1100 |
GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DELL'INGRESSO DELLA CAMERA SEPOLCRALE DI L. ARRUNZIO Etching with engraving, full titles and narrow margins 39 x 60cm.; with another engraving by the same hand, "Veduta di una parta de' fondamenti del Teatro di Marcello", 58.5 x 39cm. (2) £200-300 | The former with a few small tears extending into image and foxing; the latter satisfactory; each in need of a clean | Nil |
|
180 |
| 1101 | AFTER GEORGE STUBBS, ARA (1724-1806) SHOOTING The set of four engravings, by W. Woollett, published by T. Bradford 1770-1771, impressions before full lettering, with later hand colouring Each 38.5 x 52.5cm. (4) £400-600 | Two with repairs within image; some repaired tears in margins; otherwise generally satisfactory; Arthur Ackermann and Son mounts and frames | Nil |
|
620 |
| 1102 | AFTER BEN MARSHALL (1767-1835) THE EARL OF DARLINGTON AND HIS FOX HOUNDS Stipple engraving, printed in colour and finished by hand, by J. Dean, published c.1805 47 x 59.5cm. £200-300 | A little foxing; scattered bruises; generally good | Nil |
|
460 |
| 1103 | ROBERT DODD (1748-1815) BATTLE OF THE NILE: THE ATTACK AT SUNSET; AT 10 0'CLOCK AT NIGHT Two from the set of four, aquatints with hand colouring, published 1799, mounted to the image on three sides, titles showing 43 x 69cm. and 42.5 x 66cm. (2) £200-300 | A damaged pair; each with tears and tape stains in titles, extending into the image; each needs a clean | Nil |
|
180 |
| 1104 | HENRY ALKEN (1785-1851) TAKING A FLY; A SHARP BITE; PATIENCE IN A PUNT; DIGGING FOR BAIT The set of four, aquatints with hand colouring, published by T. McLean Each 15 x 19.5cm. (4) £200-300 | Each in good condition | Nil |
|
180 |
| 1105 | WILLIAM ALEXANDER (1767-1816) THE DINNER GIVEN BY HIS LORDSHIP (LORD ROMNEY) TO THE KENTISH VOLUNTEERS IN PRESENCE OF THEIR MAJESTIES AND THE ROYAL FAMILY, AUGUST 1st, 1799 Aquatint, published by Simmons and Co, 1800 38.5 x 57cm.; with "A View on The Highgate Road" by G. Hunt after J.Pollard, a worn reprint with hand colouring, 39 x 51cm. (2) £100-200 | Alexander with damp marks and old creases; Pollard a weak impression but satisfactory condition | Nil |
|
|
| 1106 | BENJAMIN COLE (c.1697-1783), ENGRAVER A VIEW OF THE HOUSE OF COMMONS; A VIEW OF THE HOUSE OF PEERS A pair, views of the interiors of the respective Chambers, engravings, published c.1755 Each 34 x 22cm. approx. with an aquatint of "View Near Westminster Bridge" by V. Green and F. Jukes after W. Marlow, published by J. Boydell, 1777, oval image. (3) £100-150 | The first with damp stains; the second trimmed on three sides; these laid down and in need of a clean; the third with foxing and some damp stains | Nil |
|
90 |
| 1107 | AFTER RICHARD WILSON, RA (1713-1782) CARNARVON CASTLE Engraving by W. Byrne, published by J. Boydell, 1775 35 x 51cm.; with an engraving by P. Fourdrinier of "The Pavement of the Bathing Room in the Palatin Hill", 35 x 34.5cm., rosewood frame; and an engraving of "A View of the Streights in Dove Dale", published by J. Boydell, 1749, 29 x 44cm. (3) £100-150 | Wilson with some foxing and a little light stained; Fourdrinier satisfactory; Boydell laid down, some foxing, needs a clean | Nil |
|
90 |
| 1108 | AFTER FRANCESCO ALBANI (1578-1660) VENUS AND ADONIS The set of four engravings, by Baudet, 1672 Image 48 x 58.5cm. (4) £400-600 | Some water stains and soiling; plate 1 with silverfish damage; plate 2 with tears | Nil |
|
660 |
| 1109 | AFTER JOHANN ELIAS RIDINGER (1698-1767) CHEVAL POLONOIS; CHEVAL DE CROATIE; UN ANGLOIS A CHEVAL A LA CAMPAGNE; CHEVAL BARBE Four, etchings, by Martin E. Ridinger, each stuck down, one unframed Each 24 x 33cm. (4) £120-180 | Some damp marks; slight silverfish damage (principally in margins) | Nil |
