1008 |
AFTER "SNAFFLES" (1884-1967) THE R.A. HARRIERS Colour reproduction, lightly finished by hand, laid down onto support sheet with printed remarque, with blindtsamp, signed in pencil Image 32.5 x 49cm. £150-200 | Image discoloured to yellow/green; heightening perished; a couple of faint grazes | Nil |
|
310 |
| 1009 | AFTER "SNAFFLES" (1884-1967) `ANDSOME IS - WOT `ANDSOME DOES Colour reproduction, laid down onto support sheet with printed remarque, with blindstamp, signed in pencil 25 x 27cm. £150-250 | Some discoloration; support sheet with some mat burn | Nil |
|
230 |
| 1010 | AFTER "SNAFFLES" (1884-1967) MERRY ENGLAND Colour reproduction, laid down onto support sheet with printed remarque, with blindstamp, signed in pencil 27 x 26.5cm. £180-250 | Image discoloured to grey/green; nicks along bottom edge of image | Nil |
|
250 |
| 1011 | AFTER "SNAFFLES" (1884-1967) A BONA FIDE FOX CHASER Colour reproduction, laid down onto support sheet with printed remarque, with blindstamp, signed in pencil 25 x 30.5cm. £150-250 | Image discoloured to yellow/grey; 3cm. graze | Nil |
|
210 |
| 1012 | AFTER "SNAFFLES" (1884-1967) IF THERE IS PARADISE ON EARTH.. Colour reproduction, finished by hand with a little white heightening, laid down onto support sheet with printed remarque, with blindstamp, signed in pencil 26.5 x 49.5cm. £300-500 | Image satisfactory; support sheet discoloured | Nil |
|
480 |
| 1013 | AFTER "SNAFFLES" (1884-1967) A POINT TO POINT Colour reproduction, finished by hand, laid down onto chromolithograph support sheet, signed in pencil Image 19 x 38.5cm.; 37 x 63cm. overall £400-600 | Nil |
|
760 | |
| 1014 | PATRICK CAULFIELD (1936-2004) OCCASIONAL TABLE (Cristea 37) Screenprint in colours, 1972, signed in pencil, numbered 500/500, published by Observer Art, London, unframed Image 58 x 71cm. £200-250 | Some pale foxing, largely confined to the margins | Nil |
|
200 |
| 1015 | CIRCLE OF HENRY FUSELI, RA (1741-1825) ANGRY HEAD Pencil study 9 x 7cm. Exhibited: Bury St Edmunds Art Gallery, 1973 (approved by Geoffrey Keynes) £100-120 | Worn; damp and handling marks; small nick | Nil |
|
110 |
| 1016 | CIRCLE OF JOSEPH FARINGTON, RA (1747-1821) LANDSCAPE VIEW WITH A FIGURE ON STEPPING STONES, HILLS BEYOND Pen and brown ink with sepia and blue washes 18 x 21.5cm. £70-90 | Rather pale | Nil |
|
80 |
| 1017 | JOHN CLAUDE NATTES (c.1765-1822) COUNTRY FOLK ON A ROAD IN A RIVER VALLEY, A HAMLET BEYOND Signed, watercolour over traces of pencil 14 x 18cm. £250-300 | Pale sky; otherwise good | Nil |
|
220 |
| 1018 | ATTRIBUTED TO JOHN RUSSELL, RA (1745-1806) PORTRAIT OF A LADY, probably ELIZABETH LINLEY (1754-1792), THE "MAID OF BATH" Quarter length, wearing a green dress with gold brocade, in a landscape, pastels on paper 74.5 x 62cm. £1500-2500 | Good condition; fresh chalky surface; carved wood gilt frame | Nil |
|
1900 |
| 1019 | THOMAS ROWLANDSON (1756-1827) HAMMERSMITH Pen and grey ink with grey wash 24.5 x 36.5cm. Exhibited: Colnaghi's Provenance: Collection of J. Leslie Wright £800-1200 | Light stained; needs a clean | Nil |
|
2200 |
| 1020 | THOMAS ROWLANDSON (1756-1827) VIEW OF TILLICHEUN (sic), DUMBARTONSHIRE (sic) Inscribed with title and further inscribed "The Seat of Jno. Stirling Esqr on the West side of Loch Lomond", pen and brown ink with watercolour over traces of pencil 23.5 x 37cm. £1200-1800 | A little faded; generally good | Nil |
|
1900 |
| 1021 | THOMAS ROWLANDSON (1756-1827) FIGURES WATCHING AN ELEGANT PARTY ON A BARGE ON THE THAMES Pen and grey ink and watercolour 27 x 41.5cm. £2500-4000 | Overall fading; excellent details | Nil |
|
4600 |
