III MAHOGANY CORNER CUPBOARD
inlaid with boxwood lines, the panelled door inlaid with a shell medallion,
32 1/2ins. (83cms.) wide£200-300
2562. A GEORGE I WALNUT CABINET
the upper part with adjustable shelves enclosed by a pair of doors, now with bevelled mirror plates, four graduated long drawers beneath, 76 3/4ins. (195cms.) high x 53 1/2ins. (136cms.) wide£1250-1500
2563. A GEORGE III MAHOGANY TALLBOY
74ins. (188cms.) high x 44ins. (112cms.) wide£800-1200
2564. A GEORGE III MAHOGANY DUMB WAITER
each dished tier with a reeded tier and revolving, widest 25ins. (63.5cms.) dia. x 42 1/4ins. (107cms.) high£800-1200
2565. A LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE
with reeded glazing bars, the secretaire drawer with an arrangement of drawers and pigeon holes, 87ins. (221cms.) high x 41 3/4ins. (106cms.) wide£600-800
2566. A VICTORIAN MAHOGANY TWO TIER WHATNOT
a drawer to each tier, 39ins. (99cms.) high x 22 1/4ins. (56.5cms.) wide£200-400
2567. A PAIR OF GILT METAL TWO BRANCH WALL LIGHTS
of Regence manner, 14ins. (35cms.) high£100-200
2568. A GEORGE III MAHOGANY WINE COOLER
the interior with divisions for bottles and residue of lead lining,
17 1/2ins. (44.5cms.) wide£800-1200
2569. A GEORGE IV MAHOGANY THREE TIER OPEN BOOKCASE
with parcel gilt baton and ball mouldings, the middle tier with Egyptian mask terms,
115 3/4ins. (293cms.) high x 80ins. (204cms.) wide
£2000-4000
2570. A WILLIAM IV ROSEWOOD CENTRE TABLE
with rounded rectangular top fitted two short frieze drawers, 32 1/2ins. (83cms.) x 54ins. (137cms.)
£300-500
2571. A GEORGE III BURR YEW TOPPED CARD TABLE
the serpentine top with broad satinwood crossbanding within tulip wood banding,
stop fluted turned tapering legs, 34 1/2ins. (87.5cms.) wide£700-1000
2572. A 19TH CENTURY CENTRE TABLE
with a dished grey marble top, on an ebonised pedestal with gilt metal edges,
42ins. (107cms.) dia.£500-800
2573. A GEORGE IV MAHOGANY TRIPOD TABLE
the rounded rectangular top with a reeded edge, on stiff leaf capped hipped down-curved legs, 30ins. (76cms.) wide£300-400
2574. A WILLIAM IV ROSEWOOD WORK TABLE
the rectangular top with a moulded edge, rising to reveal a mirror and a satin lined partially fitted interior, the frieze with one real and one false long drawer above a pull-out bag, 25 3/4ins. (65.5cms.) wide£500-700
2575. A GEORGE III MAHOGANY TRIPOD TABLE
the revolving top on a generous under-frame, 36 3/4ins. (93.5cms.) dia.