|
130 |
| 1110 | TOPOGRAPHY AND ARCHITECTURE A folio of assorted subjects, principally European, to include Caen, Avignon, Brussels, Genoa, Rome, a booklet of sixteen etchings by Aliprandi after Chilone, etc., various media, some with hand colouring, also a few maps and two coloured aquatints by Gurk after Hochle of "Ein Frachtwagen" and "Kais. Konigl. Einwagen" (coach and carriage subjects, c.1820); other miscellaneous prints £200-300 | Satisfactory; some with wear or handling marks | Nil |
|
520 |
| 1111 | MISCELLANEOUS A large folio of assorted prints, to include portraiture and other subjects after Beechey, Richmond, Fellowes, Geddes, Vernet, Richter, Greuze etc. in various media, also Vasari Society facsimiles of Old Master Drawings with accompanying text; sundry other items £100-150 | Mostly satisfactory; some damp damage | Nil |
|
100 |
| 1112 | OLD MASTERS A folio, to comprise subjects by Gazalis after Magnasco, Collaert after Stradanus, Bonenfant after Titian, Quilley after De Vlieger, subjects after Pinelli, Reni, Raphael, Fra Angelico, Callot, Mortimer, Kauffmannn, Del Sarto etc; and fifteen wood engravings by the Dalziel brothers after Giotto (Arundel Society, 1853) £150-250 | Many in good condition; some prints with wear/damage | Nil |
|
240 |
| 1113 | AFTER FRANCOIS HUBERT DROUAIS (1727-1775) MADAME DU BARRE (sic) Mezzotint, by J. Watson, published by Messrs Shropshire, Hooper and Parker, 1771, a proof before title (the title written in pencil), in a gilt carved wood frame with leafy scroll decoration 33.5 x 28cm.; with an engraving of the Virgin and Child in glory (after Murillo?), maple veneered frame, 40 x 31.5cm.; an engraving of a Classical Scene by Audran after Mignard, 71 x 55cm.; and a lithograph of a horse, possibly after James Ward, sandwich mounted, 33 x 45cm. (4) £200-300 | (Drouais) Some foxing; a good impression; (Murillo) some surface mould; (Mignard) some wear, foxing and soiling; (Ward) satisfactory | Nil |
|
280 |
| 1114 | AFTER GEORGE ROMNEY (1734-1802) MRS ROBINSON Mezzotint, by J. R. Smith, verre eglomise mount and gilt frame Sight (image) 31 x 23.5cm. £50-80 | A little foxing; a good impression | Nil |
|
50 |
| 1115 | AFTER NATHANIEL DANCE RA (1735-1811) Mr GARRICK IN RICHARD THE THIRD Mezzotint by J. Dixon, published by J. Boydell, 1772 62.5 x 39.5cm. £150-200 | Backed onto linen on a stretcher; some water stains and minor blemishes; a little surface mould; needs tidying up; maple veneered frame | Nil |
|
|
| 1116 | AUGUSTE CLAUDE SIMON LEGRAND (1765-c.1815) LE REPOS DES TRAVAUX; LES REPROCHES DU RETARD A pair, stipple engravings, printed in colour and finished by hand, published by Bance, Paris Each 39.5 x 31cm. (2) £150-200 | Each laid down; the former light stained but otherwise satisfactory; the latter with silverfish damage and foxing; verre eglomise mounts and gilt frames | Nil |
|
150 |
| 1117 | THOMAS DANIELL, RA (1749-1840) THE ASSEMBLY ROOMS ON THE RACE GROUND NEAR MADRAS (Oriental Scenery, pl.XI) Aquatint with hand colouring, by T. and W. Daniell, published by the artist, 1798 45 x 59.5cm.; with "A Mosque at Seringapatam" by H. Merke after Lt. J. Hunter, 1804, 25.5 x 32cm. (2) £150-200 | Daniell with small grazes, short tear, discoloration and silverfish damage; Hunter discoloured but satisfactory. | Nil |
|
380 |
| 1118 | AFTER SAMUEL HENRY GORDON ALKEN (1810-1894) TATTERSALL'S - QUITE FRESH; SMITHFIELD - USED UP A pair, lithographs with some hand colouring, by Read and Co, published 1855 Each 49 x 70cm. (2) £180-250 | Each with damp marks; minor faults in margins; images generally good | Nil |