| 1022 | WILLIAM PAYNE (FL.1776-1830) COTTAGE NEAR PLYMOUTH Watercolour over traces of pencil 19.5 x 25cm. Exhibited: Walkers Galleries Ltd, London £400-600 | Good condition; fresh colour | Nil |
|
|
| 1023 | JOSEPH FARINGTON, RA (1747-1821) A HOUSE AMIDST TREES Pencil 24.5 x 35.5cm. with a coastal study in grey wash by a follower of Thomas Sunderland, 12.5 x 18cm. Provenance: (Farington) Abbott and Holder. £80-140 | Each needs a light clean; the latter with some foxing | Nil |
|
60 |
| 1024 | JOHN WHITE ABBOTT (1763-1851) NEAR THE START, DEVON Inscribed with title, initialled and dated "July 20.1792." verso, watercolour with pen and sepia ink on washline support sheet 11 x 18. 5cm.; with a charcoal, ink and wash drawing of "Sunny hills from Notting Hill by the tank June 25th 1823", ascribed to Dr. Thomas Monro, 13 x 22.5cm. (2) £500-800 | Each needs a light clean; Monro with a few small nicks and some short tears at edges | Nil |
|
500 |
| 1025 | JOHN GENDALL (1790-1865) COUNTESS WEIR, EXETER Charcoal and watercolour 9.5 x 14.5cm.; with a watercolour by Sir Alfred East, RA, monogrammed and inscribed, 15 x 24cm. (2) £300-400 | Gendall fair, small blemish at right side; East good | Nil |
|
380 |
| 1026 | FRANCIS NICHOLSON (1753-1844) BLAISE CASTLE, NEAR BRISTOL Initialled and inscribed with title verso, watercolour and pencil 22 x 30cm. £200-300 | Needs a light clean | Nil |
|
200 |
| 1027 | NICHOLAS POCOCK (1740-1821) THE AVON AT BRISTOL BELOW ST. MARY REDCLIFFE Signed with initials and dated 1790, watercolour over an aquatint base with etched line 24.5 x 36.5cm. Provenance: Arthur Ackermann and Son (as a watercolour) £300-500 | Some slight surface rubbing; generally good | Nil |
|
520 |
| 1028 | SAMUEL JACKSON (1794-1869) ST. AUGUSTINE'S PARADE, BRISTOL Signed, watercolour with pen and ink over traces of pencil 18.5 x 29cm. £400-600 | A little faded; scattered foxing and retouched blemishes in sky | Nil |
|
740 |
| 1029 | EDWARD BIRD, RA (1772-1819) THE EMBARKATION OF LOUIS XVIII Inscribed verso, pen and brown ink with sepia wash over pencil 34.5 x 45cm. * Exhibit no.105 £250-400 | Good condition overall | Nil |
|
460 |
| 1030 | SAMUEL JACKSON (1794-1869) EFFECT AT SWANSEA Inscribed with title, watercolour 13.5 x 23.5cm. * Exhibit no.138 £200-300 | Good condition; a fresh and vivacious study | Nil |
|
1800 |
| 1031 | SAMUEL JACKSON (1794-1869) TINTERN Watercolour over traces of pencil 18.5 x 33.5cm. * Exhibit no.139 £300-400 | Pale sky; a little pale foxing | Nil |
|
280 |
| 1032 | SAMUEL JACKSON (1794-1869) A MAN SEATED AGAINST A TREE Watercolour and pencil study 12.5 x 14cm. * Exhibit no.140 £120-180 | Good condition; needs a very light clean only | Nil |
|
170 |
| 1033 | SAMUEL JACKSON (1794-1869) A VIEW IN THE WEST INDIES Watercolour and pencil with scratching out 18.5 x 24.5cm. * Exhibit no.168 £750-900 | Good condition. | Nil |
|
1250 |
| 1034 | SAMUEL JACKSON (1794-1869) LAKE AND MOUNTAINS (CADER IDRIS?) Watercolour and pencil 22.5 x 37cm. * Exhibit no.174(?) £400-600 | A little pale foxing | Nil |
|
580 |
| 1035 | SAMUEL JACKSON (1794-1869) LYME REGIS AND CHARMOUTH AFTER TURNER Sepia and blue wash over pencil heightened with scratching out 24 x 36cm. Provenance: Collection of G. W. Braikenridge £300-400 | Good condition | Nil |
|
700 |
| 1036 | JOHN SYER (1815-1885) BRISTOL CATHEDRAL AND DOCKS Signed, watercolour 28.75 x 41.5cm. £500-700 | Good colour; wash line mount and gilt frame | Nil |
|
800 |
| 1037 | SAMUEL PHILLIPS JACKSON, RWS (1830-1904) OLD ENGLAND AGAIN Signed and dated 1844, signed and inscribed on a label on the backboard, watercolour with scratching out 50.5 x 81cm. £1500-2000 | Good colour; original gilt frame | Nil |
|
1500 |