£400-500
2576. A MAHOGANY RECONSTRUCTED BREAKFRONT LIBRARY BOOKCASE
with adjustable shelves, enclosed by four pairs of glazed doors, 90 1/2ins. (230cms.) high x 180ins. (457cms.) wide
Provenance: Formerly at Allington Castle, Kent, the property of Lord Conway (1856-1937)£2500-3500
2577. AN EDWARDIAN INLAID MAHOGANY DISPLAY TABLE
the top inlaid with boxwood feathery foliate scrolls, 23 3/4ins. (60.5cms.) wide£300-400
2578. A PAIR OF PORTUGESE EBONSED AND PARCEL GILT ARMCHAIR
of early George III style, of generous proportions
£300-400
2579. A PAIR OF GEORGE III STYLE MAHOGANY TRIPOD TABLES
each with vitruvian scroll brass rim, 16 1/4ins. (41.5cms.) dia.£250-350
2580. A SIDE TABLE
possibly maple, the top with an upright moulded edge, fitted with a frieze drawer above a pair of recessed doors, 35 1/2ins. (90cms.) wide£400-500
2581. A BRASS BALUSTER TWO TIER CHANDELIER
of fifteen branches, 32 1/2ins. dia.£400-500
2582. A GEORGE III MAHOGANY BOW BREAKFRONT SIDEBOARD
inlaid with brass lines, the top crossbanded, fitted with a short drawer, flanked to the left by a cupboard, and to the right by a cellarette drawer, 60ins. (152cms.) wide£600-900
2583. A PAIR OF REGENCY MAHOGANY CABINETS
in the manner of Gillows, one cupboard metal lined and with slats for plates, each flanked by reeded tapering pillars, 18ins. (46cms.) deep x 34 1/2ins. (87.5cms.) high x 33ins. (84cms.) wide£1750-2000
2584. A GEORGE III MAHOGANY CORNER CUPBOARD
with moulded glazing bars, 46ins. (117cms.) high x 34ins. (86cms.) wide£200-300
2585. A GEORGE III MAHOGANY BOWFRONT CORNER CUPBOARD
the frieze inlaid with shells and paterae, 40ins. (102cms.) high x 28 1/4ins. (71.5cms.) wide£200-300
2586. A GEORGE I WALNUT CHEST
the top crossbanded and with feather stringing, the drawers with feather crossbanding, chest 30ins. (76cms.) high x 38 1/4ins. (97cms.) wide£1000-1500
2587. A GEORGE IV MAHOGANY CONSOLE TABLE
the frieze drawer inlaid with ebony motifs, 34 1/2ins. (88cms.) high x 21ins. (54cms.) deep x 47 3/4ins. (121cms.) wide£1200-1500
2588. A PAIR OF GEORGE III STYLE MAHOGANY BEDSIDE CUPBOARDS
13 3/4ins. (35cms.) wide£250-300
2589. A WILLIAM IV EBONISED CORONATION CHAIR
£150-200
2590. AN ITALIAN WALNUT LOVE SEAT
profusely carved with amorini and putti terms, 50ins. (127cms.) wide£150-200
2591. A 17TH CENTURY OAK CHEST OF DRAWERS
with two short and two long drawers, the long drawers with coffered panels,
38 3/4ins. (98.5cms.) wide£300-400
2592. A LATE 17TH CENTURY WALNUT SINGLE FLAP TRIANGULAR TABLE
the top with moulded edge and cusped corners, gateleg under-section,
52 1/2ins. (133.5cms.) wide£1000-1500
2593. A MAHOGANY THREE TIER TROLLEY
the lift off top with divisions, a slide to each side, the under-tier with a pull-out tray, also with divisions, inlaid with boxwood lines, 28ins. (71cms.) wide£250-350
2594. A GEORGE III MAHOGANY CELLARETTE
the stand with moulded square legs, 17ins. (43cms.) wide£150-200
2595. A VICTORIAN MAHOGANY ARMCHAIR
£150-250
2596. A GEORGE III MAHOGANY PEMBROKE TABLE
with satinwood crossbanding and a drawer to one end, 29 3/4ins. (76cms.) wide£200-300
2597. A NEO-ROCOCO GILT WOOD CONSOLE TABLE
the white marble top with a moulded edge, 28 1/2ins. (72cms.) deep x 56 1/2ins. (143cms.) wide£1200-1500
