1241 |
HAMISH LAWRIE (1919-1987) FARM BUILDINGS (recto); BOATS IN A HARBOUR (verso) Signed and dated 1953, also signed and dated verso, oil on board 33 x 56cm. £100-150 | Needs a clean | Nil |
|
90 |
| 1242 | ATTRIBUTED TO EDWARD ROBERT SMYTHE (1810-1899) THE GAMEKEEPER'S LAD WITH A PONY AND A HOUND Bears signature, faint inscription and date 1862 on the stretcher, probably an unfinished sketch, oil on canvas 39.5 x 34cm. £250-350 | A little retouching; thin in places | Nil |
|
600 |
| 1243 | F** DRUMMOND (Late 19th Century) A SURRENDER IN THE FRANCO-PRUSSIAN WAR Signed, oil on canvas, unframed 63 x 41.5cm. £400-600 | Lined; a little associated retouching; some craquelure; needs a light clean | Nil |
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| 1244 | WILLIAM SCOTT MYLES (c.1850-1911) A FAVOURITE CAT Signed, oil on canvas, slip frame 34.5 x 24cm. £300-400 | Good condition | Nil |
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| 1245 | CONTINENTAL SCHOOL, Circa 1900 CACTI, FLOWERS AND A JUG Signed indistinctly, oil on panel 51.5 x 42cm. £120-180 | A few surface grazes; a few minor superficial splits in the panel; small dabs of retouching | Nil |
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| 1246 | ATTRIBUTED TO ALLAN DOUGLAS DAVIDSON (1873-1932) A SIREN Oil on panel 27 x 16.5cm. £100-150 | Needs a light clean | Nil |
|
100 |
| 1247 | FRED BOTTOMLEY (1883-1960) THE CITY OF LONDON'S GUILDHALL Signed, oil on canvas 60 x 49.5cm. £400-600 | Good condition | Nil |
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| 1248 | FRED APPLEYARD (1874-1963) A POOL AMIDST TREES Oil on panel 39.5 x 29.5cm. £200-300 | Needs a light clean | Nil |
|
340 |
| 1249 | FREKE FIELD (Fl.1890-1894) AN INDUSTRIAL RIVERBANK Oil on canvasboard 23.5 x 16.5cm. Provenance: A gift to the vendor's family from the artist's daughter, Molly Field £150-200 | Needs a light clean | Nil |
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| 1250 | ANDREAS GYULA BUBARNIK (b.1936) STILL LIFE OF A CARAFE WITH FRUIT Signed, also signed and numbered R-1954 verso, oil on canvas 49.5 x 39.5cm. £150-250 | Good condition | Nil |
|
220 |
| 1251 | GEORGE PAICE (1854-1925) FILIPEEN; BALKAN A pair, both signed and dated 12, oil on canvas Each 34.5 x 44.5cm. (2) Provenance: These hunters were ridden by Mrs Dulcie Gertrude Florence Dalglish (nee Stephen) (1886-1965), granddaughter of the 4th Duke of Newcastle, who rode with the Fernie Hunt until her marriage in 1912 to Commander (later Rear Admiral, CB) R. C. Dalglish, RN. Thence by descent in the family. £700-1000 | Good condition | Nil |
|
680 |
| 1252 | HARRY FIDLER (1856-1935) THE LAST LOAD Signed, oil on canvas 34.5 x 38.5cm. £500-700 | Lined; a little associated retouching | Nil |
|
500 |
| 1253 | ARTHUR WILDE PARSONS (1854-1931) THE WITCHING HOUR OF NIGHT Signed, also signed and inscribed with title verso, oil on board 23 x 33cm. £250-350 | Good condition | Nil |
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| 1254 | JULES ERNEST RENOUX (1863-1932) LA SEINE PRES DU PONT ALMA Signed and numbered 33.6, oil on panel 26 x 34cm. Exhibited: London, Kaplan Gallery £800-1200 | Good condition | Nil |
|
760 |
| 1255 | ROBERT GENN (Canadian, b.1936) GILL NETTING ON A WESTERN CANADIAN SHORE Signed, oil on board 69 x 79cm. Provenance: A gift from the artist to the owner, c.1970 £800-1200 | Good condition | Nil |
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| 1256 | ALEXANDER JAMIESON (1873-1937) SCENE OF LE PETIT TRIANON, VERSAILLES Signed, oil on board 11.5 x 16.5cm. £200-300 | Good condition | Nil |
|
700 |
| 1257 | PROSPER ROTGE (1895-1969) LIFE STUDY: FEMALE NUDE Signed, oil on thin panel 43 x 35.5cm.; with another oil by the same hand, nude in an interior, signed, unframed, 33 x 41cm. (2) £150-200 | Each needs a light clean | Nil |
|
240 |
| 1258 | AUDREY LANCEMAN (b.1931) GOOD WOOD, DOREEN Signed, also signed and inscribed with title verso, oil on board 44.5 x 60cm. £100-200 | Good condition | Nil |
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| 1259 | HENRY HAREWOOD ROBINSON (Fl.c.1884-1896) TWO NIBBLES Signed, also signed and inscribed with title on a label on the reverse of the frame, oil on canvas 80 x 44.5cm. * Robinson moved from Concarneau to St Ives in 1888 and was a key member of the artistic colony that thrived in the town at that time. Although he exhibited at The Royal Academy between 1884 and 1896, Robinson's later career is not well recorded and his output appears to have been small. His work is currently featured in the Dawn of a Colony: St Ives 1811-1888 exhibition (Tate, St Ives) until September. £1500-2000 | Original condition; needs a clean; original gilt frame | Nil |