|
230 |
| 1119 | JOHN GOULD (1804-1881) and H. C. RICHTER (Fl.c.1850-1883) GARRULAX RUFICEPS; GECINUS TANCOLO; POMATORHINUS ERYTHROCNEMIS Three, lithographs with hand colouring, printed by Walter and Cohn, probably from The Birds of Asia (1850-1883) Each 53.5 x 36cm. approx. (3) £150-200 | Each with some foxing, minor handling creases and slight light staining (pronounced in the last example) | Nil |
|
210 |
| 1120 | AFTER RICHARD ANSDELL, RA (1815-1885) THE COUNTRY MEETING OF THE ROYAL AGRICULTURAL SOCIETY OF ENGLAND Mixed-method engraving, by S. W. Reynolds, published by Thomas Agnew, 1845 Image 45 x 121cm. £250-350 | Minor damp marks; good condition overall; maple veneered frame | Nil |
|
340 |
| 1121 | WALTER GREAVES (1846-1930) THE LAST CHELSEA REGATTA, c.1871 Etching with drypoint, signed in pencil, bears number 8 in a different hand, on cream laid, the full sheet, unframed Image 26 x 55cm. * This etching is Greaves' most ambitious etched work and shows the steam boat pier below Battersea Bridge (soon after dismantled). The buildings on the left were demolished for the building of Cheyne Walk. See also lot 1178 £700-1000 | A few soft handling creases | Nil |
|
1100 |
| 1122 | WALTER GREAVES (1846-1930) BATTERSEA FROM CHELSEA Etching, signed in pencil, bears number 14 in a different hand, on cream laid, the full sheet, unframed Image 13 x 20.5cm. £100-200 | A good impression; in good condition | Nil |
|
380 |
| 1123 | WALTER GREAVES (1846-1930) OLD PUTNEY BRIDGE Etching, signed in pencil, bears number 9 in a different hand, on cream laid, the full sheet, unframed Image 18.7 x 27.5cm. £150-200 | A good impression; in good condition | Nil |
|
300 |
| 1124 | WALTER GREAVES (1846-1930) CREMORNE AIR BALLOON, CHELSEA Etching, signed in pencil, bears number 3 in a different hand, on cream laid, the full sheet, unframed Image 15.7 x 22.3cm. £150-250 | A good impression; in good condition | Nil |
|
280 |
| 1125 | WALTER GREAVES (1846-1930) CHELSEA, NEAR "THE ADAM AND EVE" Etching, signed in pencil, bears number 20 in a different hand, on cream laid, the full sheet, unframed Image 11 x 22cm. £150-200 | A good impression; in good condition | Nil |
|
420 |
| 1126 | SIR WILLIAM NICHOLSON (1872-1949) A CRICKETER (Campbell 44) Woodcut with hand colouring, scarce, published by May 1898, laid down onto support sheet as issued, the support sheet signed and dated 1898, numbered No.5 upper right Image size to outer edge of border 25.7 x 18cm. £200-400 | Repaired area in sky at right (approx 35 x 25mm); damage with minor paper loss at lower right hand corner The only impression of this subject recorded by Campbell was in the possession of William Heinemann Ltd and numbered 7 | Nil |
|
1300 |
| 1127 | SIR WILLIAM NICHOLSON (1872-1949) THOMAS EDISON (Campbell 113) Woodcut with hand colouring, published by William Heinemann c.1902, an impression from Edition A (of unspecified size: "a few sets are available"), laid down onto support sheet as issued, the support sheet signed, inscribed with title and numbered No 10 upper right Image size to outer edge of border 28.7 x 24.3cm. £300-500 | The hand colouring very pale; otherwise fair | Nil |
|
660 |
| 1128 | ALBANY E. HOWARTH (1872-1936) BAMBOROUGH CASTLE Etching, printed in sepia, with FATG blindstamp, signed in pencil, a good impression 39.5 x 55cm. £50-80 | Good condition | Nil |
|
50 |
| 1129 | STANLEY ANGUS (Fl.1932-1938) BAMBOROUGH CASTLE Etching, signed in pencil 23.5 x 41.5cm. £30-50 | Some very slight backboard staining within the image; otherwise in good condition | Nil |
|
40 |