2598. A LOUIS XV STYLE GILT WOOD SALON SUITE
comprising: a canape and two fauteuil, each with a moulded frame£800-1200
2599. A PAIR OF VICTORIAN BUTTON UPHOLSTERED CONVERSATION CHAIRS£200-300
2600. A LOUIS XV STYLE KINGWOOD WRITING TABLE
with ormolu mounts, set with Sevres style plaques, the serpentine frieze fitted with three short drawers, 44 1/2ins. (113cms.) wide£600-900
2601. A PAIR OF GEORGE III STYLE MAHOGANY WINGBACK ARMCHAIRS
£600-800
2602. A GEORGE III OAK FLUSH TOP CHEST OF DRAWERS
the drawers with mahogany crossbanding, 36ins. (92cms.) wide£200-300
2603. A GEORGE III MAHOGANHY FLUSH TOP CHEST OF DRAWERS
the top with a caddy moulded edge, above a brushing slide and three graduated long drawers, 35 1/2ins. 991cms. wide
£400-600
2604. AN EARLY 19TH CENTURY DUTCH MAHOGANY BUFFET
the top inlaid with a large shell medallion, hinged to lift up and reveal two folding shelves, pull-out slides to each side, a drawer to the frieze above a pair of doors, stop fluted canted corners, 42ins. (107cms.) wide closed£400-600
2605. A GEORGE III MAHOGANY SOFA
with square tapering legs, 33ins. (84cms.) deep x 78 1/4ins. (199cms.) wide£200-300
2606. AN EARLY VICTORIAN MAHOGANY BREAKFRONT WARDROBE
the centre section with five long drawers, flanked each side by a hanging cupboard, 69ins. (175cms.) high x 90 1/2ins. (230cms.) wide£300-500
2607. A GEORGE IV ROSEWOOD CARD TABLE
the revolving top with a baize lined circle, on a fluted baluster vase, 36ins. (91.5cms.) wide
£350-400
2608. AN EARLY VICTORIAN MAHOGANY BREAKFRONT SIDEBOARD
the top with a boldly moulded edge, fitted with a frieze drawer, a cupboard to the left and a deep lead-lined cellarette drawer to the right, 31 1/2ins. (80cms.) deep x 72ins. (183cms.) wide£700-1000
2609. A WALNUT CHEST
of three long drawers, with panelled front and sides, 32 3/4ins. (83cms.) wide£400-600
2610. AN AMERICAN MAHOGANY SERPENTINE COMMODE
fitted with four graduated long drawers, on ogee bracket feet, 41ins. (104cms.) wide
£600-700
2611. A GEORGE III MAHOGANY WASHSTAND
the divided tulip wood crossbanded top opening to now reveal a lift-out galleried tray, a pair of doors beneath with satinwood banded outline, the pull-out base with two simulated long drawers, now with lift-out galleried tray, 23ins. (58.5cms.) wide£200-300
2612. A VICTORIAN ROSEWOOD BOWFRONT SIDE CABINET
with two short frieze drawers, the panelled doors with pale mahogany inserts,
48 1/4ins. (122.5cms.) wide
£300-400
2613. A WILLIAM IV ROSEWOOD TEA CUM WORK TABLE
with a fold-over revolving top and a partially fitted drawer, 20 1/4ins. (51cms.) wide£250-350
2621. A GIORDES PRAYER RUG
the brown mirab flanked by pillars, generally good, but pile low, 5ft (152cms.) x 4ft (122cms.)£300-400
2622. A TEKKE TURCOMAN RUG
Generally good, 4ft 11ins. (150cms.) x 3ft 10ins. (116cms.)£100-150
2623. AN AFGHAN RUG
the dark red/brown field woven with a hooked tile pattern, good,
5ft 2ins. (159cms.) x 3ft 10ins. (117cms.)£100-150
2624. A KIRMAN RUG
the dark blue field woven with a lobed pole medallion and florette tendrils,
good, 6ft 9iins. (205cms.) x 4ft 5ins. (135cms.)£400-600
2625. AN ABADAH RUG
the cream field woven with rows of flower filled urns, good,