|
13000 |
| 1260 | WILLIAM DACRES ADAMS (1864-1951) RICHMOND BRIDGE Signed and dated 1906, also signed and inscribed on a canvas label on the frame, oil on canvas 67 x 49.5cm. £1200-1600 | Good original condition; needs a light clean | Nil |
|
2500 |
| 1261 | ALGERNON I'ONS (1870-1954) A SUMMER NIGHT IN CORNWALL Signed, inscribed with title and artist's address on the stretcher, oil on canvas 90 x 121cm. * This is a view at Boscastle showing the Lion Rock. Provenance: A gift to the vendor in 1965. £1000-1500 | Needs a light clean; original moulded frame with gilded leaf and berry decoration | Nil |
|
1600 |
| 1262 | ROY PETLEY (b.1951) HARBOUR AT TOULON Signed, oil on board 30 x 44.5cm. £400-600 | Good condition | Nil |
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| 1263 | ROY PETLEY (b.1951) THE HARBOUR, LA LANAUDOU, SOUTH OF FRANCE, 1982 Signed, also inscribed and dated verso, oil on board 29 x 44cm. £500-700 | Good condition | Nil |
|
480 |
| 1264 | ROY PETLEY (b.1951) PICKNIC (sic) UNDER THE WHITE GUM TREE Signed, inscribed with title verso, oil on board 29.5 x 44.5cm £400-600 | Good condition | Nil |
|
400 |
| 1265 | ROY PETLEY (b.1951) BARGES ON THE ORWELL Signed, also signed, inscribed and dated May 1979 on a label verso, oil on board 40 x 60cm. £600-800 | Good condition | Nil |
|
600 |
| 1266 | ROY PETLEY (b.1951) LA LANAUDOU Signed and dated 80, oil on board 79 x 100cm. Provenance: Lots 1262 to 1266 and lot 1157 were all acquired directly from the artist by the vendor in the early part of his career, circa 1979-1982. £2500-3000 | Good condition | Nil |
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| 1267 | PHILIP WILSON STEER (1860-1942) LANDSCAPE Signed and dated 1901, oil on canvas 39.5 x 54.5cm. £1500-2000 | Needs a light clean only | Nil |
|
3800 |
| 1268 | ISABEL WRIGHTSON (b.1890) UNLOADING THE CATCH IN A CORNISH FISHING HARBOUR Signed and dated 1951, oil on canvas 62 x 74.5cm. £800-1200 | Good condition; needs a very light clean only | Nil |
|
1950 |
| 1269 | WALTER RICHARD SICKERT, RA, PRBA (1860-1942) ST. JACQUES FACADE, DIEPPE Signed, oil on board 23 x 18cm. Exhibited: Eastbourne, Towner Art Gallery, Sickert in Dieppe Provenance: R. Hippisley-Cox Esq (1857-1923), a surgeon; and thence by descent Literature: Wendy Baron, Sickert, (London, 1973), p.322 Baron acknowledges Sickert's fondness for this view in Dieppe by citing seven versions on canvas and a further seven on panel (or board), all datable to c.1899-1900 (further examples have since come to light). She notes that Sickert sought fresh interpretations of the theme by cropping the view in different ways, by varying the clusters of figures, by observing the facade under different effects of light and by altering his technique. "Thus," she observes, "no one version is a replica of, or even very close to, another picture." Baron suggests that the most completely realized view is the one in the Whitworth Art Gallery in Manchester but the many pencil drawings of the same facade are to be interpreted as finished works in their own right and not merely as preparatory studies. Sickert's fascination with the subject under different conditions was not dissimilar to Claude Monet's numerous views of Rouen cathedral of the early 1890's but Sickert's stay in Dieppe (from 1896-1905) allowed him to develop both Realist and Impressionistic approaches to his art. He had settled there following his bitter divorce from Ellen Cobden but also wished to escape the tedious portrait work that had dominated his subject matter in London. He had been familiar with the town since 1879 but his mother, Eleanor Henry, had been brought up there. Sickert adored Dieppe so much that the artist Jacques Emile Blanche called him "the Canaletto of Dieppe" but Spencer Gore lured him back to England in 1905 to settle in Mornington Crescent and establish the foundations of The Camden Town school. £8000-12000 | Nil |
|
22000 | |
| 1301 | A CARRIAGE CLOCK dial white enamel with blue embellishments, indistinctly signed, movement repeating with lever escapement striking on a gong, 5 1/2ins. (14cms.) high £800-900 | Nil |
|
740 |