4ft 11ins. (150cms.) x 3ft 5ins. (104cms.)£150-200
2626. AN ADAMS STYLE CARPET
the pale blue field woven with a central medallion, fair, some wear and stains,
15ft 11 1/2ins. (486cms.) x 10ft 3ins. (310cms)£100-150
2627. A SAMAKAND RUG
the shaded beige field woven with scattered florette motifs, generally good,
8ft 8ins. (261.5cms.) x 4ft 8ins. (143cms.) £125-150
2628. A KASHAN PRAYER RUG
the beige field woven with flowering trees, inhabited by animals, generally good, some wear,
6ft 7ins. (201cms.) x 3ft 11ins. (120cms.)£250-300
2629. A TEKKE TURCOMAN CARPET
fair but numerous areas of damages, 10ft 8ins. (327cms.) x 7ft 2ins. (218cms.)£150-200
2630. A KAZAK MAT
the dark blue field woven with a florette trellis, good to fair, low in parts,
4ft 9ins. (145cms.) x 2ft. 9ins. (84cms.)£150-200
2631. A LOOP KNOTTED CARPET
of faded hues, woven with foliage, generally good,
14ft 6ins. (440cms.) x 9ft 8ins. (230cms.)£200-300
2632. A PERSIAN CARPET
woven with a tiled medallion, fair,
11ft (335cms.) x 8ft 6 1/2ins. (260cms.)£250-350
2633. A PAIR OF KIRMAN PRAYER RUGS
each mirab woven with flowering trees, fair, 6ft 2ins. (188cms.) x 4ft 5ins. (135cms.)£250-300
2634. A PERSIAN PATTERN CARPET
the magenta field woven with floral sprays, generally good, some damage
9ft 1ins. (277cms.) x 11ft 11ins. (362cms.)£150-200
2635. A HAMADAN RUNNER
the dark blue field woven with a flowering plant tile design, generally good,
13ft 6ins. (411cms.) x 3ft 2ins. (96cms.)£100-200
2636. A TURKEY CARPET
the eau de nil field woven with stylised foliage, cut and low in parts,
11ft 8ins. (356cms.) x 11ft 5ins. (348cms.)£400-600
2637. A KAZAK RUNNER
the narrow field woven with two rows of tiles, fair to poor, 9ft 1ins. (277cms.) x 3ft 9ins. (113cms.)£100-150
2638. A MESHED PATTERN CARPET
the magenta field woven with a pole medallion, fair but with areas of damages,
6ft 6ins. (198cms.) x 9ft 7 1/2ins. (292cms.)£150-200
2639. A KAZAK RUNNER
the corroded black field woven with a lozenge tile pattern, good to fair, some damages and corrosion, 8ft 2ins. (250cms.) x 3ft 8ins. (112cms.)£150-200
2640. A TURKEY CARPET
the orange brick field woven with palmette foliage, fair to poor,
14ft 5ins. (438cms.) x 12ft 1ins. (367cms.) £150-200
2641. A PERSIAN PATTERN SMALL CARPET
the magenta field woven with a stepped lozenge pole medallion and floral tendrils,
generally good, 9ft 2ins. (278cms.) x 6ft 5ins. (196cms.)£200-250
2642. A PERSIAN PATTERN SMALL CARPET
the pink magenta field woven with blue shaped medallions and palmette tendrils and a cartouche with an inscription, fair, low in parts, 9ft 3ins. (282cms.) x 6ft 2ins. (188cms.)£150-200
2643. A KOHTAN RUNNER
the coral field woven with foliate motifs, fair to poor, pile low,
8ft 8 1/2ins. (265cms.) x 4ft 5ins. (135cms.)£100-150
2644. A PERSIAN PATTERN CARPET
the magenta field woven with a blue lozenge medallion and floral tendrils,
good to fair, low in parts, 11ft 11ins. (362cms.) x 9ft 2ins. (280cms.)£250-350
2645. AN AGRA PRAYER RUG
with a pale pistachio field, the mirab hung with a lantern, generally good,
6ft 9ins. (207cms.) x 4ft (122cms.)
£1000-1200
2646. A MODERN HERIZ STYLE CARPET - SELL£100-200
2647. A TURKISH RUNNER - SELL £50-100